An absolute holy grail piece for prop collectors and Terminator fans alike. This is an original, officially licensed 1:1 scale T-800 Endoskeleton Skull released by the legendary (and now defunct) Icons Authentic Replicas in the late 1990s. Icons was a pioneer in the studio-accurate replica space, casting their pieces directly from original production-used props. This particular piece is #357 of a limited production run. Icons Authentic Replicas originally planned a run of 3,750 units, but Icons filed for bankruptcy mid-production, so only roughly 500 to 750 completed units actually reached buyers before production stopped. The Icons T-800 Endoskeleton Skull: Highly detailed, chrome-plated finish with the iconic piercing red light-up eyes (batteries need replacement, battery compartment cover is secure and needs gentle assistance to open due to age). Original Numbered Plaque, original Certificate of Authenticity (COA) issued by Icons, Icons Guarantee of Quality Certificate, original instruction sheet with step-by-step documentation originally included in the box as well as the original Icon branded cardboard box it was shipped in. Has been cautiously protected with gray foam inside the plexi case. Condition Report: As a vintage collectible approaching three decades old, this piece has been displayed for one month out of the year only and is in pristine condition, retaining its brilliant chrome luster and menacing shelf presence. The housing (case and base) shows some wear. The acrylic display case is cracked in several places and taped together. The black acrylic base shows visible surface scratches and scuffs from handling over the years but in overall good condition. Complete Icons kits with all original documentation rarely hit the market. (approx. case measurements 13"x11"x11"). Email for additional hi res photos showing the pristine condition.

Pirates of the Caribbean: Dead Man's Chest (2006) & At World's End (2007) – Will Turner's (Orlando Bloom) Screen-Used Stunt Cutlass. An exceptional, production-used hero stunt cutlass wielded by Orlando Bloom as the legendary blacksmith-turned-pirate Will Turner across two of Disney’s most successful franchise installments: Dead Man's Chest and At World's End. Because director Gore Verbinski shot both sequels back-to-back to maximize the massive scale of the productions, select "hero" weapons like this one were carefully tracked, maintained, and reused across both films. This specific cutlass was designed for the demanding, high-impact stunt and swordplay sequences that came to define Orlando Bloom’s physical performance in the franchise. Dimensions: Approximately 29" x 7" (Oversized item). Expertly crafted from lightweight, unsharpened stunt metal. This material allowed the prop to retain the authentic metallic gleam, catch studio lighting beautifully on camera, and make realistic contact sounds during complex choreography while ensuring actor and stunt team safety. Features a custom-carved, ergonomically finished real wood handle, weathered by the property department to simulate heavy seafaring wear. A distinct, authentic crest impression is stamped directly onto the blade near the shoulder of the guard—a detail reserved for the film's primary hero weapon styles. Oversized item. Additional shipping charges required.

Master Replicas (Released in 2007 under the Walt Disney Showcase Collection) Model: DS-182 Rare! Artist Proof (AP) Edition. While the standard limited edition was capped at 2,000 pieces, this specific piece is an exclusive Artist Proof, making it significantly rarer. AP editions are highly guarded by prop collectors. They were generally reserved for studio executives, promotional archives, or factory masters, meaning only a tiny handful exist compared to the 2,000 regular units. This is a museum-quality, full-scale 1:1 replica of the legendary Dead Man's Chest containing the heart of Davy Jones. The exterior features panels textured with a rugged, weathered wood-grain style, wrapped with detailed, faux-iron straps, rivets, and ornate sculpted carvings of intertwined sea serpents. The centerpiece of the front panel is the highly detailed, multi-layered metal locking mechanism designed to look like a stylized, multi-legged crab carapace shielding the keyholes. The chest opens to reveal a meticulously detailed interior. The inside of the lid is lined with an intricate, dark faux-iron support grid and dual internal locking bars modeled after the heavy-duty mechanics seen on the close-up hero film prop. Documentation & Accessories This lot is exceptionally well-preserved and includes its complete accompanying literature. The item comes with: The Davy Jones Key: This is a 1:1 scale, heavy cast-metal "skeleton" style key. True to the movie prop, it features a highly unique, asymmetrical double-pronged (twin-barrel) shaft rather than a traditional single-bit key design. It features a heavily weathered, pitted, and textured antique green-bronze finish. This specialized patina gives it a "sunken treasure" aesthetic, designed to look as though it was recovered from the ocean floor or worn directly around the neck of Davy Jones himself. The key includes an attached 22-inch genuine leather cord threaded through the bow (handle) of the key, allowing it to be worn as a prop replica necklace. The chest's intricate front crab-lock mechanism can be opened manually by turning the outer housing, but inserting and slowly turning this specific double-pronged key clockwise completes the true theatrical experience of unlocking the chest. The official Master Replicas / Walt Disney Showcase Collection dual-fold Certificate of Authenticity (COA) folder. The original Master Replicas collector's warranty card and business reply mail insert. The original "Lock Operation and Care Instructions" sheet outlining proper setup and unpacking protocols. The Artist Proof Plaque The defining element of this specific piece is the official metal display plaque featuring the Pirates of the Caribbean logo and the Walt Disney Showcase Collection stamp. The plaque explicitly designates this unit as a "Limited Edition: Artist Proof" rather than a standard numbered edition. Packaging The lot includes the original full-color graphic collectible art box featuring the iconic Pirates of the Caribbean skull-and-cross-swords branding, the Master Replicas 2002–2007 timeline emblem, and the Walt Disney Showcase Collection logo. (18"x12"x12")

Star Wars: Episode I - The Phantom Menace Limited Edition (Model: SW-152) Qui-Gon Jinn Lightsaber Prop Replica Manufacturer: Master Replicas (Released in 2006) Edition Size: Limited to 2,500 pieces worldwide (This specific unit is number 1295 of 2500). Item Description This is a museum-quality, 1:1 full-scale replica of the iconic lightsaber hilt wielded by Jedi Master Qui-Gon Jinn during the Battle of Naboo. Machined from high-grade aluminum, the hilt showcases a signature matte-black grooved chassis accented by crisp, polished silver rings on the emitter and pommel. It features a bright red anodized activation button and the unique, rare knurling texture characteristic of the original hero film prop. The hilt is resting on its official Master Replicas presentation stand, which features clear acrylic cradles over a sleek black base with a mirrored surface. Documentation & Accessories This is extraordinarily complete, retaining all its factory literature and original handling supplies. The lot includes: The official Master Replicas dual-fold Certificate of Authenticity (COA) folder detailing the prop's design and production history. The original Master Replicas Collector's Edition Limited Warranty card and accompanying Acrylic Cleaning Instructions. The 2006 Master Replicas Collectors Society registry form and promotional inserts. The original, unused black microfiber cleaning cloth safely sealed in its factory plastic packaging. The official brushed-metal display plaque, hand-numbered as 1295 / 2500. Packaging The prop comes in its original black collectible cardboard art box, featuring clean, gloss-black debossed Star Wars and Master Replicas branding. The side panel retains the original manufacturer's barcode label identifying it as model SW-152. The exterior box shows only minor, negligible shelf wear and remains structurally excellent. (17"x11"x8")

Edition: Star Wars: Episode II - Attack of the Clones Limited Edition (Model: SW-103) Obi-Wan Kenobi Lightsaber Replica Manufacturer: Master Replicas (Released in 2002) Edition Size: Limited to 2,500 pieces worldwide (This specific hilt is number 1363 of 2500). This is a museum-quality, 1:1 full-scale replica of the elegant lightsaber hilt wielded by Jedi Knight Obi-Wan Kenobi in Attack of the Clones. Recut from original Lucasfilm archival materials, this replica features a bright chrome-plated finish, a distinctive ribbed black grip section, a prominent red activation button, a gold-colored control knob, and a segmented pommel with silver cubes. The prop is resting on its official Master Replicas display stand featuring clear acrylic supports over a black frame with an integrated mirrored base. Case & Packaging Unlike the later cardboard-only art boxes, this early 2002 release features a premium presentation upgrade. The hilt comes safely nested inside its original black faux-leather presentation display case lined with vibrant royal blue velvet cushioning. The 2002 releases are highly sought after because of this premium velvet case. The entire inner display case is housed within its original black outer protective cardboard slipcase/art box, decorated with gold foil Star Wars and Master Replicas branding. The side panel retains the original manufacturer's barcode label identifying it as model SW-103. Documentation & Accessories This lot is incredibly well-preserved and includes its complete accompanying literature which contains: The official Master Replicas dual-fold Certificate of Authenticity (COA) folder detailing the design development variations between the Episode I and Episode II prop hilts. The original Master Replicas "Spring 2002" Product Catalog. The original Master Replicas Collector's Edition Limited Warranty card and the matching Business Reply Mail registration envelope. The independent metal display plaque, hand-numbered as 1363 / 2500. (Box (not including the stand included): 13"x5"x4").

Star Wars: Episode II - Attack of the Clones Jango Fett Blasters 1:1 Scale Prop Replicas (Set of Two) Manufacturer: Master Replicas (Released in 2003) Model Number: SW-114 Edition: Limited Edition (This specific set is number 1119 of 1500). Item Description This is a full-scale 1:1 prop replica set of the WESTAR-34 blaster pistols wielded by the infamous bounty hunter Jango Fett. Master Replicas created this set using 3D digital scans of the actual film props, making them extremely accurate. The blasters are constructed from high-quality metals, featuring a brilliant, mirror-polished chrome finish and contrasting satin-silver finished ergonomic grips. This specific set is presented on its original Master Replicas custom display stand, which utilizes sculpted clear acrylic supports over a black-framed mirrored base, elegantly displaying both blasters in a crossed formation. The Numbered Plaque and Stand The display stand is completed by the official, heavy metal Master Replicas plaque. The plaque clearly identifies the prop as the "Jango Fett Blasters" from "Episode II: Attack of the Clones," bearing both the classic Star Wars logo and the Master Replicas stamp. It confirms this is Limited Edition number 1119/1500. Documentation and Accessories The set includes all its crucial original paperwork, consisting of: The official multi-page Master Replicas dual-fold Certificate of Authenticity (COA) folder. The original Master Replicas Limited Edition Warranty card. The original "$25 off your next replica" promotional card. The original clear vellum protective sheet featuring the "Master Replicas Certified Prop Replica" seal. Packaging The prop is protected by its original black Master Replicas collectible art box. The box features debossed and gold-foil Star Wars and Master Replicas logos, and the side panel retains the original model number barcode label (SW-114). The interior form-fitting protective inserts are also present.

