Description Continental Biedermeier secrétaire à abattant, probably German or Austrian, second quarter 19th century, veneered in figured mahogany over pine with a fitted light-birch or Karelian-birch interior. The rectilinear case with stepped superstructure above two short drawers and a fall-front writing section, opening to an elaborate fitted interior with eight small drawers, a narrow upper drawer, and a central cupboard, above three long drawers, raised on block feet. The restrained geometric form, figured mahogany veneer, and contrasting pale interior are all consistent with the Biedermeier taste of the first half of the 19th century. Dimensions approx. 43 x 21 x 67 in. Condition: key present for the main section; all drawers work. One interior handle is broken off, and there is no key for the central inside compartment. Visible shrinkage crack to one side panel, together with surface scratches, wear, and age-related marks consistent with use, age, and character.

Description Continental secrétaire à abattant, probably German or Austrian, in the Empire-to-Biedermeier transition, circa 1825–1835. Veneered over pine in a warm-toned figured wood, the exact primary veneer is difficult to confirm. The drop front opens to a striking fitted interior with mirrored back, blackened architectural framing, gilt-highlighted columns, pigeonholes, multiple small drawers, and a concealed secret compartment. The exterior and highly theatrical interior are very much in keeping with Central European furniture made as Empire classicism softened into early Biedermeier taste. Biedermeier developed chiefly in Germany and Austria, while retaining simplified forms derived from Empire design. Condition All drawers appear present, functional, and generally sound. The piece shows an old restoration, likely early 20th century, with visible veneer patching and surface retouching. There are losses and wear to the black lacquered writing surface and interior framing, visible age cracks and veneer splits, and general scratches and use wear consistent with age, but that add interest. The interior remains unusually elaborate and attractive, and the secret compartment is a strong selling feature. A highly decorative and desirable early 19th-century secrétaire. A piece with character!

Central European Biedermeier vitrine or bookcase in figured walnut veneer, with glazed doors, shelved interior, and key and lock. Minor veneer losses and age-related surface wear noted. 46.5x17x72

Central European Biedermeier wardrobe, later converted for shelved storage or display, with glazed upper sections and paneled lower doors. Interior fitted with shelves; minor veneer losses and wear from age and use. 59x 22.5x82

Four-drawer Biedermeier chest in figured walnut veneer with matched drawer fronts and turned pulls. Surface wear, scattered veneer losses, and age-related handling marks visible. 25x51x37

Four-drawer Biedermeier chest in figured walnut veneer with strong book-matched fronts and shaped feet. Drawers retain patterned lining; light wear and minor veneer issues from age and use.25x51x40

Single-door glazed display cabinet or small bookcase in figured veneer, with beaded inner framing and lower paneled compartment. General surface wear, scratches, and finish rubbing. Wood panel on the door is bowed. 37x64x18.5

American rosewood veneer flip-top card table, mid-19th century, the rectangular fold-over top of finely figured rosewood swiveling to reveal a shallow interior well and opening to a lined playing surface, raised on a quatreform plinth with scrolled carved feet. Green baize/felt playing surface with age patination and wear. Approx. 36 in. wide x 18 in. deep (closed), opening to 36 x 36 in., 30 in. high. In structurally sound, usable condition with expected wear for age: top with noticeable bow to one leaf, scattered scratches, surface marks and shrinkage lines, small veneer nicks and edge losses; mechanism functions but with minor play; baize/felt significantly faded and discolored with staining and wear; base with scuffs, abrasions and small chips to feet. A still functional and fantastic show piece for that perfect space.

Six solid oak dining chairs in the Biedermeier taste, with shaped back rails, and upholstered drop-in seats. Frames are very solid overall; upholstery generally good, with damage to one seat.

Set of four Victorian balloon-back side chairs, late 19th century, each with a shaped balloon back above a pair of scroll-carved horizontal splats, over a square seat upholstered in dark leather or leathercloth, raised on turned and reeded front legs and splayed rear legs. Warm medium-brown finish with ebonized details to the carved splats and legs. Several joints are loose and some chairs will require regluing and tightening; sold as a restoration group. Approx. 33 in. high, 18–19 in. wide; seat height approx. 17–18 in.

Set of three Victorian mahogany side chairs, mid-19th century, each with a flat tablet top rail above a pierced horizontal splat centered by a roundel and flanked by carved scroll details, over a square seat upholstered in floral needlepoint depicting a central bouquet within a wreath on a beige ground, raised on turned front legs and slightly splayed rear legs. Warm, mellow finish throughout. All chairs show looseness at joints and are sold for restoration and regluing.

Matched pair of 20th-century carved wood chairs in the Savonarola or Renaissance Revival taste, each with a shaped crest rail, ribbed X-frame supports, carved zoomorphic arm terminals, and fitted loose seat cushion with tassels. The dramatic form and dark warm finish give the pair strong decorative presence, making them well suited to entry, bedroom, library, or hall use. Though later reproductions rather than period Renaissance examples, they capture the bold sculptural silhouette associated with Savonarola seating and offer the advantage of a cohesive matched pair. Condition appears very good overall, with light age-related surface wear and no major visible structural issues.

Substantial carved wardrobe or armoire with bold cornice, paneled doors, interior shelves, and lower drawers. Solid overall, with minor bowing to panel elements and age-related wear. 53.5x25 at cornice x77 (18deep)

Substantial carved cabinet with bold cornice, paneled doors, interior shelves, and lower drawers. Solid overall, with minor bowing to panel elements and age-related wear.53.5x25 at cornice x77 (18deep)

Impressive two-part Continental carved wood display cabinet in the Louis XV revival taste, comprising a glazed upper vitrine with shaped crest and scroll-carved detail over a lower case fitted with two drawers and a two-door cupboard. The upper doors retain lace curtain panels, while the lower section is ornamented with molded reserves and rocaille-inspired applied carving. The stepped profile, warm medium-brown finish, and generous storage/display capacity make this an attractive and practical statement piece for dining room, hallway, or country-house interior. Loose interior shelving is present within the upper section. Condition consistent with age and use, with general surface wear, minor imperfections around one interior hardware area, and no major structural issues apparent. 93 x 46 x 25 in. overall; upper case depth 16 in.