Star Wars: Episode III - Revenge of the Sith Limited Edition Obi-Wan Kenobi Lightsaber (Model: SW-130) Manufacturer: Master Replicas (Released in 2005) Edition Size: Limited to 4,500 pieces worldwide This is a museum-quality, 1:1 full-scale replica of the sleek lightsaber hilt wielded by Jedi Master Obi-Wan Kenobi during his climactic battle with Anakin Skywalker on Mustafar. Machined from top-quality materials, the hilt showcases a brilliant chrome finish accented by a distinctive brass neck, copper emitter details, a ribbed black grenade-style grip section, and an integrated control box. The piece is resting on its official Master Replicas custom presentation stand, featuring clear acrylic cradles over a sleek black base with a mirrored surface. Documentation & Accessories This piece is extraordinarily complete and exceptionally preserved. The lot includes: The official Master Replicas dual-fold Certificate of Authenticity (COA) detailing the prop's archival construction history. The original Master Replicas Limited Edition Warranty card. The official "Acrylic Cleaning Instructions" care sheet for maintaining the display base. The lot features the official brushed-metal display plaque. The prop comes in its original black collectible art box, boldly emblazoned with the red Star Wars: Revenge of the Sith logo. The side panel of the box retains the original barcode label identifying it as model SW-130. (Box size: 18.5"x11"x8")

Star Wars: Episode III - Revenge of the Sith Limited Edition (Model: SW-121) Anakin Skywalker Lightsaber Prop Replica Manufacturer: Master Replicas (Released in 2005) Edition Size: Limited to 4,500 pieces worldwide Item Description This is a movie-accurate, 1:1 full-scale replica of the fateful lightsaber hilt wielded by Jedi Knight Anakin Skywalker as he falls to the dark side in Revenge of the Sith. Constructed from top-quality materials, the hilt features a highly polished chrome-plated brass body, a knurled center band, a copper-colored activation dome switch, six matte black hand grips, and an integrated control box top. The piece rests on its official Master Replicas presentation stand, which features clear acrylic cradles over a sleek black-framed mirrored base. Case & Packaging The lot includes its original black collectible cardboard art box, boldly stamped with the red Star Wars: Revenge of the Sith logo. The side panel of the box retains the original manufacturer's barcode label identifying it as model SW-121. Documentation & Accessories This piece retains its essential original literary collateral which includes: The official Master Replicas dual-fold Certificate of Authenticity (COA) folder detailing the prop's design evolution and construction history from original Lucasfilm archival materials. The original Master Replicas Limited Edition 90-day warranty card. Condition Report Plaque Condition: The official metal display plaque is missing its silver front identification faceplate, leaving only the black plastic backing block and adhesive residue. The specific limited edition serial number is currently unavailable. Box Wear: The exterior of the black cardboard art box shows notable shelf wear, surface scuffing, scratches, and a large area of paper skinning/peeling on the right side. (17"x11"x8")

Star Wars: Episode IV - A New Hope Limited Edition (Model: SW-119) Medal of Yavin Replica Manufacturer: Master Replicas (Released in 2004) Edition Size: Limited to 1,500 pieces worldwide (This specific unit is number 660 of 1500). Item Description: This is a movie-accurate, 1:1 full-scale prop replica of the Medal of Bravery bestowed upon Luke Skywalker and Han Solo by Princess Leia Organa during the iconic royal award ceremony following the destruction of the Death Star. The medal is constructed from solid die-cast metal featuring a heavy 18-karat matte gold plating. It is suspended by its original olive-green ceremonial ribbon and comes beautifully nested inside the lower section of its custom jewelry-style box, bordered by a textured black velvet-style cushion. Presentation Case & Packaging The inner presentation box is a sleek, black lacquered case. The top lid features a distinctive, subtly debossed Alliance Starbird (Rebel insignia) centered on its surface. The presentation case is housed inside its original black protective cardboard outer slipbox, which is detailed with the Master Replicas and classic Star Wars logos in gold foil. The side panel retains the original manufacturer's label identifying it as model SW-119. Documentation & Accessories Features the complete array of original accompanying documentation which includes: The official Master Replicas dual-fold Certificate of Authenticity (COA) folder detailing the design team's history tracking down an original screen-used prop casting to build the replica patterns. The original Master Replicas "Important Safety Instructions" and Limited Warranty sheet. The official brushed-metal display plaque, hand-numbered as 660/1500, sitting securely inside the display layout. (outer box measures: 11"x8"x2").

Star Wars: Episode V - The Empire Strikes Back Signature Edition (Model: SW-154SE) Boba Fett Full-Scale Prop Replica Helmet Manufacturer: Master Replicas (Released in 2007 for the Star Wars 30th Anniversary) Rarity: Limited to only 750 pieces worldwide (This specific item is number 061 of 750). This a movie-accurate, 1:1 full-scale prop replica of Boba Fett's iconic Mandalorian helmet. It features a meticulously detailed, weathered paint scheme replicating the extensive battle damage, scuffs, and kill stripes from The Empire Strikes Back. The helmet includes the signature right-side rangefinder/targeting arm, positioned upright. It sits on its original Master Replicas matte black display stand, complete with the prominent front display plaque mount. Documentation & Accessories Unlike many loose pieces on the market, this item is exceptionally complete. This lot includes the official Master Replicas Boba Fett product booklet, The bright orange "Not Intended for Use as a Toy" collector's warning insert, original product registration paperwork, Master Replicas Collectors Society 2007 promotional inserts, and technical handling instructions. The Signature Plaque The crown jewel of this specific lot is the authentic, metal Master Replicas Signature Edition plaque. It features the crisp, bold signature of Jeremy Bulloch, the legendary actor who physically portrayed Boba Fett in the original trilogy. The plaque clearly designates this piece as Signature Edition: 061 of 750. Jeremy Bulloch sadly passed away in 2020, making this officially licensed, authenticated signature plaque more valuable. Packaging The item comes with its original black collectible art box, showcasing the Master Replicas 2002–2007 logo, the Star Wars 30th Anniversary stamp, and the "Signature Edition" designation. The box shows minor wear but remains structurally intact. Small tear in the outer packaging. Open box item, but like new condition. The outer box glue has loosened, but the packaging is intact. (22"x13"x15")

Edition: Star Wars: Episode V - The Empire Strikes Back Signature Edition (Model: SW-151SE) Studio Scale AT-AT Imperial Walker Replica Manufacturer: Master Replicas (Released in 2006) Rarity: Limited to only 750 pieces worldwide (This specific unit is number 430 of 750). Item Description This is a studio-scale replica of the terrifying All Terrain Armored Transport (AT-AT) Imperial Walker, meticulously copied 1:1 from the original 19-inch stop-motion filming models used by Industrial Light & Magic (ILM). The walker stands on an intricately detailed, snow-covered Hoth terrain display base featuring a molded, crashed Rebel Snowspeeder. Documentation & Accessories This example retains its essential original literary collateral and includes: The official Master Replicas multi-page AT-AT Signature Edition product booklet featuring historical behind-the-scenes imagery of ILM's stop-motion production. The gold-stamped Master Replicas Certificate of Authenticity (COA) folder. The original Master Replicas Collector's Edition Limited Warranty and Acrylic Cleaning Instructions insert sheet. The Signature Plaque A core value of this piece is its authentic, metal Master Replicas Signature Edition plaque seamlessly integrated into the Hoth snowscape base. It features the bold, crisp signature of legendary special effects supervisor and stop-motion master Phil Tippett, hand-numbered as Signature Edition: 430 of 750. Condition Report Chunkey/Base Wear: There is notable cosmetic chipping/scuffing on the finished black wooden frame corner of the presentation base, exposing the raw under-wood. The plexiglass cover is cracked in several areas around the base. Detached/Broken Components: A few of the foot-mounted laser cannons are currently detached. Some resin components have clean fractures (a very common casualty with this specific model due to the brittle nature of the fine-scale parts). These pieces are gathered and included, ready for professional restoration. Will require freight or heavy-duty custom packing by a third party shipping company. (Size of replica in plexi case: 27"x21.5"x11")

Star Wars: Episode V - The Empire Strikes Back Limited Edition (Model: SW-110) Luke Skywalker Lightsaber Replica Manufacturer: Master Replicas (Released in 2003) Edition Size: Limited to 2,500 pieces worldwide (This specific hilt is number 1156 of 2500). A highly accurate, 1:1 full-scale prop replica of the legendary lightsaber wielded by Luke Skywalker during his fateful confrontation with Darth Vader on Bespin. Modeled after the vintage Graflex flashgun prop, it features a brushed metallic body, an integrated glass eye indicator, a red button activation switch, a central control clamp with a patterned circuit board card, and structured black grip tracks affixed to the lower handle. The piece is resting on its official Master Replicas display stand, which utilizes clear acrylic cradles over a sleek black-framed base with an integrated mirrored surface. Case & Packaging As an early 2003 release, this replica features Master Replicas' highly desirable, top-tier presentation packaging. The hilt comes beautifully nested within its original black faux-leather presentation display case lined with premium royal blue velvet cushioning. The inner presentation box is housed inside its original black outer protective cardboard slipcase/art box, decorated with gold foil Star Wars and Master Replicas branding. The side panel retains the original manufacturer's barcode label identifying it as model SW-110. Documentation & Accessories This lot is exceptionally complete and well-preserved. Includes: The official Master Replicas dual-fold Certificate of Authenticity (COA) folder detailing the design changes made to the prop between A New Hope and The Empire Strikes Back. The original Master Replicas Official Prop Replicas Product Catalog. The original Master Replicas Collector's Edition Limited Warranty card, an envelope containing an official Master Replicas "Special Invitation," and a matching Business Reply Mail registration envelope. The official metal display plaque, hand-numbered as 1156 / 2500. Condition Report Base Wear: There is a tiny ding/nick on the front-left corner edge of the black finished wooden display base, exposing a trace of the lighter material underneath. The mirror and acrylic supports themselves remain pristine. (box only measures: 13"x5x5"x5", not including the stand).

Star Wars: Episode V - The Empire Strikes Back Limited Edition (Model: SW-169LE) Luke Skywalker DL-44 Blaster Replica Manufacturer: Master Replicas (Released in 2007 for the Star Wars 30th Anniversary) Edition Size: Limited to 1,500 pieces worldwide A highly accurate 1:1 full-scale replica of the non-firing prop blaster wielded by Luke Skywalker in The Empire Strikes Back. The design is famously built around the German Mauser C96 pistol body, featuring an attached custom-machined flash suppressor, a replica targeting scope, and finished ribbed wood-grain style grips. The piece is displayed on its official Master Replicas custom presentation stand, which features clear acrylic supports over a black base with an integrated mirrored surface to elegantly show off the underside details of the prop. The replica comes with its original black collectible art box, decorated with the classic Star Wars logo, item description text, the Master Replicas 2002–2007 timeline mark, and the official Star Wars 30th Anniversary logo stamped on the bottom left corner. Plexiglass case in pristine condition. Outside box measures: 18"x10"x14". Like new—opened once strictly to take photos. Comes complete with original cardboard box and styrofoam inserts.

Star Wars: Episode V - The Empire Strikes Back Boba Fett Life-Size Bust (1:1 Scale) Replica Manufacturer: Sideshow Collectibles Edition: The Empire Strikes Back Limited Edition Rarity: Number 0498 of 1000 worldwide This is a massive, movie-accurate life-size (1:1 scale) bust of the legendary bounty hunter, Boba Fett. The bust features his iconic weathered Mandalorian helmet (which has a functional rangefinder) and detailed chest armor bearing the Mythosaur skull sigil and Wookiee scalp braids draped over the shoulder. This specific piece is limited edition unit 0498 of 1000 and is based directly on his appearance in Episode V: The Empire Strikes Back. Condition & Accessories It is exceptionally well-preserved and is in pristine collector's condition. The lot includes: The original form-fitting polystyrene inner packaging. The matching Boba Fett fabric cape, to be draped over the left shoulder during display. The detachable rangefinder stalking arm for the helmet. (Measurements in styrofoam protection: 30"x25"x15"). Oversized and fragile. Must be packed and shipped by a third party shipping company.

This is a definitive studio-scale replica of the Millennium Falcon as featured in Star Wars: Episode V - The Empire Strikes Back. This is the incredibly rare Signature Edition, limited to an extremely low production run of just 500 pieces worldwide. This specific unit is hand-numbered as 066 of 500. The central piece is the museum-quality 1:1 full-scale Millennium Falcon studio replica. It was meticulously engineered by Master Replicas using the original six-foot ILM filming model, capturing every precise hull detail, complex weathering pattern, and the multi-layered paint finish. The model is displayed on its official, custom presentation stand, which features clear acrylic cradles over a sleek black-framed mirrored base. The hilt condition of the replica is immaculate, showing its weathered appearance as intended, and it includes a functional internal lighting system that beautifully illuminates the cockpit, the engine array, and the quad-laser turrets. The defining element of this "Signature Edition" is the authentic, metal display plaque, hand-signed by Harrison Ford (Han Solo). The bold, hand-signed signature is crisp and prominently positioned on the plaque, alongside the text "Millennium Falcon™ SIGNATURE EDITION" and "Limited Edition: 066 of 500." The plaque also bears the official Lucasfilm and Master Replicas stamps. The lot features an extensive array of specific documentationwhich includes: Harrison Ford Autograph Confirmation: A dedicated photograph of Harrison Ford physically signing one of the Millennium Falcon plaques. The Signature Edition COA Booklet: A full-page, official multi-page Certificate of Authenticity (COA) folder detailing the prop's design evolution and construction history from archival Lucasfilm materials. The Black Envelope Packet: The distinct, black envelope from which the supporting collateral materials emerge. Harrison Ford Photo: An official photograph of Harrison Ford (as Han Solo). Master Replicas Collectors Society Collateral: A special invitation to join the Collectors Society and its associated registry form. Mounting and Technical Care Instructions: The full, original set of instructions for properly mounting and maintaining the large Falcon replica. The Conservation International Donation Form: The very rare and critical official full-page document from Master Replicas and Cool Waters Productions announcing that Harrison Ford donated a portion of the Signature Edition proceeds to Conservation International. This form features a matching limited edition number of 066 and has been hand-signed a second time by Harrison Ford. This lot represents the apex of Star Wars prop collecting. The combination of the iconic Millennium Falcon, its museum-scale studio accuracy, the highly coveted Harrison Ford signature, and the complete set of original collateral—including the elusive Conservation International form—commands a premium, collector-grade find. (Measurements in styrofoam packaging: 40"x31"x20"- heavy and oversized. Will require 3rd party packing and shipping.)

Star Wars: Episode VI - Return of the Jedi (1983) – Screen-Used Sarlacc Pit Tooth An extraordinary, museum-quality original, screen-used production prop from Lucasfilm’s iconic 1983 space opera masterpiece, Star Wars: Episode VI - Return of the Jedi. With original trilogy Star Wars artifacts becoming exceptionally rare and almost entirely locked away in private institutional collections, this offering represents a premier opportunity to own a tangible piece of cinematic history. This large-scale tooth was meticulously crafted by the creature effects department for the legendary, desert-dwelling Sarlacc Pit sequence filmed in the Imperial Sand Dunes of Buttercup Valley, California. Sourced directly from the private collection of an original 1983 Return of the Jedi production crew member. Originally brought to the market and authenticated by Premiere Props in 2011 as part of a rare matched set. Dimensions: Approximately 16" x 3" x 2". Lightweight, high-density production foam-resin, expertly painted and weathered by the creature effects crew to resemble an ancient, calcified, bone-like structure capable of surviving the "Great Pit of Carkoon."

Star Wars: Episode VI: Return of the Jedi Boba Fett EE-3 Carbine Blaster Prop Replica Edition: Signature Edition (Model Number: SW-148SE) Manufacturer: Master Replicas (Released in 2006) Edition Size: limited to 1,000 pieces worldwide (This unit is 0843 / 1000) Signature: Authentic, hand-signed signature of Jeremy Bulloch. Item Description This is a museum-quality, full-scale 1:1 prop replica of the iconic EE-3 carbine rifle wielded by Boba Fett in Return of the Jedi. It features a complex design based on a modified Webley & Scott flare pistol, with an extended fluted barrel, stock, and attached scope. True to the film's "used universe" aesthetic, the replica is finished with accurate weathering, including heat-scarring and copper/rust-colored patina across the receiver and fluted barrel shroud. The stock details greebles, accurately replicating the "kit-bashing" of the original filming props. The Signature and Documentation This is the Signature Edition. The replica includes the official Master Replicas signature plaque, featuring the handwritten signature of Jeremy Bulloch, the legendary actor who portrayed Boba Fett in the original trilogy. The plaque also bears the official Star Wars logo and designates this unit as 0843 of 1000. This lot is complete, retaining its original supporting literature, including the detailed dual-fold Certificate of Authenticity folder, which includes historical context on the prop and a photograph of Bulloch signing the plaque. The original 2006 warranty card is also present. (Blaster: 32"x8"x4", bottom display: 37"x8"x9". Plexi case is cracked/damaged in a few areas (please email for photos of the plexi case prior to bidding). Plexi case: 36"x12"x9".) Oversized and fragile. Must be packed and shipped by a third party shipping company.

2004 Collectors Society Exclusive "Elite Edition" (Model: SW-127EE) Luke Skywalker Lightsaber Prop Replica Manufacturer: Master Replicas (Released in 2004) Edition Size: Limited to 750 pieces worldwide (This specific unit is number 15 of 750). Item Description This is a museum-quality, 1:1 full-scale prop replica of the iconic lightsaber hilt wielded by Luke Skywalker in Return of the Jedi. Recut from original Lucasfilm archival materials, this "Elite Edition" replica features a distinctive copper-plated neck section and an ornate control box detailed with a patterned circuit card, a small red indicator light, and a functioning green arrow switch. The hilt is resting on its official Master Replicas display stand featuring clear acrylic supports over a black frame with a mirrored surface. Documentation & Accessories This example is extraordinarily complete and exceptionally preserved. The lot includes: The official Master Replicas dual-fold Certificate of Authenticity (COA) folder detailing the design development variations of this specific "Elite Edition" variant. The original Master Replicas Official Prop Replicas limited warranty card. The independent metal display plaque, hand-numbered as 15 / 750, shown unmounted in its original protective polystyrene insert. Packaging The prop comes in its original black collectible art box, boldly stamped with the gold-foil Star Wars: Elite Edition logo. The side panel retains the original model barcode label identifying it as model SW-127EE. The outer art box rests within its original white form-fitting protective polystyrene inner packing blocks. (Oversized/Heavy item - additional shipping charges required. 24"x18"x14" with plexiglass case).

An extraordinary, massive 1st-generation studio casting of the iconic Alien Attacker (also known as the Alien Fighter) from Roland Emmerich’s sci-fi blockbuster Independence Day (1996). Pulled directly from the original production molds created by the Academy Award®-winning visual effects team at Hunter/Gratzner Industries, this massive 48-inch display piece showcases the distinctive bio-mechanical design aesthetic created for the film’s high-stakes aerial dogfight sequences. Design & Production Background Designed by production designer Patrick Tatopoulos, the Alien Attacker craft were engineered as primary atmospheric fighters deployment units from the 15-mile-wide City Destroyers. The design combines organic, crab-like biomechanical armor plates with swept, forward-curving wing structures and the central command node superstructure. Because Independence Day relied heavily on practical physical effects alongside groundbreaking CGI, large-scale visual effects miniatures were crafted for dynamic filming and pyrotechnic destruction. A 1st-generation casting of this scale offers unrivaled surface detail, retaining all the intricate greebling, panel lines, and fine structural texturing present on the screen-used studio models. Key Features & Specifications Dimensions: 48-inch wingspan. Casting Quality: 1st generation casting pulled directly from primary production molds, preserving sharp surface details and crisp line work. Sculpt Details: Features the central dorsal cockpit pod, forward plasma cannon housing, and biomechanical hull plating. Base/Transport Ready: Already secured to a heavy-duty custom base crate measuring 50" x 51", protecting the lower structures and streamlining transport setup. Freight & Shipping Logistics: Dimensions on Base: 50" W x 51" L. Due to the oversized dimensions and delicate nature of this piece, standard ground shipping is unavailable. The buyer will need to arrange third-party freight/crating service for pickup and delivery. (Base palleting is already in place to facilitate safe handling).

Independence Day (1996) – 1st-Generation Production-Mold Casting: City Destroyer Bottom Hull Panel (56" x 24") An extraordinary, massive 1st-generation studio casting of a bottom hull section from the iconic City Destroyer spacecraft in Roland Emmerich’s sci-fi epic Independence Day (1996). Measuring an impressive 56 inches long by 24 inches wide, this production-pulled panel offers an incredible, close-up look at the intricate surface details of one of cinema’s most recognizable alien motherships. Design & Production Heritage Designed by Patrick Tatopoulos and brought to life by the Oscar®-winning visual effects artists at Hunter/Gratzner Industries, the 15-mile-wide City Destroyers required massive practical studio miniatures for detailed filming. To convey the immense scale of these world-ending ships, VFX model makers built huge, highly complex surface layouts packed with dense greebling, panel lines, and intricate mechanical detail. Because this piece is a 1st-generation casting taken directly from the actual production molds, it preserves every fine architectural line, recessed vent, and intricate surface pattern molded for the studio models, delivering crisp, screen-accurate detail across every inch. Key Features & Specifications Dimensions: 56" L x 24" W Provenance Details: 1st-generation pull directly from original studio production molds. Surface Architecture: Packed with fine, multi-layered greeble structures, structural panels, and biomechanical detail reflecting the bottom hull design of the City Destroyer. The substantial 56" footprint makes this a commanding centerpiece for wall mounting, custom backlit framing, or display in a high-end prop gallery. Freight & Shipping Logistics Dimensions: 56" x 24" Due to the size and delicate nature, third-party freight or crated shipping is needed for safe transport.