Round Italian gilt-metal and marble gueridon or pedestal table, the circular white and blush-veined marble top raised on an ornate cast metal standard with rich gilt-brass finish. The stem is modeled with stylized acanthus, scrolls, and foliate motifs in the Neo-Rococo / Hollywood Regency taste, above a small circular marble collar and stepped octagonal base with further fluted and foliate ornament. A glamorous mid-century decorative accent, ideal as a lamp, cocktail, or plant stand, Italy, circa 1970s. 15 x 21 H

Solid oak occasional table with circular top, curving supports, and shaped undertier. Surface wear and marks to the top consistent with use.

Description Substantial signed landscape by Anton Hans Karlinsky, the Austrian landscape and portrait painter born in Vienna in 1872 and active in Vienna and Rossatz, who studied at the Vienna Academy under Julius Victor Berger and Eduard Peithner von Lichtenfels. Karlinsky is closely associated with Austrian landscape painting, and his auction history shows a steady market for signed oils, with stronger prices for attractive, fully resolved landscape compositions. The present work shows a sunlit rocky escarpment descending toward a winding river valley, painted in warm earth tones with an atmospheric, slightly hazy distance. The handling is consistent with Karlinsky’s landscape manner around the turn of the century, and the painting retains a good decorative scale at 39 x 31 in., housed in a substantial ornate gilt frame measuring 43 x 51 in. The frame adds meaningful presentation value, though it should be treated as a bonus rather than the primary driver of value. Condition Painting appears in good overall condition, signed lower right and dated 1901. The frame has losses to ornamental elements and localized wear. Those losses reduce the frame’s standalone value, but it still presents impressively on the wall and supports the lot well.

Mancini (20th century), large oil on canvas depicting an Alpine lake landscape, with snow-capped mountains rising in the distance above a serene green lake and a series of red-roofed chalets and trees scattered along a rocky, autumnal shoreline. Executed in a vivid palette of whites, blues, russets and greens with heavy impasto to the foreground. Signed Mancini at lower right. Presented in an ornate gilt-composition frame with molded foliate border and name plate. Overall approx. 45 in. wide x 29 in. high.

Mid–late 20th century oil on canvas depicting a dramatic moonlit seascape, with a glowing full moon breaking through layered clouds at left and illuminating crashing waves against dark rocky cliffs at right, a few white seabirds wheeling above the surf. Executed in a rich palette of blues and turquoise with green highlights to the rocks and soft yellow around the moon. Unsigned (as visible). Presented in an ornate gilt and copper-toned molded frame with rococo-style corner and center ornaments and a cream inner liner. Overall approx. 30–32 in. high x 26–28 in. wide; sight size approx. 20–22 in. x 16–18 in.

Signed oil landscape, likely mid-20th century, depicting a country lane leading past a gate toward a thatched or tile-roofed cottage nestled among trees, with gentle hills and soft sky beyond; a lone figure stands by the gate, adding scale to the scene. Signed at the lower left (indistinct). Presented in an ornate cream and gilt-tinted rococo-style frame with molded scroll and foliate corners. Overall frame dimensions approx. 18 in. wide x 14 in. high.

Large polychrome needlework picture depicting an 18th-century-style pastoral scene, with finely worked figures in colorful robes gathered beneath a spreading tree beside a stream, a central woman holding an infant and attended by companions, amid lush foliage and distant landscape. Worked in wool and silk yarns on a finely woven canvas ground, showing a high level of detail to the drapery and faces. Presented in an impressive deep, carved walnut (or similar hardwood) frame with scrolling rococo motifs and corner cartouches, fitted with an inner gilt-composition liner and glazed for protection. Likely British or Continental, late 19th century, in the Victorian taste and probably after an earlier engravings or print source.

Oil on canvas, bust-length portrait of a lady in dark court dress with broad white ermine-trimmed collar, jeweled bow at the neck, bracelets and rings, and a large feather fan held at center, all set against a deep, nearly black ground. Painted in a rich, Old Master–inspired style with careful attention to the sitter’s features and costume, likely after a 17th-century European prototype. Presented in an ornate gilt-composition frame with molded and patterned borders and warm gold finish. Unsigned, 20th century, a decorative homage to Baroque portraiture.

Mid-20th century oil on canvas depicting a dramatic sunset over a calm coastal inlet, the sky filled with soft pink and blue clouds reflected in the water below, flanked by dark silhouetted pines and rocky headlands at left and right. Indistinctly signed at lower left. Presented in an ornate gilt-composition frame with scrolling rococo-style corners and a later cream-painted inner liner. Overall approx. 32–34 in. high x 28–30 in. wide (frame); sight size approx. 23–25 in. x 19–21 in.

Attributed to A. Leggett (British school, 19th century), oil on panel depicting an intimate cottage interior with three figures gathered around a candlelit table, rendered in warm browns and reds in the Victorian narrative tradition. Signed A. Leggett and presented in an ornate gilt-composition frame. Surface with age-appropriate craquelure and minor abrasions; frame with rubbing, small chips and losses to ornament.

Group of four European framed miniatures, comprising: (1) a French School portrait miniature of a young lady in Rococo dress weaving a garland of roses, watercolour on ivory wafer, mounted behind convex glass in an oval brass bezel within a rectangular ivory-veneered frame with ink-drawn foliate decoration, the reverse with printed French text and collector’s label inscribed “Mme de Pompadour?”; (2) a circular hand-painted miniature after Raphael’s Madonna della Seggiola, probably early 20th century, on a thin translucent support, mounted behind glass in a gilt metal bezel on a square red velvet strut frame, inscribed in Italian to the reverse; (3) a Continental hand-painted genre miniature under convex glass depicting an 18th-century gallant bowing to a lady on a stair, signed “René” lower right, housed in a faux-ivory and tortoiseshell-effect frame with gilt inner slip; and (4) a French School portrait miniature of a lady of the court in late 18th-century dress, watercolour on ivory wafer, mounted in an ebonised wood frame with gilt slip. French and Continental, 19th to early 20th century. Condition varies, with age-related wear, minor rubbing, cracks and shrinkage to parts of the ivory veneer, light surface marks, and frame wear throughout. Export or shipment of lots containing ivory may be subject to applicable regulations.

Oil on tin panel, unsigned, depicting two peasants drinking and smoking at a table in a rustic interior, one figure raising a glass while the other leans back in laughter, a jug and other tavern objects on the floor and table. The work is set within its original gilt gesso frame, the scene painted in the manner of 17th-century Dutch tavern interiors. Condition: Painting with minor edge wear and small scattered paint losses, surface craquelure and light grime; metal support sound. Frame with noticeable rubbing, losses and chipping to the gilt gesso, consistent with age; structurally stable and presentable. Quite captivating.

Continental School, late 19th - early 20th century, oil on steel plate tavern interior, showing two rustic figures seated at a table smoking pipes, one in a red cap leaning back on a bench with his feet up, the other turned toward him in conversation. Warmly lit interior with cupboard and hanging utensils beyond, painted with rich colour and smooth enamel-like finish typical of oils on metal support. Set in a period carved and gilt-composition frame with reeded inner moulding. Unsigned.

Substantial Gustav Becker wall regulator clock in a dark-stained wooden case with molded cornice, beaded trim, silvered circular dial with Arabic numerals, and glazed lower panel revealing the pendulum. A strong architectural example, measuring 31 x 13 x 6 in. Currently working and striking. Condition noted with minor wear to the dial and some buckling to the veneer at the lower case.

The ebonized architectural case with gilt foliate crest above pointed arches, suspending a circular brass Roman dial and lyre-form pendulum, flanked by two white turned stone columns and raised on a stepped plinth with ball feet; the movement with thread-suspended pendulum, a feature consistent with Austrian Biedermeier portico clocks. Probably Austrian, likely Vienna, circa 1830–1850. Untested and may require servicing.

A mid-20th-century white porcelain demitasse coffee service, comprising a covered coffee pot, covered sugar bowl, creamer, and six cups with six saucers, together with an associated handled round platter or cake plate. The principal service pieces are finished in a restrained white ground with broad gilt bands and angular neoclassical-revival forms, while the cups feature gilt interiors and more elaborate gilt scroll handles. The handled platter is not from the same service, showing pierced handles and a separate monochrome floral-and-bird decorative scheme. A visually appealing decorative service with both principal components and an associated serving piece. Minor wear to gilding and surface rubbing throughout; no chips or cracks observed.

A decorative four-piece Indian metalwork group comprising a pair of trumpet-form brass or copper-alloy vases, a circular hand-engraved tray or charger, and an associated plain polished brass tray. The matching vases are worked in low relief with birds perched among foliate scrolls over textured grounds, with flared rims and interlaced bands above the feet, showing repoussé and chased decoration rather than simple hammering alone. The circular tray is densely engraved with a central flowerhead, scrolling vegetal ornament, and leaf-shaped reserves in a Kashmiri taste. The plain tray is of simpler rolled-rim form and appears associated. Surface wear, oxidation, patina, scratches, and spotting throughout; no major splits or losses observed.

Three hand-operated brass coffee or spice grinders, comprising two tall cylindrical mills with turned wooden handles and decorative bands, together with one smaller rectangular form with lift-top grinding mechanism. One cylindrical example bears stamped numerals "1937." European or Middle Eastern type domestic grinders, early to mid 20th century or earlier in style, offered as a group. Surface oxidation, wear, and uneven patina throughout.

A late 19th-century Dresden cabinet porcelain group, attributed to Helena Wolfsohn or a closely related decorating studio, comprising a shaped square dish, a bottle-form vase, and a cup with saucer. Each piece is decorated in the Meissen-revival taste with rich yellow grounds, hand-painted floral bouquets, romantic figural reserves, and gilt scroll ornament. The vase is of square-section bottle form with alternating courting-couple and floral panels; the dish has a shaped square outline with figural and floral reserves divided by gilt scroll bands; the cup and saucer repeat the same yellow-ground and floral scheme. The platter bears a blue underglaze monogram resembling the pseudo-Augustus Rex mark associated with Helena Wolfsohn, while the remaining marks are unreadable. Likely an assembled but visually coherent cabinet group. Light wear to gilding and minor underside wear; no obvious chips or cracks observed.

Hand-knotted wool rug in the Bokhara / Turkmen style, the camel-beige field set with three columns of repeating octagonal guls in dark blue and black with rust accents, within multiple geometric borders of lattice and diamond motifs. Finished with braided end fringe to one side and kilim finish to the other, woven in a soft, versatile palette suitable for hallway or accent use. Likely Pakistan or Afghanistan, late 20th century.

Small hand-knotted wool accent rug with a rich red field centering three stacked diamond medallions in dark blue, ivory, and rose, framed by stylized floral and geometric motifs. Surrounded by an ivory main border with repeating rosettes and latch-hook devices between narrow guard stripes, the whole woven in a palette of red, navy, ivory, rose, and sage green. Dense wool pile on a cotton or wool foundation, likely Middle Eastern/Central Asian manufacture, late 20th century, ideal as a hearth, entry, or decorative wall hanging.

Afghan or Central Asian tribal hand-knotted wool mat, late 20th century, with a bold central column of three stepped cruciform medallions in dark brown outlined in ivory on a rich red field, framed by narrow borders of repeating geometric hooked motifs in brown, red and ivory, with fringed ends. Dense, soft pile and strong, saturated colors make this a useful accent piece or small bench / door mat. Approx. 13 in. x 33 in.

Baluch or Baluch-style hand-knotted wool rug, Eastern Iran or Western Afghanistan, mid–late 20th century, the camel/peach field centered by an elongated octagonal panel in navy enclosing a lattice of hooked diamonds in red, navy and ivory, within a stepped “running dog” frame and multiple narrow borders of rosette and geometric motifs in red, navy and ivory, finished with fringed ends. A traditional tribal design in a convenient small mat size. Approx. 37 in. x 24 in.

Persian village hand-knotted wool mat, mid–late 20th century, the deep navy field centered by an elongated hexagonal medallion with stepped ends and a striped diamond device, within a broad ivory border densely patterned with a lattice of small hooked and “X” motifs in red, green and dark blue, framed by narrow red guard stripes, with fringed ends. A finely detailed small rug suitable as an accent mat or wall piece. Approx. 22.5 in. x 17 in.