A.I. Artificial Intelligence (2001) - Crew member jacket from an animatronics crew member whose hand was featured in the movie while one robot is switching mouths with a destroyed one (watch the scene at this link: https://www.youtube.com/clip/Ugkx0Hk-AIt-xlebJ0OHg1sZI5yosUDps4Cf)

Vintage 8x10 promotional photo and advertisement card for Joey Kay—Bill Haley’s youngest drummer—hand-signed by Kay. Features an excerpted quote from The Washington Post. This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

Authentic Warner Bros. Costume Design Center hanger used during production of the movie This Is Elvis. Features "EP" initials handwritten in black marker on the tag. This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

Authentic blue holiday light bulb removed from the exterior displays at Graceland, mounted in a gold-painted mini frame alongside a photograph of the mansion illuminated for the holidays.(5"x4") This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

Authentic 1950s red shirt swatch torn from Elvis Presley's wardrobe by fans. Presented in a gold mini frame with a photo Certificate of Authenticity tracing provenance to Sun Records artist Bill Yates.(5"x4") This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

An authentic gold mechanical pencil owned and used by Elvis Presley. (4.5"long) This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

Vintage worn blue leather watch strap personal to Elvis Presley, signed "Elvis Presley" to Sun Records artist Bill Yates. Includes a Certificate of Authenticity signed by Aaron Presley. This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

Pristine 1950s red vinyl wallet, autographed by Elvis Presley on the inside. Includes rare mini Hollywood promo cards featuring Elizabeth Taylor, Henry Fonda, James Cagney, Gary Cooper, and more.(4"x3.5"). Mint condition. This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

Delta Airlines stainless steel coffee caraffe with "Elvis / Lisa Marie / 1958/ Conair 880 Jet" engraved on the bottom. (6"x6") This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

An authentic gold snap-closure, pocket keyholder personal to Elvis Presley. Features a clear autograph signed directly to Sun Records recording artist Bill Yates. (4"x2.5") This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

Vintage portable wind-up Westclox alarm clock hand-signed and inscribed by Elvis Presley to Sun Records artist Bill Yates. (6"x3" opened, 3"x3" closed) This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

Rare 1950s vintage Spartus camera featuring authentic dual autographs from Elvis Presley and his manager, Colonel Tom Parker. Displays a slight crack on the bottom base. (7"x6") This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

Authentic vintage light blue / aqua puka shell necklace worn by Elvis Presley. Classic 1970s style piece from the King’s personal wardrobe. This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

Vintage black and silver "Harris & Frank" necktie worn by Elvis Presley, featuring authentic makeup residue from stage performance. Accompanied by a Certificate of Authenticity signed by Aaron Presley stating it was gifted to Sun Records artist Bill Yates. This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

Set of four fine Bavarian china saucers by Hertel Jacob (Germany) owned by Liberace (three matching, one variant design). Includes a copy of a Letter of Provenance on Las Vegas Hilton stationery with an original signature from his lifelong manager, stating these were gifted to him by "Lee" (Liberace). This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

Vintage Mercedes slot car complete with a section of original racing track. (car 5.5"x2", track "8"x6") This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

Mini champagne glass from Elvis and Priscilla Presley's May 1, 1967 wedding at the Aladdin Hotel in Las Vegas. Includes a photo of the couple and an autographed Letter of Provenance on personal stationery from legendary comedian Redd Foxx who attended the wedding. This item originates from the private collection of Elvis Aaron Presley and has been exhibited in museums worldwide over the past 40 years, including the Elvis Presley Museum in Niagara Falls, Canada, where it was on display for 18 years, as well as Dreamland in Ohio, Elvis and Friends in Pigeon Forge, Tennessee, the Presley Museum on Tour, The Private Collection of the King on Tour, and the Memphis King. Items from these combined collections have been showcased in museums and exhibitions across the United States, Canada, Mexico, Italy, England, Hungary, Ireland, Austria, and Japan. The pieces within this collection were acquired directly from key members of Elvis Presley’s inner circle, close associates, and renowned entertainment figures. Primary sources include Bill Yates—a Sun Records recording artist, friend of Elvis, part-time entourage member in the 1960s, and Elvis's first honky-tonk piano player in the early 1950s—and Seymour Heller, the prominent manager of Liberace and numerous celebrities, including Elvis Aaron Presley Jr.

Playboy Ring made out of 14K gold, diamonds encrusted in the bow tie and a single ruby for the eye. Gifted to Elvis by Hugh Hefner, when Elvis rented Playboy's customized "Big Bunny" jet for Elvis's 1973-1974 concert tour - LOA from Charlie Hodge (musician for Elvis, keeper of many of Elvis's memorabilia items and his closest confidant). The letter states: Elvis rented Hefner's black, DC-9 private jet, known as Big Bunny, for some of his 1973 and 1974 concert tours. Hugh Hefner had a gift waiting inside the Big Bunny for Elvis. It was a solid gold, diamond encrusted Playboy Bunny ring. Elvis later gifted the Bunny ring to me. The ring has been part of my personal collection. Signed Charlie Hodge, July 14, 1997. Includes 3 b&w photos of the plane.

The crowning iconic of all iconic collectables, the actual stage worn glove worn by Michael Jackson from the Victory Tour. It is a white large "tux style" glove completely covered, (front and back of palm and all fingers) in crystals. The glove was found among Michael's belongings that were in a wardrobe truck in a storage facility that was leased to his brother Tito Jackson in Oxnard, California. The glove shows signs of production use, with some loose threading and some dirt smudges along the fingertips, as well as some light sweat marks inside the glove itself! Accompanied with a Letter of Provenance from Henry Vaccaro, who owned the largest collection of Jackson family memorabilia. A true treasure for any Michael Jackson collector. (Glove measured approx. 8"X6"). Please contact us for more information on provenance. We can provide additional photos.

As the visionary artist commissioned by George Lucas and Steven Spielberg to define Indiana Jones' iconic look—from his fedora and leather jacket to the bullwhip itself—Jim Steranko was deeply immersed in the earliest creative stages of Raiders of the Lost Ark (1981). This heavy, distressed practice whip, featuring a hand-braided leather thong and a weighted metal-core handle, was utilized during those foundational production phases. Blending Steranko’s legendary pedigree in shaping cinema's greatest archaeologist with authentic behind-the-scenes use, this artifact comes direct from the birth of a cinematic icon. From the personal collection of legendary comic book artist and storyboard illustrator Jim Steranko.

Sourced from the practical effects workflow of the Child's Play franchise (1988), this rare set of test hands offers a fascinating look behind the scenes of horror animatronics. Cast by special effects artists using hollow-cast rotational polyurethane resin (or "slush-casting"), these pieces represent a crucial early stage of prop creation. In professional creature shops, crews utilize this specific technique because it captures microscopic detail flawlessly while keeping the piece rigid and durable. Because the resin cures quickly into a hollow shell, the hands boast a rock-hard exterior while remaining surprisingly lightweight. This particular set served as a "test pull" or casting proof—created specifically to check mold fidelity, test paint adhesion, and trial-fit the components onto internal wire or mechanical armatures before pouring the final, flexible "hero" hands in foam latex or silicone. An exceptional, technical behind-the-scenes artifact from the creation of one of horror's most iconic villains.

This classic Good Guys (1988) doll captures the quintessential look of cinema's most infamous slasher. Complete with iconic red hair, piercing eyes, and screen-inspired overalls. A standout centerpiece for any serious horror or movie memorabilia collection! Sourced from someone who worked behind the scenes on the Child's Play productions. Signed by makeup artist Kevin Yagher.

Re-Animator (1985) - This rare chest appliance depicts a gruesome morgue body trauma featuring a distinct tire track impression running across the simulated flesh and lacerated tissue. Retaining its fragile, brittle composition typical of vintage special effects materials from the era, this unique behind-the-scenes artifact preserves the gruesome physical craftsmanship that defined 1980s horror makeup effects. Note: item is dried up and brittle. Additional packing to prevent more breakage will be necessary.

X-Men (2000) Sourced directly from the special effects production lineage of the landmark superhero film X-Men, this rare pair of test stunt hands was created for the mutant character Sabretooth (played by Tyler Mane). Cast in flexible, flesh-toned silicone to allow for physical stunt work and action choreography, these prosthetic hand appliances feature weathered skin tones, detailed palm texturing, and elongated, feral claw-tipped fingers. Serving as a technical test pull from the practical effects department, this piece highlights the behind-the-scenes engineering required to bring Marvel's most vicious mutant predators to life on screen.

Spider-Man 3 (2007) - Created behind the scenes during the development of Spider-Man 3, this production test maquette served as an early design study for the cinematic look of Venom. Built by a member of the practical effects team to test sculptural details, jaw articulation lines, and texturing prior to the execution of the final screen versions, this piece captures the terrifying aesthetic of the iconic symbiote. (14"x7")

Crafted behind the scenes specifically for Halloween Kills, this production-made Michael Myers mask captures the devastating, fire-scarred appearance from the climax of the 2018 film and the entirety of its sequel. Cast from thick, durable latex, the piece features the distinct, charred left-side burn damage meticulously integrated into the face, ear, and hair texturing. Additional behind-the-scenes features include production writing inscribed on the interior and velcro fasteners glued along the lower neck slit for practical application and removal during filming. Velcro was also used to keep the mask attached to his coveralls. (9.5"x 10"x5") (mask only - no mannequin head).

Crafted behind the scenes for Brian De Palma's 1976 horror classic Carrie, this production-made stunt knife was utilized during pivotal sequence work—specifically the intense climax where Margaret White (played by Piper Laurie) attacks her daughter. Cast from flexible rubber during physical action and stunt choreography, the piece features a purposely distressed, worn blade finish and red paint speckling on one side of the handle to simulate practical blood spatter. ( measures 13"x 2")

From Tim Burton's classic "Edward Scissorhands" (1990), this is one of the special maquette's created to test Winona Ryder's old age makeup in her character of Kim. The film begins and ends with an elderly Kim telling her granddaughter the story of Edward Scissorhands, and Burton wanted her makeup to look as realistic as possible. Several different full maquette's were created with different variations on her look. This maquette is closest to the actual make-up effects used in the production. The maquette is made of latex foam, and is full size. it also includes glasses and a long haired "gray" wig. The maquette is approximately 15"x16"x11" and is on a Styrofoam base. Some slight damage to the tip of the nose.