Cut crystal lidded beer stein with pewter mounts, the cylindrical body deeply cut with alternating panels of diamond-point and fan motifs, centered by a polished reserve engraved with a bull's head above crossed axes, with initials "F.W." and the date "1836." The hinged pewter lid is fitted with a seated dog finial and bears an armorial-style medallion depicting two lions as supporters beneath a crown, enclosing a shield charged with a bull's head over crossed axes - an emblem associated with German-speaking butchers' guild traditions. The pewter mount is further inscribed "18 16/5 79." Star-cut base with symmetrically molded optical "dot" bosses (as made), with matching pewter foot and handle mount.

Lidded beer stein featuring a heavy clear pressed-glass body with vertical paneling and a thick stepped base, fitted with a pewter hinged lid and thumb-lift. The lid is inset with a circular amber/yellow glass medallion painted with a gnome/zwerg figure in a whimsical folkloric scene. Pewter mount with age-appropriate patina; an appealing decorative stein for shelf display or bar decor.

Hand-cut crystal lidded beer stein, the faceted body with alternating vertical panels and oval lens-cut motifs, centered by a polished cartouche engraved with a script monogram (appears "BJ") within a decorative border. Fitted with a hinged pewter lid with bell-form finial, and an ornate scroll thumb-lift/handle strap assembly. An attractive Central European-style stein with crisp cutting and personalized engraving. Quite fun.

Clear pressed-glass beer stein with paneled lower body and thick base, fitted with a pewter hinged lid and ornate thumb-lift/handle strap. The domed lid is topped with a bezel-set faceted aqua-blue glass jewel (decorative paste stone), providing a bright accent against the aged pewter patina. A classic Central European-style lidded stein for display or bar decor.

Molded clear-glass combination stein/pouring pitcher with a notched pouring lip, the body decorated with allover raised bosses and a central frosted relief mask panel (satyr/"green man" type), above a molded base band. Fitted with a hinged pewter lid and figural finial, the top engraved with a script monogram (appears "RH") within an ornamental border. Condition note: crack to the upper rim area as shown.

Handwoven wool flatweave runner, likely Mexican Zapotec or Southwestern production, late 20th century, the deep red field centered by two large serrated diamond medallions in cream, dark green and black, framed by smaller cruciform motifs and a multiple-panel top section with repeating diamond and arrow devices. Finished with braided/fringed ends. Strong, graphic design ideal for a hallway or accent use. Approx. 23 in. x 90 in.

Assembled Bavarian porcelain decorative dessert and tea group, including a large Schumann Bavaria cabinet plate, a low pedestal compote, a small pierced dish, a rectangular handled tray, and a small group of teacups and saucers. The lot is decorated throughout in bright polychrome floral bouquets and sprays with gilt rims and accents, several pieces showing pierced or molded borders in the Dresden taste. Visible marks include a Schumann Bavaria crown-and-shield mark on the large plate and an Arzberg Bavaria crown-and-shield mark on the compote, indicating a related but not fully matched assembled group of mid-century Bavarian porcelain. Good overall presentation, with light wear to gilding and no obvious major structural damage observed.

A group of three German ceramic beer steins with pewter lids, comprising a small baluster-form stein with foliate ornament and banner cartouches, a cylindrical tavern-scene stein on a dark blue ground, and a large globular stein with polychrome figural and foliate decoration. The central example is likely J.W. Remy catalog no. 907, while the larger and smaller steins are best catalogued more broadly as German, probably Westerwald-region production, from the late 19th to early 20th century. A decorative and collectible group combining relief modeling, historicist ornament, and traditional hinged pewter mounts. General age-related wear, glaze crazing, minor surface rubbing, and pewter oxidation throughout; no major losses observed.

An assembled group of four German and Continental drinking vessels, comprising a small dated glass stein with dark pewter-mounted hinged lid, a larger etched glass tankard with relief-cast hinged lid, a clear glass mug with fitted metal cover, and a plain pewter mug. The earliest piece bears a lid dated 14 VII 1897 and a longer German inscription around the rim, while the larger tankard is decorated with etched floral and foliate ornament. A decorative and usable barware lot with mixed-period character, combining late 19th-century and 20th-century Continental tavern forms. General wear, light scratching, oxidation, and patina throughout; no obvious cracks or chips noticed.

A Continental pewter litre measure of cylindrical tankard form, with molded rim and foot, loop handle with thumbrest, and stamped 1L capacity mark to the body. The rim is struck with a series of control and verification punches, indicating official capacity checking during its working life. Plainly made and utilitarian in character, the piece belongs to the long tradition of metric pewter liquid measures used in trade and tavern service across Continental Europe. Surface wear, oxidation, scratching, and dark spotting throughout; no major dents or splits.

Cast-metal floor lamp with circular weighted base on four lion-paw feet, the domed center decorated with classical swags and beaded border and finished in an aged bronze and black patination. The slender, reeded standard rises to a twin candle-form light cluster with drip sleeves and an upper finial, originally intended to support a shade or reflector (not present). Likely iron or spelter with bronzed finish, American, circa 1920-1940, in a neoclassical / Colonial Revival style. Sold without shade and with electrical condition unknown.

Pair of mid-20th century alabaster table lamps, each with a stepped circular base and stacked baluster-form column in soft celadon green alabaster, accented with brass-plated collar and base rings, fitted with single-light brass-plated sockets. Elegant, softly glowing stone suitable for bedside or console use. Approx. 18–19 in. high to top of sockets (excluding harps and finials).

Group of two late Victorian wooden boxes, the larger a rosewood veneer jewellery or dressing box with mother-of-pearl escutcheon and stringing, fitted interior with red silk and compartmented tray; the smaller a mahogany box with simple brass escutcheon and later three-compartment interior. Both with hinged lids and brass locks (no keys). Condition: both boxes require restoration; veneers with cracks, lifting and losses, corners bumped, finish worn and scratched; interiors with staining, fading and fabric wear, one lid lining torn and detached in areas; hardware with oxidation. Larger box approx. 6 1/2 in. H x 12 in. W x 9 in. D; smaller approx. 5 in. H x 10 in. W x 6 in. D.