Created for the whimsical Katy Perry Laudrin Home commercial campaign, this life-size custom-made dancing chair puppet is a remarkable piece of advertising pop-culture history. Built from pink fabric material with articulated arms that rotate outward, the puppet features applied paper cut-out eyes that served as a visual test or mockup placeholder before digital/visual effects enhancement in the final broadcast spot. Featuring a practical low-profile rolling base utilized for smooth on-set mobility during choreography, this piece represents an alternate physical configuration compared to the longer-legged stunt or CGI-modified versions seen in select frames of the music video. (39"x30"). Oversized shipping. Custom packing by a third party supplier will be need to ship this item,

Featured directly on screen in the popular theatrical commercial campaigns for M&M's, this large-scale production prop is a massive, curved rocket/bomb control panel measuring 44 inches by 36 inches by 5 inches. Skilfully constructed from painted and curved wood framing, the prop features an authentic nuclear hazard warning symbol across the exterior shell and an intricate internal control board housing real wiring harnesses and CPU electronic parts. Famously interacting on set alongside the computer-generated M&M characters, this incredible practical set piece captures the high-end craftsmanship of advertising special effects history. Oversized shipping. Custom packing by a third party supplier will be need to ship this item,

SlimJims TV commerical - Built behind the scenes for a high-impact Slim Jim television commercial, this elaborate, custom-made spaceship prop is expertly crafted from a combination of plastic, metal, and sculpted foam, the model features authentic detailing including foil-wrapped thermal panels reminiscent of actual spacecraft engineering. Featured directly in the commercial's practical space sequences, this intricate miniature highlights the creative craftsmanship of broadcast advertising special effects. (33"x24"x15"). Oversized shipping. Custom packing by a third party supplier will be need to ship this item.

Terminator: Dark Fate (2019) - This life-sized head-and-shoulders display bust is cast in flexible production latex and features an integrated internal rope structure used by the SFX crew for stability or rigging during production. The piece showcases intricate, hyper-realistic trauma makeup, featuring blunt-force impact detail and lacerations across the right side of the face and nose. While the exact character match is unconfirmed—believed to be a specialized stunt or background element modeled after the film's law enforcement or border patrol sequences—it offers a fantastic, tactile glimpse into the practical makeup effects used on set.

Terminator: Dark Fate (2019) -This original SFX costume was created for the character of Grace, the cybernetically-enhanced super-soldier from the future. The costume consists of a black performance shirt and black tactical jeans, both rigorously detailed by the film's special effects department. The centerpiece of this piece is the extraordinary battle damage to the stomach area. A large vertical tear exposes highly realistic, simulated burned flesh and muscle tissue, seamlessly integrated into the garments. This damage, applied by the SFX team, perfectly replicates the trauma sustained during Grace's intense combat sequences in the film. The jeans feature additional distress and wear consistent with production use. (15" long)

Terminator: Dark Fate (2019) - This custom principal wig was created and worn specifically for Mackenzie Davis in her role as the cybernetic super-soldier Grace during the film's production reshoots. The piece comes with ironclad production provenance, including a detailed letter written by Francesco Alberico. The letter outlines the meticulous process behind the hair piece, noting that it was custom-measured and built specifically to fit Mackenzie Davis's head. It further details the complex coloring process designed to match her natural hair once cut, as well as the deliberate blending of various tones and shades engineered to look entirely authentic and camera-ready under both intense studio lighting and natural sunlight. The wig is accompanied by its original production storage Ziploc bag, explicitly labeled by the crew: "4, Grace, Principal Wig".

Terminator: Dark Fate (2019) - This custom short wig was worn on screen by Natalia Reyes in her starring role as Dani Ramos, the central figure of the film's resistance narrative. Specifically associated with the intense and memorable "Dragonfly" scene, this hair piece captures a defining transformation point for Dani's character as she evolves from an ordinary factory worker into a hardened survivor. Expertly styled and crafted for continuity and heavy-action sequences, it is a crucial visual component of her onscreen survival look.

This production binder offers an extraordinarily comprehensive look behind the scenes of SFX makeup, prosthetic application, and visual continuity for Mackenzie Davis's cybernetically augmented character, Grace, in Terminator: Dark Fate (working title Project: PHOENIX). Managed directly by key makeup artist Monica Huppert, the binder serves as a precise master blueprint for tracking injuries, cybernetic plug alignments, cosmetic formulas, and scene-by-scene progressive healing. Contains detailed scene-by-scene tracking charts broken down by day/night cycle, scene numbers, costume specs, and exact wound progression. Tracks specific injury states: from 0% healing during early factory fights, 25% healing during freeway pursuits, up to 90%–95% healed states in later scenes (e.g., Scene 103 Detention Center and Scene 139 Secluded House). Includes specific hand-written SFX recipes (e.g., using mouth color and gelatin mixed with water to simulate drool upon arrival). Features full-body architectural diagrams detailing precise placements for cybernetic subcutaneous seam lines, "plugs" (noting 6 small and 6 large plugs), and coordinate tattoo placements across the torso, arms, and legs. Reference photos document silicone torso appliances used for torso scenes, showing real-time notes on camera adjustments (e.g., verifying tattoo line curvatures and slice healing percentages). High-detail photography tracks severe visual effects damage, such as charring and deep lacerations required for "Sc. 241 Explosion" (fresh stabs from the turbine fight), alongside reference shots of practical forearm scrapes and bruising (Scenes 34, 35). An exceptional piece of film history, this continuity binder documents the exact technical artistry and precise logistics required to maintain seamless visual consistency for a major studio blockbuster.

This master continuity binder provides an extraordinary, broad-spectrum reference across almost the entire cast of Terminator: Dark Fate (working production title Project: PHOENIX). Handled by key makeup artists like Dennis Liddiard (personal makeup for Linda Hamilton and Gabriel Luna) under Makeup Designer Bill Corso, this binder serves as the ultimate production blueprint for character cosmetics, full-body placement transfers, stunt-double matching, and high-level prosthetic FX. Includes detailed information for several characters, detailed as follows: Sarah Connor (Linda Hamilton): Features precise photographic tracking for Sarah's coordinate/latitude-longitude wrist tattoos, complete with original reference transfers labeled "Phoenix wrist Tatt - reference for matching." Detailed battle-damage tracking across key action beats, including Scene 232 ("Humvee sinking - fighting Rev-9") with forearm abrasions, charred gear, and distressed skin texturing, alongside full-costume tactical vest tests for Scene 59. T-800 / Carl (Arnold Schwarzenegger): Documents multi-stage cybernetic damage, specifically highlighting "T-800 Stage 2" during Scenes 214–238 ("Turbine" fight sequence). Shows exact prosthetic application layouts for Arnold's exposed metallic endoskeleton beneath torn, aged facial tissue, detailed tissue charring, and severe skin battle damage. Grace (Mackenzie Davis): Tracks high-impact explosive battle damage in "Sc# 240-pt 5" ("Grace - dying / after the explosion"). Exhibits severe torso charring, deep lacerations, and exposed abdominal musculature, alongside side-profile continuity shots verifying sub-dermal cybernetic seam line placements. Dani Ramos (Natalia Reyes): Detailed cosmetic and injury sheets for Scenes 57 & 58, capturing exact hand, wrist, and forearm bruising patterns alongside full-face neutral makeup reference photos. Supporting Cast & Minor Characters: Miguel (Daniel Ibanez): Full tattoo placement layouts across the neck, knuckles, and arms for Scene 4 ("Grace arrives - teens arrested"), noting "No makeup - earrings glued on" and collodion applications for a brow cut. Cop 1 (Fuentes): Scene 4–6 facial continuity photos capturing precise beard stubble length, complexion prep, and hair layout. Oldsmobile Driver & Featured Background: Photo reference sheets for specific character markings, such as forearm tattoos ("DARIA") for Day 1 / Scene 51. Custom SFX Applications & Tattoos: Extensive temporary tattoo transfers and placement guides for main cast members and stunt doubles to guarantee 100% frame-to-frame alignment across re-shoots. Complexion, Shading & Formulations: Complete product listings detailing skin preps, foundations, character highlights, contouring palettes, and custom ooze/slime formulations used for stunt performers. Prosthetics & Appliance Integration: Step-by-step continuity documentation showing how practical foam latex and silicone appliances align with visual effects (VFX) tracking points across multi-day shoots. An astonishing studio archive, this binder offers a rare, highly granular look at the meticulous coordination required to maintain seamless continuity across dozens of actors and stunt doubles on a multi-hundred-million-dollar visual effects epic.

This mini-folder, labeled "GRACE TESTS / CONCEPT," contains pre-production camera tests, physical wardrobe fits, and early visual effects overlays designed specifically for Mackenzie Davis in her role as the cybernetically enhanced soldier, Grace. Before full-scale filming begins, the director (Tim Miller), makeup department (led by Bill Corso), and visual effects teams shoot look-test photos to establish how hair, wardrobe, muscle tone, and cybernetic markings will read under set lighting. Folder Highlights & Sheet Breakdown Early Concept Look & Lighting Tests: Features Mackenzie Davis in full hair and makeup wearing a black sports top and tactical pants, clearly stamped "GRACE TESTS" and "CONCEPT." Displays early visual testing for Grace’s subcutaneous augmentations, demonstrating how lighting highlights the scarification grid and seam lines across her torso, shoulders, and abdomen. Physical Conditioning & Hair/Wardrobe Tests: Includes detailed notes and directions for several areas including: Posterior pose highlighting the physical conditioning required for the character, showcasing rear shoulder alignment, back musculature, and circular seam line placements near the spine and shoulder blades. Neutral lighting hair and makeup test evaluating her cropped blonde hair, skin tone, and subtle chest scars while wearing Grace's signature white ribbed tank top. Anatomical Mapping Overlay & 3D Render: Profile camera test tracking how linear scar tissue and cybernetic port placements align from the neck down through the arm, ribcage, and hips. Full 3D anatomical render mapping out Grace's sub-dermal muscular structure alongside the red guide grid. This established the exact spatial reference needed for the makeup team to align prosthetic transfers and for the VFX team to composite CGI internal machinery under her skin. This is a rare pre-production reference document showing the step-by-step transition from initial CGI mapping to physical makeup tests on the actress before cameras rolled.