Pair of wooden boxes, comprising a larger mahogany veneered tea caddy or storage box with shaped domed lid and bun feet, the interior with twin covered compartments flanking a central circular well, and a smaller inlaid wooden box with domed lid, likely late 19th-early 20th century, the latter with geometric parquetry panels and green painted interior. Both with age-appropriate wear including scratches, small losses and interior marks; the larger with veneer losses and lifting to the lid, the smaller with interior scuffing and an absent key.

Assembled lot comprising three folding fans and four pairs of scissors. The fans include painted and printed paper leaves over wood guards and sticks, one with butterfly ornament, with two requiring restoration. The scissors vary in size and form, including steel tailoring and household examples, one pair with figural portrait decoration and visible marks. Sold as a decorative and utilitarian group; scissors untested and offered as found. Oxidation, wear, and age-related surface loss throughout.

An assembled three-piece ceramic lot comprising a Dresden porcelain cabinet cup, a Continental provincial earthenware jug, and an English refined earthenware plate in Pratt-type colours. The cup is decorated in the rococo-revival taste with alternating pink and cream panels, floral reserves, and gilt scroll ornament, and bears a printed Dresden mark beneath. The jug is of baluster form with hand-painted rural decoration and banded geometric borders, now fitted with an old metal handle serving as a replacement or structural repair. The plate is of shallow circular form with broad rim, hand-painted with a stylized red bird in the well and a repeating geometric border in blue, yellow, and brown, and retains suspension holes to the reverse. A decorative mixed lot combining cabinet porcelain, folk pottery character, and early English ceramic surface interest. All three pieces show age-related wear and condition issues; the cup with old repaired damage and handle restoration, the jug with body losses and an old metal handle repair, and the plate with a prominent crack running from the rim through the well and across the reverse, with associated footrim loss and minor glaze and paint wear.

Group of three small standing frames, including a carved wooden folding easel frame containing an antique studio photograph of a seated woman identified to Vienna, together with two Art Deco chrome oval frames enclosing needlework embroideries of children. Mixed materials and dates, sold as a decorative mantel group. Light age wear to frames and inserts.

Collection of four small blown art glass pitchers in vibrant transparent colors, comprising: a squat ruby red pitcher with wide flaring neck and applied amber handle; a taller rose-pink pitcher with bulbous body and applied opaque white handle; and two smaller optic-molded examples in emerald green and aqua blue, each with slightly shouldered body and clear ribbed handle. All pieces with pinched spouts and polished pontil marks, the bodies showing a honeycomb/optic thumbprint pattern that catches the light. Likely American studio or decorative glass, mid-20th century. A cheerful tabletop grouping for use as bud vases or creamers.

Bohemian ruby cut-to-clear crystal vase of spherical form, deeply wheel-cut with hobstars, pinwheels, sunbursts, lattice panels, and leaf swags, executed in thick ruby overlay and polished to brilliance. A finely made Central European example from the interwar to mid-century period, notable for its crisp cutting and rich coloration. Perfect condition, with no chips or cracks.

An assorted three-piece decorative group comprising a white portrait bust of Friedrich Schiller, a mechanical metal-cased table or travel clock, and a Chinese carved soapstone vessel group. The bust is modeled in neoclassical taste with the sitter identified as Schiller on a molded scroll at the base. The clock is housed in a rectangular handled case with Roman numeral dial, subsidiary dials, and visible mechanical movement. The soapstone carving is worked in open relief with birds, foliage, and two integrated cup-form vessels in mottled pink and beige stone. A visually varied shelf lot with European and Asian decorative elements. Surface wear, oxidation, and finish loss to the clock; the clock is not tested. The soapstone carving shows rim chips and losses to projecting elements; the bust is intact

A porcelain Art Nouveau–style coffee service, unmarked, decorated with violet blossoms and foliage accented with gilt highlights. Comprising a lidded coffee pot, lidded sugar bowl, large serving tray/platter, and one demitasse cup. The set features softly molded, fluted forms with scalloped rims and feet. Condition: gilt wear and rubbing; one cup with broken/missing handle.

Group of three Royal Doulton "Pretty Ladies" bone china figurines with original boxes, late 20th-early 21st century, each modelled as an elegant lady in swirling blue or violet gowns, finely hand painted and titled to the undersides (titles not fully checked), together with three original Royal Doulton boxes. Figures generally in very good condition with no obvious chips or cracks noted; light shelf dust; boxes with tape residue, writing, creases and general storage wear.

Unmarked bowl-back teardrop mandolin, probably European factory production, circa 1920-1940, with ribbed bowl back, spruce top and oval soundhole, fitted with a floating bridge above a painted tortoiseshell-effect pickguard decorated with scrollwork and small dot inlays, plain headstock with eight tuners for four string courses. Approx. 24 in. overall length. In fair, decorative condition with heavy surface wear, scratches and dirt to top and pickguard, wear and possible repair at the tailpiece area, oxidized hardware and worn fingerboard; strings old and instrument not guaranteed playable, sold as found for restoration or display.

Cream-toned Bavarian porcelain partial table service, attributed to Schirnding, comprising a covered soup tureen, a covered sauce tureen with underplate, a creamer, a group of plates in at least two sizes, and two serving bowls. Each piece is decorated with delicate scattered floral sprays and finished with softly scalloped rims and gilt edging, the service showing a restrained mid-century Continental elegance. The underside of one piece bears a green printed Bavarian factory mark consistent with Schirnding, and the decoration closely corresponds to the firm’s Hannelore pattern. Mid-20th century. Good overall condition, with no chips or cracks observed and only light wear consistent with use.

Decorative group of seven Chinese cloisonné enamel wares, early to mid-20th century, including a tall egg-form covered cup on pedestal stand, three circular covered boxes, two bowls, and a small covered salt or condiment with matching spoon. The tall egg-form example is decorated with lotus blossoms and scrolling foliage on an iron-red ground with key-fret pattern, with brass finial and mounts. The covered boxes include one cylindrical example with dragons and flaming pearls on a deep blue ground, together with two lower circular boxes with floral decoration on turquoise and black grounds. The bowls comprise a larger red-ground example with scrolling floral decoration and a smaller black-ground bowl with peony and foliate design. The covered salt is decorated with dragons on a black ground and raised on tripod feet. Turquoise and blue enamel interiors and bases throughout. A colourful and attractive assembled group of Chinese export cloisonné, well suited for display. Condition: Overall good to very good with bright enamels. Typical minor pitting, small scattered enamel losses, light surface scratching, tarnish and patination to exposed brass edges, and general wear consistent with age and use.