This studio continuity binder—specifically labeled "Continuity for Doubles Grace"—was compiled for the stunt doubles and body stand-ins doubling for Mackenzie Davis as Grace on Terminator: Dark Fate (working title Project: PHOENIX). When stunt performers take over for high-octane action, car crashes, or practical rigging, the makeup department must replicate every line, mole, scar, and blush pattern on the double so the camera cut is seamless. Includes hand-labeled "Continuity for Doubles Grace" with a bright pink "LINES" tab, denoting the master line-placement templates for stunt doubles, "Face Hot" & Scene-Specific Makeup Grid - Scene 55 Reference: Detailed closeup photo of Mackenzie Davis used to map out the exact "hot and flushed" look for her character during intensive physical exertion. Also includes handwritten sticky-note instructions: such as"Cut 25% healed / bruises almost gone / red & blotchy grid", "Sc# 55 - face - hot", "Inside: R55B, R55C | Outside: RV 78, RV 83" (listing precise color code combinations from the SFX palette), "Jacket on - so just tone down red." Includes breakdown notes specifying exact body regions: "FACE: L Should, R back Sh, 25% L sh (Tatt..), 25% R Forearm (Cuts)". "A little dirt to break it up (w a brush on neck, hands, around the edges)". Also includes facial mole and feature matching - Side-profile photo featuring a distinct red arrow overlay labeled "2 Moles." Instructs makeup artists on the exact micro-placement of facial moles near the cheekbone and jawline to match Mackenzie Davis’s natural skin features on her stunt double. Includes a Plugs, Moles & Scars Reference Sheet: Full-torso reference photo labeled with pink tabs: "Thurs 27 PLUGS, MOLES, OLD SCARS from future." Also includes Master Cosmetic & Skin Prep Formulas down to the exact brand and colors used. This binder illustrates the hyper-detailed, millimeter-precise continuity tracking required on set to ensure a stunt double looks identical to the lead actress down to every scar percentage, blush tone, and body mole.

This production reference binder is dedicated specifically to hair styling, wig matching, and hair continuity for Mackenzie Davis's character, Grace, in Terminator: Dark Fate (working title Project: PHOENIX). Managed by the hair department, this binder contains multi-angle studio and location photos documenting her textured, cropped blonde pixie cut under varying light sources to build, color-match, and maintain identical custom wigs for her stunt doubles. Includes Macro Fiber & Color Depth References with extreme close-up photography capturing the exact dimensional highlights, lowlights, and multi-tonal blonde layering. It also serves as the master color guide for master wig makers to ventilator-knot human hair strands matching the exact warm blonde, ash tone, and darker rooted under-layers of Davis’s hair. Also includes 360-Degree Architectural Hair Angles. A book like this allows on-set stylists to cut and trim stunt wigs to identical millimeter dimensions so stunt performers seamlessly match the principal actress in profile and tracking shots. Also includes candid location photos testing how her hair color and piecey texture translate under direct sunlight, ambient daylight, and harsh indoor fluorescent lighting. The notes also ensure that custom wigs maintain the same color warmth, sheen, and messy, battle-worn style during high-action sequences without looking unnatural or obvious under different lighting setups. This binder highlights the specialized craftsmanship required in film production to create indistinguishable hairpieces and maintain flawless, frame-by-frame visual continuity.

This production binder—titled "PHOENIX ADDITIONAL PHOTOGRAPHY CONTINUITY"—serves as the master makeup tracking guide for the pick-up shoots and reshoots on Terminator: Dark Fate. "Phoenix" was the official production working title used by Skydance, Paramount, and director Tim Miller during filming to keep the project under wraps before the final title was announced. During additional photography, maintaining millimeter-perfect consistency with the principal shoot is critical. This binder tracks scene numbers, specific trauma stages, and exact character continuity for every cast member involved in reshoots. The binder opens with a master continuity roadmap ("MAKEUP SPECIFIC CONTINUITY") that breaks down every main character across their respective story arcs and damage stages: Sarah Connor (Linda Hamilton): Stage 1: Clean baseline during initial C5 plane scenes, receiving minor cuts, dirt, and sweat. Stage 2: Escalated facial trauma from the Humvee crash and lake sequence, showing a distinct cut on her left cheek (Scene 169). Stage 3: Sooty, battle-worn post-explosion appearance following the final Rev-9 turbine fight (Scene 243pt). T-800 / Carl (Arnold Schwarzenegger): Baseline to Stage 1: Clean look transitioning to minor cuts and bruises during the initial C5 fight. Stage 2: Severe damage on the left side of his face, arm, and torso after the C5 lake crash. Stage 3: Final termination look showcasing major endoskeleton exposure, missing facial tissue, and heavy charring post-turbine explosion. Dani Ramos (Natalia Reyes): Tracks her progression from clean border-crossing scenes to progressively dirty, sweat-stained, and scraped looks through the drone explosion and highway pursuits. Grace (Mackenzie Davis): Documents her sub-dermal scarring baseline, Rev-9 blade cut progression with accelerated cybernetic healing, and blue/viscous opalescent blood effects. Rev-9 (Gabriel Luna): Tracks his human-form continuity across every action beat. Specific Scene Breakdown Page examples include: Scene 243pt — Sarah & Dani ("Post Explosion"): Features a high-detail close-up of Linda Hamilton as Sarah Connor under blue screen set lighting, documenting the specific soot patterns, facial scrapes, and blood spatters required immediately following the climax explosion. Scene 212pt — T-800, Carl ("C5 Trauma"): Three-angle headshots (profile, front, 3/4 view) of Arnold Schwarzenegger wearing a bald cap to prep for CGI head replacements. Captures the practical stage-2 facial trauma, including deep cheek lacerations and severe temple bruising following the C5 transport plane crash. Scene 188pt — Young Grace & Nathan ("Saving Grace"): Young Grace: Full facial and hand continuity photos tracking the dirty, soot-covered look and exact placement of childhood moles for the young actress playing Grace in future timeline flashbacks. Nathan: Three-angle headshots documenting extensive, charred facial burn prosthetics and soot application for scene 188pt. Scene 66 — Surgeon ("Redoubt"): Profile and front continuity shots for background/supporting medical staff wearing surgical scrubs, establishing clean skin baseline and beard stubble lengths for Scene 66. Scene 100 — Grace ("r66 - I Wanna Be An Augment"): Upside-down set camera reference shots capturing Mackenzie Davis heavily covered in practical FX blood across her face, chest, and tactical vest during her character's transformation scene. Scene 55b — Dani & Grace ("Mexico Road"): In-vehicle camera test monitor grabs establishing exact lighting and sweat/dirt consistency for Dani and Grace during the roadside driving sequence. This additional photography binder represents the final layer of technical precision in the production process, ensuring that new footage shot months after principal photography seamlessly matches the original cut.

This screen-used custom production wig was crafted for Natalia Reyes as Dani Ramos during additional photography (reshoots) on Terminator: Dark Fate. Because reshoots frequently occur months after principal photography wraps—when an actor's personal hair length, cut, or color may have changed—high-end, custom lace-front wigs are built by the hair department to guarantee seamless frame-to-frame continuity. Features a delicate, hand-ventilated HD lace hairline designed to blend seamlessly into the scalp using spirit gum or lace adhesive. Individual human hair strands are micro-knotted along the perimeter to mimic natural hair growth for extreme close-up shots. Deep, multi-dimensional chestnut brown with soft warm undertones. Blends subtle dark-chocolate lowlights to match Natalia Reyes's exact hair color profile established during principal photography. Long, shoulder-length layers styled in a relaxed, tousled wave pattern. Specifically textured and layered along the ends to hold the distressed, action-ready look Dani sports throughout the film's second and third acts (e.g., Mexico road sequences, C5 flight, and final turbine hall fight).

This set of screen-used clip-in hair extensions was crafted for Natalia Reyes as Dani Ramos on Terminator: Dark Fate. While full wigs are often used during additional photography, clip-ins are the hair department's go-to tool on set for blending extra volume, length, or strategic framing directly into an actor’s natural hair or stunt double wigs. Features multi-strand wefts attached to small, dark silicone-lined snap combs. Allows stylists to instantly anchor the hair securely into the natural root line so it stays firmly in place during high-action stunts, vehicle pursuits, and running sequences. Deep espresso/chestnut brown shade with rich dark undertones that match the color profile established for Dani Ramos throughout the film. Styled with a loose, natural wave pattern to blend seamlessly into her layered, shoulder-length look.

Good Luck, Have Fun, Don't Die (2026) - Man from the Future's (Sam Rockwell) screen worn, hero DIY survival rig and coat direct from the set of Gore Verbinski's sci-fi film. Custom-built by the costume department to look like a cobbled-together, post-apocalyptic rain trench made from heavy, discolored plastic/vinyl sheeting, reinforced with metal industrial clasps, grommets, exposed wiring, and severe distressing. The attached plush monster backpack functions in the film as a makeshift air filtration and survival rig. It is retrofitted with ribbed ventilation hoses, plastic tubing, and a medical mask apparatus running through a altered, green character backpack to give his temporal-traveler character a makeshift, scavenged look. Sam Rockwell wears this complete assembly (plastic coat, hose rig, and monster backpack) during the opening sequence where he bursts into the Los Angeles diner to recruit the patrons.

Good Luck, Have Fun, Don't Die (2026) - This hero screen-used tactical cyber vest was worn by Sam Rockwell as the Man From The Future in Good Luck, Have Fun, Don't Die (2026). Worn underneath his signature distressed, translucent raincoat, this heavily modified vest is covered front-to-back with segmented computer circuit boards, exposed motherboard panels, wiring harnesses, cylindrical capacitors, and industrial hardware fittings held together with side-release tactical buckles. In the film, the vest serves as a crucial piece of improvised tech-warfare gear—a wearable, mobile electronic rig built to interface with systems and bypass security protocols as the character leads his diner crew on a mission to stop a rogue artificial intelligence.

Good Luck, Have Fun, Don't Die (2026) - The Breathing/Filtration Rig: The attached plush monster backpack functions in the film as a makeshift air filtration and survival rig. It is retrofitted with ribbed ventilation hoses, plastic tubing, and a medical mask apparatus running through a altered, green character backpack to give his temporal-traveler character a makeshift, scavenged look.

Good Luck, Have Fun, Don't Die (2026) - Cholula bottle screen used at diner scene on the table.

Good Luck, Have Fun, Don't Die (2026) - Screen used, hero orange crayon.

Good Luck, Have Fun, Don't Die (2026) - An original crayon drawing of a house with three stick figures, grass, the sun and a tree. (8x11.5")

Good Luck, Have Fun, Don't Die (2026) - Hero, screen used colorful drawing, color copy with burned edges. In the film, the drawing represents the isolated childhood of the Man from the Future. In the apocalyptic timeline, his mother raised him in a secluded bunker away from the rogue AI and the outside world. The image depicts a child's idyllic, innocent vision of home, family, and the outdoors beneath a bright, warm sun. The boy longed to see the real world depicted in his childhood drawings. Leaving the safety of the bunker to view the sun through a VR headset exposed their position to an AI drone, resulting in an attack that killed his mother and burned their home. The singed edges and burn hole straight through the sun visually reinforce the destruction of that peaceful childhood memory during the drone strike. The drawing serves as a tangible memento of the lost world and human connection the Man from the Future is fighting to reclaim across his repeated time-travel loops. (Folded: 16"x8")

Good Luck, Have Fun, Don't Die (2026) - An original crayon drawing of houses with stick figures in front of them. Used to make copies to use on screen. On construction paper. (14"x16")

Good Luck, Have Fun, Don't Die (2026) - Screen used collection of kids toys that were seen floating around the room towards the end of the film.

Good Luck, Have Fun, Don't Die (2026) - Mark's (Michael Peña) screen used, hero, grey backpack with light colored leather strap closures. Includeds a bag of books ("Anna Karenina" by Leo Tolstoy screen used book) and notebook with handwritten notes inside.

Good Luck, Have Fun, Don't Die (2026) - This hero screen-used pair of eyeglasses was worn throughout Good Luck, Have Fun, Don't Die (2026) by Michael Peña in his role as Mark, a high school teacher. The glasses feature dark retro-style frames with thin metal arms and clear prescription-style lenses, serving as a signature character accessory worn during the diner confrontation and the high-stakes survival sequence, throughout the entire movie.

Good Luck, Have Fun, Don't Die (2026) - Tim's (Tom Taylor) screen worn, hero goggles he wears while he delivers pizza to the birthday party and meets Ingrid (Haley Lu Richardson).

Good Luck, Have Fun, Don't Die (2026) - Darren's (Riccardo Drayton) screen used, hero backpack, seen with his mom, Susan (Juno Temple) holding it in the police lobby with all the charms on it.

Good Luck, Have Fun, Don't Die (2026) - Darren's (Riccardo Drayton) screen used rubber, flimsy toy Susan (Juno Temple) holds in her hand while waiting inside the Police Station.

Good Luck, Have Fun, Don't Die (2026) - Darren's (Riccardo Drayton) screen used backpack key chain figures. One is Mikirini from the battle royale game PlayerUnknown's Battlegrounds and the other is a PUBG Stun Grenade keychain modeled after the in-game throwable flashbang. Seen hanging off his backpack while his mom Susan (Juno Temple) holds it on her lap in the police station.

Good Luck, Have Fun, Don't Die (2026) - Screen used, rubber ball housing little colored balls keychain attached to Darren's (Riccardo Drayton) backpack seen on screen while Janet (Juno Temple) holds his backpack on her lap at the Police Station.

Good Luck, Have Fun, Don't Die (2026) - This lot includes eight screen-used metallic name tags for the recognizable "Norms" restaurant staff. Logo on the left side, printed over brushed silver metal backings for: Andrew Samantha Olivia Noah Margaret Harper Scarlette Blank Tag (Features the logo design on the left, with the name area left blank)

Good Luck, Have Fun, Don't Die (2026) - This lot of screen-used diner collateral props features a set of printed menus and spiral-bound pad covers bearing the iconic "Norms" restaurant logo from Good Luck, Have Fun, Don't Die. A collection of printed diner menu pamphlets and spiral-bound server pads featuring vivid food photography, promotional reward messaging ("Serving SoCal Since 1949"), and neon-style signage graphics. Used as set dressing and handheld props within the central Norms diner setting which is in the first and last scene of the movie.

Good Luck, Have Fun, Don't Die (2026) - This plush, screen worn, hero robot prop features a teal blue and brown fabric body, complete with pom-pom antennae, glossy black button eyes with yellow highlights, and flexible ribbed limbs. Seen inside the diner's vending machine, which transforms into a full-sized robot during the film's climax.

Good Luck, Have Fun, Don't Die (2026) - This screen used prop cable was featured in the AI room set from Good Luck, Have Fun, Don't Die at the climax scenes of the movie. A long, coiled length of heavy-duty black HDMI cable marked "High Speed HDMI Cable with Ethernet" along the outer jacketing. Part of the technical cabling and hardware setup featured within the AI room sequence.

Good Luck, Have Fun, Don't Die (2026) - This screen used hero prop Viking helmet was worn by Susan (played by Juno Temple) in Good Luck, Have Fun, Don't Die. Constructed from gold-toned molded plastic with simulated rivet detailing and a central top spike, the helm features two large upward-curving white horns, complete with production-applied red splatter distressing on the right horn for continuity during action sequences. The interior of the helmet retains handwritten production markings identifying it as "#2 J" for actor tracking. The prop shows authentic screen used condition with light surface scuffing and minor wear from filming, accompanied by its production sticker labeling it "Juno Suicide Squad Hat."

Good Luck, Have Fun, Don't Die (2026) - This screen used, hero prop features a custom patchwork cardboard box section crafted for the AI room set in Good Luck, Have Fun, Don't Die. Constructed from heavy corrugated cardboard, the piece prominently showcases a mix of recognizable delivery branding, including the Amazon Prime smile logo alongside FedEx and UPS graphics. Designed specifically for a featured moment where Sam Rockwell's character picks it up and examines it, the prop exhibits deliberate rough-cut edges, creasing, and studio distressing to reflect its role within the AI environment.

Good Luck, Have Fun, Don't Die (2026) - This screen used, hero princess wand was custom-crafted by the prop team for Ingrid (Haley Lu Richardson) in Good Luck, Have Fun, Don't Die (2026). Made with a clear acrylic shaft and wrapped in a pink rhinestone sleeve, the wand features an intricate filigree top piece crowned with a silver butterfly ornament, a pink floral jewel center, and delicate pearl accents. In the film, her character works as a children's party entertainer, using this wand during birthday party appearances to help young guests make wishes, including during the memorable first party scene where her character experiences an unexpected nosebleed at the table.

Good Luck, Have Fun, Don't Die (2026) - This screen-used, hero princess wand was carried by Ingrid (Haley Lu Richardson) in Good Luck, Have Fun, Don't Die (2026). Custom-built by the prop department, the piece features a clear acrylic shaft topped with an ornate tiara-style crown, sparkling rhinestones, silver filigree details, and a vibrant turquoise orb centerpiece studded with synthetic jewels. Used during her character's second birthday party gig, this key prop features in the scene where she suffers a severe nosebleed mid-event, leading her to abruptly leave and discard both her shoes and this wand into a trash can outside the home.

Good Luck, Have Fun, Don't Die (2026) - This is the hero, screen used external hard drive first kept by Susan (Juno Temple) at her home. Handcrafted from wood by the art department and painted in a metallic charcoal-silver finish with geometric bevels and simulated port cutouts, this central prop is featured in several scenes as well as the final sequence where the drive is brought to the central server terminal to hold and transfer the crucial data needed to override the rogue AI system. Features realistic handling wear and surface scuffs from close-up filming.

Good Luck, Have Fun, Don't Die (2026) - This hero screen used "flywall" server drive housing was featured in the climax of Good Luck, Have Fun, Don't Die (2026). Handcrafted from wood by the film's art department and finished in metallic silver, this housing served as the physical port where characters insert the hero USB drive to dismantle the rogue artificial intelligence system. Enhanced with CGI visual effects on screen to depict opening access flaps, this physical prop exhibits production-related wear, including one detached side panel arm, retaining its authentic practical build directly from the film's prop department.

Good Luck, Have Fun, Don't Die (2026) - This hero screen used computer keyboard was featured in Good Luck, Have Fun, Don't Die (2026). Custom-modified by the art department for the AI House scenes, the keyboard features futuristic, alien-like glyphs and cryptic geometric symbols overlaid across every standard keycap, along with specialized domino-style tactical modules built into the lower frame. The prop comes in its original production storage box marked with production stickers on the box reading "HERO Key Board AI House."

Good Luck, Have Fun, Don't Die (2026) - This screen-used earpiece prop was worn by Susan (Juno Temple) in Good Luck, Have Fun, Don't Die (2026). Crafted from a clear, molded acrylic, designed to fit subtly inside the ear canal. In the film, Susan uses this communication piece to maintain contact with her son.

Good Luck, Have Fun, Don't Die (2026) - This hero screen-used USB flash drive serves as a central plot device at the climax of Good Luck, Have Fun, Don't Die (2026). Featuring a exposed electronic circuit board casing, this drive contains the critical kill-switch code plugged directly into the central server terminal during the climax to dismantle the rogue artificial intelligence system and avert global catastrophe.

Good Luck, Have Fun, Don't Die (2026) - This hero prop cable from the film Good Luck, Have Fun, Don't Die features a dual-wire configuration used for key climactic scenes at the end of the movie. A flexible, coiled black cable fitted with heavy-duty molded connectors on each end (including a large rectangular display/data plug and a standard molded interface connector). A secondary wire segment wrapped or coated in high-visibility bright green screen tape/tubing along one edge. This green coloring allowed the visual effects (VFX) team to easily isolate, track, and digitally replace or key out the wire segment during post-production.

Good Luck, Have Fun, Don't Die (2026) - Screen used, hero, black colored business card with only the address 142 Hope Way in silver font. A woman at the Police Department hands it to Janet (Juno Temple) and tells her to go there tomorrow after her son was killed in the school shooting. Made of thick card stock. In weathered condition from use on set.

Polar (2019)- Duncan’s (Mads Mikkelsen) screen worn brown coveralls with Bazin Budanov Repair and Maintenance patch in Russian. Includes matching beanie hat and piece of t shirt worn around the neck like a scarf.

Polar (2019)-Duncan's (Mads Mikkelsen) screen worn white Brooks Brothers dress shirt (15 1/2-36), custom made pleated wool trousers with custom cuffs and a black utility canvas belt.

Polar (2019)-Camille's (Vanessa Hudgens) screen worn olive green button down shirt made of wool.

Polar (2019)-Duncan’s (Mads Mikkelsen) screen worn custom made black wool coat with hook closure and custom made olive green riding style pants

Polar (2019)-Duncan’s (Mads Mikkelsen) screen worn custom made dark brown wool coat with button closure.

Polar (2019)-Duncan’s (Mads Mikkelsen) screen worn brown thermal shirt made by Homespun - size L.

Polar (2019)-Camille's (Vanessa Hudgens) screen worn tan/brown plaid robe shirt

Polar (2019)-Duncan’s (Mads Mikkelsen) screen worn cream colored soft, vertical lined, wool short sleeve shirt with matching, plain briefs ("Darcy" size M).

Polar (2019)-Duncan’s (Mads Mikkelsen) custom made pleated wool trousers with custom cuffs. Soiled heavily with theatrical blood. From the torture scene.

Polar (2019)-Custom designed for the Police in the production this is a Russian style police patch.

Polar (2019)-Minsk Plaza hotel employee name badges (7 total) with 4 custom designed crown logo mini patches for their uniforms.