Group of three substantial Austrian or Central European glazed earthenware serving platters and dishes, each with opposed side handles and distinctive hand-painted decoration in a rustic country-house manner associated with the Gmunden tradition. The lot comprises a larger handled platter painted with a stag in a stylized landscape within a geometric border, a second platter with delicate floral sprays in a soft pastel palette, and a smaller handled serving dish centered with a bold blue and yellow flowerhead and green-banded rim. Though not a matching service, the three pieces work together as a highly decorative assembled group, unified by their strong hand-painted character, generous scale, and regional folk-ceramic appeal. A visually striking lot with excellent display presence. Condition consistent with age and use, including glaze crazing, underside wear, and minor edge fritting visible.

Group of three Hungarian hand-painted glazed ceramic plates in distinct folk-art patterns, comprising a red-on-white floral plate, a polychrome plate centered with blue and yellow flowers within a bold ornamental border, and a brown-ground scalloped plate decorated with stylized floral sprays in cream, green, orange, and yellow. Though not a matching service, the lot forms a strong associated group, unified by its lively hand-painted character, bright regional palette, and decorative folk tradition. Suitable for table, dresser, or wall display. Consignor notes the plates were never used; condition appears very clean, with no visible chips or cracks.

Group of three associated Continental hand-painted glazed ceramic wall plates, comprising a larger plate painted with oranges within a leafy garland and blue flower border, a second plate with a lively floral bouquet and matching rim decoration, and a smaller stylized floral plate with black scalloped edge, the reverse marked SMF and numbered 3401, consistent with Schramberg. Though not a matching set, the three pieces form a visually cohesive decorative lot, unified by their strong folk-art palette, hand-painted character, and wall-display format. An appealing group for kitchen, breakfast room, or country-house interiors. Condition overall good for display, with light underside wear, minor edge and surface wear, and hanging cords retained on two examples; no major damage.

Set of five matching English ceramic dessert plates, probably Staffordshire, decorated in the enduring Imari taste with cobalt-blue cartouches, iron-red and orange floral ornament, green leafy sprigs, and gilt highlights on a white ground. Each plate is centered with a stylized floral spray and fan motif, the border enlivened with scattered blossoms and repeating shaped reserves. A highly decorative group with strong visual impact, equally suitable for cabinet display, table setting, or as a wall arrangement. All five retain later wire hanging mounts to the reverse. Condition consistent with age and display use, including light wear to decoration and some underside soiling, with no major damage.

Description: Assembled group of four decorative articles, late 19th to early 20th century, comprising two biscuit barrels and two blue jasperware-style pieces. The biscuit barrels include a pink-ground enamelled glass example decorated with a Rococo-style reserve of a courting couple, fitted with ornate metal mounts and an eagle finial, and a blue jasperware ceramic example with white hunting and pastoral reliefs, mounted with a metal lid and swing handle. Also included are two additional blue jasperware-style pieces in the manner of Wedgwood, comprising a small jug and a cylindrical pot with metal cover, each applied in white relief with classical figures and foliate borders. A decorative Victorian and later grouping with strong shelf and sideboard appeal. Condition: Overall good antique to vintage condition with expected age and handling wear. Both biscuit barrels show tarnish, patina, and surface wear to the metal mounts. The pink enamelled glass barrel has expected wear to the painted and enamelled decoration. The blue jasperware biscuit barrel has a few small rim nicks and light staining to the relief. The accompanying jasperware-style jug and covered pot show general surface wear consistent with age and display.

An extensive Royal Winton Grimwades 'Golden Age' gold lustre service, comprising a wide selection of mid-century tea and dessert wares, including multiple coffee and tea pots, creamers, sugars, teacups with matching saucers, molded dessert plates, pedestal dishes, and a tiered-cake stand with hardware. Each piece finished in the pattern's signature mirror-bright all-over gilt lustre over molded ceramic forms. A striking and desirable Royal Winton service ideal for display or special use. Overall light wear to gilding consistent with age and use.

Comprising an amber-colored floral-engraved goblet on a clear faceted stem, a two-piece cobalt blue engraved stacking beaker set bearing a paper label reading “MADE IN ROMANIA,” and a cranberry glass tumbler enamelled in the Mary Gregory style with a child in a landscape and gilt rim. Mostly 20th century.

A two-piece Meissen porcelain group in the classic Blue Onion pattern, comprising a small cream jug and a scalloped dessert plate. Both are decorated in underglaze cobalt blue with stylized blossoms, fruit, and scrolling vegetal ornament on a white ground, and each bears the underglaze blue crossed swords factory mark to the underside. The pieces are associated rather than an original functional pair, but are well matched in pattern and presentation. A clean and attractive cabinet lot from one of Europe’s most enduring porcelain services. Light shelf and handling wear; no chips, cracks, or restoration observed.

An assembled group of six small decorative trinket boxes in varied materials and styles, including two black floral-painted circular boxes, a mounted porcelain egg-form box, a turquoise-ground cloisonné enamel round box, a rectangular filigree-mounted figural box, and a small white porcelain floral pillbox inscribed “PRIMA CANADENSIS 27. IV. 92.126.” The lot combines painted, enameled, metal-mounted, and porcelain examples with good shelf and cabinet appeal. The cloisonné and filigree-mounted pieces add contrasting texture and color to the group, while the remaining boxes offer a range of decorative floral and figural motifs. General surface wear, rubbing, and minor scratches throughout; visible enamel wear and small losses to the cloisonné box; no major breaks noticed.

An assembled group of five metal candlesticks in varied revival forms, including silver-tone plated and brass-tone examples. The lot includes plain and turned baluster examples, a tapered brass-tone stick, a darker fluted candlestick with beaded molding, and a more ornate example with rocaille-inspired cast ornament. The group is not a matched set but offers a useful range of traditional table and mantel forms for decorative use. Tarnish, oxidation, scratches, rubbing, and general finish wear throughout; no major bends or breaks noticed.

Description: Assembled group of three Asian decorative objects, comprising a signed Korean celadon glazed stoneware vase of ovoid form with short neck, decorated with inlaid ducks swimming among reeds within reserved cartouches, the pale blue-green glaze with intentional overall crackle and the base bearing Korean characters and an impressed seal mark; a signed Japanese blue and white stoneware bowl, wheel-thrown and painted in underglaze blue with loose brushwork floral or foliate decoration, the interior with a central reserve enclosing a hand-painted signature; and an Indian cast-brass ritual stand or low table, the rectangular top engraved with scrolling foliage and geometric borders, raised on four openwork peacock-form legs with lotus bases. A well-balanced decorative group combining ceramic and metalwork traditions, suitable for shelf, cabinet, or tabletop display. Condition: Overall good to very good with expected age and handling wear. The Korean vase shows typical intentional crazing, minor firing imperfections, and very light wear to the footrim, with no chips, cracks, or restorations observed under normal inspection. The Japanese bowl has minor firing imperfections and light wear from use and display, with no chips, cracks, or repairs observed. The Indian brass stand is structurally sound with scattered small nicks, light scratches, uneven patina, casting irregularities, and honest surface wear consistent with age and use.

Description: Assembled group of four Asian decorative objects, including a pair of Chinese mid-20th-century cinnabar lacquer items, comprising a rectangular carved trinket box decorated with scholars in a landscape and a small carved snuff or perfume bottle with apocryphal Qianlong mark; a Chinese carved soapstone figural group depicting five monkeys climbing and playing atop an integral base, carved from creamy beige stone with natural veining; a small Indian tribal-style cast brass figure, probably made in the lost-wax tradition, modelled as a stylised standing figure on a circular base; and a carved netsuke-style figure of a seated man, probably Japanese or Japanese-style, early to mid-20th century, carved from a light organic material with underside himotoshi-type drilling. A varied and attractive cabinet group, suitable for shelf or desk display. Condition: Overall good to very good with expected age and handling wear. The cinnabar box has minor lacquer loss to the interior edge not visible when closed, and the bottle shows light wear. The soapstone monkey group appears excellent with minor natural inclusions to the stone. The brass figure has oxidation, surface pitting, rubbing to high points, and some roughness to the base. The netsuke-style carving shows handling patina, surface wear, and age-related hairline lines; no obvious major losses or repairs noted. Material-based export restrictions may apply to the netsuke-style figure depending on the precise composition.

Assembled group of six porcelain serving pieces, including three long floral dishes, a Herend pierced basket, a small dish with shamrock decoration, and a covered rectangular serving dish with underglaze mark reading "WOOD WARE / WOOD & SONS / ENGLAND" pattern "Wincanton." Several long dishes appear to bear RS Prussia-type decoration and molding. Mixed European tablewares, late 19th to mid 20th century, sold as a decorative serving lot. Visible wear and some scattered condition issues consistent with use and age.

Group of three Herend porcelain pierced baskets in graduated sizes, each with molded openwork sides, braided rims, and hand-painted floral reserves to the centers. Blue Herend handpainted marks to the undersides. 20th century Hungarian porcelain, sold as a display set. Light shelf wear noted.

A four-piece partial porcelain demitasse coffee service in the Dresden / Rococo Revival taste, comprising a covered coffee pot, covered sugar bowl, creamer, and cup. The set is molded in a lively rococo-revival form with white ground, pale blue handles and finials, gilt scroll ornament, and painted romantic figural reserves featuring women and putti in pastoral settings. An attractive decorative grouping with coherent modeling and palette, likely Central European and made for the late 19th- to early 20th-century cabinet market. Minor wear to gilding; the sugar-bowl handle has been glued, and no other chips or cracks were observed.

A group of three Herend hand-painted porcelain floral ornaments, comprising two yellow rose studies and one pink open blossom, each modeled in relief with glossy leaves and naturalistic petal work. One example bears the blue Herend-Hungary Handpainted backstamp with impressed factory numerals, and the group is consistent in glaze, finish, and workmanship. Decorative and collectible Hungarian porcelain with strong cabinet appeal, suitable for display as a small branded floral grouping. Very clean overall; no chips, cracks, or repairs.

An assembled group of four Austrian enameled metal dishes, including a large round dish, two matching small dishes, and an associated small black-ground floral dish. The principal three pieces are decorated in a vivid magenta palette with gilt highlights and stylized folk-inspired floral and figural motifs, while the fourth dish is finished with a dark ground and painted floral ornament. One underside mark reads Email Studio Steinböck Handmade in Austria, and the submitted note states the pieces are metal and all are marked. A colorful and displayable group of later 20th-century Austrian enamelware. Light general wear from handling and use; no major dents, cracks, or obvious enamel losses.

A late 19th-century Continental porcelain partial service, probably German, comprising a covered tureen with stand, dinner plate, handled cup with underplate, shaped serving platter, and a small covered condiment pot with stand. The pieces are decorated with delicate floral sprigs in mauve and pale blue with sepia-toned foliage on a white ground, with molded rococo-revival borders and red line rims. Only two pieces retain a green crossed-device mark with painted numerals, and the group is best catalogued as a partially marked Continental service rather than assigned to a specific factory. A decorative table grouping with strong tureen form and coherent floral decoration. Chip to one platter and minor damage to another serving piece; otherwise light general wear consistent with age and use.

Assembled lot of silver-plated wares, including an engraved wine cooler or bowl with monogram, a cocktail shaker, two trumpet vases, an Art Nouveau style pierced spill vase with stylized fleur-de-lis motif, and a small bud vase. Mixed forms and dates, largely 20th century, offered as a decorative group. Tarnish, rubbing, and surface wear throughout.

An assembled three-piece decorative glass lot comprising a transparent blue footed vase or goblet-form vessel, a modern frosted stemmed art glass bowl or compote with abstract blue, yellow, green, and violet color accents, and a small hand-painted floral rose bowl with pink ground and gilt rim. The group combines mid- to late 20th-century decorative glass in three distinct but complementary styles, offering strong shelf and tabletop appeal through color, contrast, and varied form. A useful interiors lot centered on the larger modern art glass bowl, with the blue vase and floral rose bowl adding secondary decorative interest. Light general surface wear consistent with handling; no chips or cracks observed.