La Borinqueña #1 (Second Printing Variant) Signed Comic This is a copy of La Borinqueña #1, the critically acclaimed independent comic book written and created by Edgardo Miranda-Rodriguez and published by Somos Arte. Autographed on the front cover in silver marker with a personalized inscription in the top-left area reading, "To Eugene, Gracias!" alongside creator Edgardo Miranda-Rodriguez's signature. Marked with the "SECOND PRINTING VARIANT" box in the lower right corner above the barcode. Artwork by Emilio Lopez and Gustav, featuring superheroine Marisol Rios De La Luz (La Borinqueña) flying over coastal waters alongside sea turtles. La Borinqueña #1 is much more than a standard independent comic book. It has a unique cultural, artistic, and historical footprint that sets it far apart from typical superhero media.The protagonist, Marisol Rios De La Luz, is an Afro-Puerto Rican college student from Brooklyn who becomes a powerful symbol of hope, pride, and identity. Rather than fighting typical supervillains, her narrative deeply intertwines with real-world social justice, environmental advocacy, and Puerto Rican history. Her powers are bestowed upon her by the ancient Taíno mother goddess Atabex and her twin sons (the spirits of the seas, mountains, and hurricanes), connecting a modern superhero story directly to the indigenous pre-Columbian history of Puerto Rico. The character and artwork have transcended traditional comic book pages. La Borinqueña has been featured and enshrined in major cultural institutions, including the Smithsonian Museum of American History and the National Museum of the American Indian. Created by Edgardo Miranda-Rodriguez through his studio Somos Arte, the comic evolved into a real-world movement that has raised funds and awareness for communities in Puerto Rico following economic crises and natural disasters.

Kong: Skull Island (2017) - This custom sport coat was worn on screen by legendary actor John Goodman in his role as government official and Monarch expedition leader William "Bill" Randa. Expertly tailored by Asher specifically for Harry's Clothing for Big and Tall to fit Goodman's proportions for production, this coat is crafted from a rich brown and grey tweed wool fabric. It captures Randa's authoritative, mid-century professional aesthetic as he leads the dangerous expedition to the uncharted island.

Passenger 57 (1992) - An extraordinary and heavily documented piece of 1990s action cinema history. This blue silk button-down shirt was worn on screen by action icon Wesley Snipes in his star-making role as counter-terrorism expert John Cutter in the 1992 thriller Passenger 57. Manufactured by Ce N'est Pas Un Chapeau (Size 4), the shirt retains its original studio costume department wardrobe tag. The shirt was acquired directly from Guernsey’s New York Auction House in October 2002, and years later, was brought by the collector to the 2009 NYC World Premiere of Brooklyn's Finest at the Sony IMAX Theater, where Wesley Snipes personally signed the garment and added his character name, "Cutter." Complete with an 8"x10" photograph of Snipes signing the shirt, vintage publicity stills, and a promotional t-shirt for the film (size L), this is an ultimate collector's package featuring ironclad authentication and direct artist association.

The Outlaw Josey Wales (1976) - A production made stunt revolver inspired by the iconic silhouette carried by Clint Eastwood as the legendary title character in the classic Western The Outlaw Josey Wales. Crafted for production safety and action sequences, this rare piece of cinematic history captures the aesthetic of the ultimate spaghetti-western anti-hero. Made of hard rubber.

Indiana Jones and the Temple of Doom (1984) - Indiana Jones (Harrison Ford)/Willie Scott (Kate Capshaw) pistol with Bear Burge loa (metal). A metal display prop Colt Police .38 Special pistol directly associated with Indiana Jones and the Temple of Doom (1984). This hero "holster sitter" non-functioning beauty prop was utilized by the legendary prop and special effects department, featuring in the iconic Club Obi-Wan escape sequence where Indy (Harrison Ford) hands the firearm to Willie Scott (Kate Capshaw), leading to the memorable comedic moment where she frantically "hot potatoes" the gun and tosses it out the window. This rare piece comes directly from the collection of veteran movie weapons and prop fabricator Barry "Bear" Burge (Star Trek, Batman), acquired via a direct trade with Ron Chambers (Co-lead man for Indiana Jones and the Last Crusade) in Burbank, California. It serves as a true one-off relic from the classic Spielberg adventure. Included Authentication Letter: To whom it may concern, In 1988, I was working with Independent Studio Services (ISS) on Wicks St. in Burbank. One of our sales people introduced me to Ron Chambers: "Co-lead man: USA" on Indiana Jones and the Last Crusade. It seemed Ron needed a period WWII German military motorcycle license plate created. At the time I wasn't informed of the production it was intended for. After completing the job, I was surprised to learn that the plate I had made would be used for Crusade. Apparently, an FX explosion accomplished during production in Europe was not satisfactory to the producers, so my plate would be used on a motorcycle here in the states to replicate the effect. Since this was an informal, uncredited contract job, Ron Chambers asked what he could offer me as barter for my work. I let him know I collected movie props with a special interest in weapons. Ron brought this prop to me and let me know that it had been used in Indiana Jones and the Temple of Doom, the only entry in the franchise that had featured this model of pistol. In the film, "Indy" (Harrison Ford), "Willie Scott" (Kate Capshaw), and "Short Round" (Ke Huy Quan) are escaping from Club Obi-Wan. In the scene, Indy hands Willie a Colt Police 38 Special pistol like this one while searching for more ammo. In a panic, Willie "hot potatoes" the gun, and tosses it out the window. Ron told me this particular prop served as a "holster sitter;" a hero beauty prop that is non-functioning and didn't require an armorer or weapons master on location to allow its use. I happily accepted the prop as payment. I didn't bother to examine it again until some years later. It was then I took account of the condition of the prop and found it in great shape other than a few loose parts, which I tightened. It made sense that Ron would have given me this gun as it was a one-off, not intended to appear in future entries in the franchise. As an old-school FX artist and prop fabricator, I've worked on many productions, from Star Trek to the Batman franchise and more. I have collected as many treasures. This is one that I am happy to pass on to a passionate collector who will preserve and enjoy this relic as much as I have over the years. Sincerely, Barry "Bear" Burge Movie Weapons / Prop Fabricator

The Golden Child (1986) - Chandler Jarrell’s (Eddie Murphy) black leather beret style hat. "Eddie hero 3" written on the inside tag. As seen on the movie poster for the film.

Friday the 13th - Production made metal machete, crafted for potential screen use in a Friday the 13th production. While the machete is the iconic weapon most famously wielded by Jason Voorhees across the franchise, starting from Friday the 13th Part III, this specific piece with its serrated spine was made for but not ultimately used on screen. Prepared with realistic bloody weathering. Made of real metal.

Guardians of the Galaxy Vol. 2 (2017) - Mantis' (Pom Klementieff) stunt, production made costume. This rare piece was custom-made for production testing and development to refine the character's distinct, insect-inspired silhouette. Top: Custom sleeveless mock turtleneck designed in a light green leatherette featuring striking black line detailing and dramatic side slits extending down to the knees to evoke an organic, insectoid appearance. Zipper tab is missing. Bottoms: Matching dark green leatherette trousers featuring structured folds along the legs. Antennae: Accompanying production-made test antennae featuring delicate feather tips. The internal pipe cleaner underlay exhibits minor cracking and wear consistent with age and production handling.with feather at the tips. Pipe cleaner underlay with several cracks due to age. Costume is custom made of light green leatherette with black line detail for the sleveless mock turtleneck top with slits down to the knees to appear insect like and dark green leatherette with folds along the legs.

This pair of dark-tinted oval sunglasses features the signature narrow wireframe design worn by Keanu Reeves as Neo throughout The Matrix trilogy (The Matrix, The Matrix Reloaded, and The Matrix Revolutions). Also included is stunt ear anchor rig. This production made piece is a behind-the-ear stunt securing rig engineered by the film's prop department for high-action sequences. Used in matching pairs (one mounted to each temple arm behind each ear), this spring-loaded metal mechanism provided tension and counterweight to lock Neo's sunglasses firmly to the actor or stunt performer's head during intense wirework and martial arts choreography—concealed behind the ears and hair so the frames remained secured without visible straps on camera. Both items were used to aid in the development of the final designed look and was made on the set of production.

Total Recall Screen Story and Screenplay by Ronald Shusett and Dan O'Bannon- Fifth Revision by Ronald Shusett and Steven Pressfield. Dated 7/8/97. Original.

Day of the Dead Screenplay signed by George A. Romero - dated 1984 Laurel Entertainment. Second version, First Draft. Original. Signed on the last page.

Roger Rabbit original crew list, dated 12/16/86. Production name was Toontown Limited. Steven Spielberg, Frank Marshall and Kathleen Kennedy from Amblin Entertainment are listed first as Executive Producers.

Face Off Final Staff and Crew List dated 3/26/97. Production office: Paramount Pictures.

Underworld: Rise of the Lycans - Ultra-wide waist belt featuring heavily distressed black leather with an intentionally weathered, rubbed-white finish. Accentuated by a contrasting black leather overlay strap that wraps around the front, secured by a bold ring buckle. Finished with industrial metallic stud accents throughout. Dimensions: 6 inches wide by 37 inches long.

Underworld: Rise of the Lycans - A matching set of armor pieces for the Death Dealer. Includes contoured neck and shoulder armor plates with buckle fastenings, paired with a matching black fabric utility belt.

Underworld: Rise of the Lycans - Death dealer belt. This wide, heavily distressed leather waist belt features an intentionally weathered black-and-white rubbed finish, accented by a contrasting dark leather strap, decorative metal studwork, and a distinctive front buckle closure (6x37)

Screen-worn, stunt Death Dealer chest and neck armor that comes with production markings on the interior ("Brian Stunt"). Crafted for gritty on-screen combat sequences. Made to look like metal but is made of thick resin/plastic.

Death Dealer leg guards. production made and screen worn leg guards straight from the set. These heavily distressed dark leather greaves feature the signature weathered black-and-white rubbed finish, secured with multiple black leather straps, metal buckles, and riveted accents.

Death Dealers (Viktor’s elite vampire guards and warriors) belt.This layered, wide tactical belt system with its distinctive metal-accented plates and straps is a signature piece of the screen worn battle uniform throughout the movie's castle defense and combat sequences.

Hoplite Soldier Helmet - This screen worn helmet features a dark, weathered finish, striking spiral-embossed cheek and dome patterns, and a unique crest design. The interior retains original production padding and inventory tagging, including studio tracking number "133" used by the wardrobe department to manage continuity and organization on set.

Screen worn costume ensemble. This set features a rubberized, molded metallic-finish muscle cuirass (breastplate) with integrated tassets, layered over a distressed tunic and accompanied by a blue cape for the neck. The ensemble is completed by a matching set of durable hard resin leg guards (greaves). Exhibiting authentic production weathering and battle-distressed details.