A group of four small glazed porcelain animal figures, comprising a standing pig figure attributed to Herend and three associated puppy figures in white glaze. The pig corresponds to a known Herend model, here in a plain white glazed version with restrained pink-tinted detail to the ears, tongue, and hooves, and bears a blue underglaze shield-form mark to the underside. The underside bears a blue underglaze shield-form factory mark.

Decorative glass cordial service comprising a gilt-decorated decanter with associated stopper and six gilt and enamelled stemmed cordial glasses. The glasses have cranberry-tone oval cartouches and pendant gilt ornament; the decanter is similarly embellished with all-over gilded highlights. Likely late 19th to early 20th century Continental or Bohemian taste. Stopper does not fit the decanter, and one cordial has a minor chip.

Group comprising a pair of clear cut-glass candlesticks and an associated dressing-set ensemble, including a rectangular covered jar, matching tray, and atomizer bottle with black sprayer mount. The dressing pieces are geometric Art Deco in taste; the candlesticks are heavier and more classical in form. Mixed 20th century crystal, sold as an assembled lot. Multiple chips to the dressing-set pieces; candlesticks remain in very good condition.

Group of three clear glass drinking pieces, comprising a tall engraved vodka carafe with faceted stopper and two unrelated cut glass tumblers. The carafe is an older Eastern European or Russian-type form with wheel-engraved decoration; the glasses are later associated examples. Sold as an assembled lot. The glasses are in good condition; the decanter has some chips at the rim.

Group of four molded clear glass footed drinking mugs or beer glasses, three in a hobnail-style pattern and one with a differing geometric texture. Each bears a capacity mark reading "1.5 L." Though reminiscent of Fenton hobnail forms, the evidence does not support a firm attribution, and the lot is best catalogued as molded beverage glass. Light wear consistent with use.

Large hand-cut crystal covered bowl with matching lid and six handled cups, all decorated with dense geometric cutting and eye motifs. The principal bowl is in excellent visible condition, while a couple of the cups have chips. Heavy late 20th century cut crystal service, sold as a group. Bright display presence.

Tall molded glass claret or water jug with silverplate-mounted lid, spout, and scrolling handle, retaining a paper label reading "Sheraton Silverplate / Italy." Mid to late 20th century tableware with Victorian-inspired mount. Offered as a single decorative serving piece. Light surface wear to mount and minor handling wear overall.

Heavy hand-cut clear crystal water pitcher with faceted body, scalloped thumbprint-style rim, and notched handle, decorated with fans, cross-hatching, and star motifs. A substantial late 20th century cut crystal table piece, likely Eastern European or comparable export production. No visible chips or cracks observed.

Tall wheel-engraved clear glass vase on a stepped foot, decorated with wild life in landscape. The cylindrical body is panelled and acid-softened in appearance, with the engraved scene wrapping around the vessel. Decorative 20th century art glass, sold as a single display piece. Chip to the rim.

Assorted group of silver-plated flatware, largely marked "1847 Rogers Bros," including knives, forks, spoons, and serving pieces in more than one pattern, together with a boxed pair of floral-handled serving utensils. Mixed composition and completeness, sold as a group lot rather than a full service. Surface wear, tarnish, and some heat or discoloration to select pieces.

Charming mixed group of five early 20th-century vanity and decorative accessories, comprising an Art Nouveau clear pressed-glass dresser jar with repoussé floral gilt-metal lid, a small gilt-metal jewellery or trinket box with scrolling floral decoration and pink fabric lining, a Continental porcelain miniature vase painted with a Rococo-inspired pastoral courting scene, an opaline-blue milk glass powder shaker with hand-painted floral decoration and original pierced tinned-metal cap, and a small glass perfume bottle encased in fine petit point embroidery with gilt filigree shoulders and cap. A visually appealing assortment reflecting the romantic and decorative taste of the early 20th century, suitable for vanity display, collecting, or decorative interior use.

A late 18th-century German faience plate, painted in cobalt blue on a white tin-glazed ground with a crowned Saxon armorial, the inscription Vivat Sachsen, and the date 1782, within a simple repeating border. The reverse with a small blue underglaze mark resembling a curved C and star-like device. The plate is best catalogued as German faience, possibly Hanau, rather than firmly assigned to a specific manufactory. Condition with multiple rim chips and glaze losses, including one larger loss to the border, together with general age-related wear.

Description: Assembled group of three decorative objects, comprising a lot of two miniature Holy Bibles, 20th century, including a New Revised Standard Version Bible housed in a small metal and enamel book-form case with white front panel and applied gilt cross, and a smaller earlier American miniature Holy Bible containing the New Testament in black paper covers, both originally contained in a worn leatherette outer case; a small Continental decorative wall medallion, late 19th to early 20th century, with a cast metal relief of a contemplative putto after Raphael’s Sistine Madonna, signed A. METRA(Y) to the lower edge, mounted in a beaded gilt frame with segmented cream surround described as ivory/ivorine composite; and a mid-20th-century inlaid bone and wood bangle bracelet, probably Indian or African export, formed as a wide laminated band of carved bone panels over a hardwood core with black geometric inlay to the upper border. A varied small cabinet group with devotional, decorative, and ethnographic appeal. Condition: Overall good, with expected age and handling wear. The miniature Bibles and outer case show rubbing, small losses, and page toning; the enamel book-form case has light surface wear. The putto medallion has age patina and partial gilding loss, with age cracks and a stable split to the cream surround, and rubbing to the frame. The bangle has minor surface wear, small age-related hairline cracks at some joints, and light abrasions to the interior wood.

Description: Assembled group of three mid-century decorative objects, comprising a small sculptural art pottery vase of compressed ovoid form with stylised owl or bird motif, the textured black-glazed body accented with ochre-yellow roundels and inscribed “50E/61” to the underside; a mid-century English copper and brass barrel-form ice bucket by Linton, fitted with domed lid, swing handle, and original clear glass liner, the base stamped “TRADEMARK / LINTON / MADE IN ENGLAND”; and an Aynsley “Camellia” fine bone china bud vase of elegant elongated form, moulded with leaf and bud relief and finished in ivory glaze with gilt rim and foot. A varied and attractive decorative group with strong mid-century appeal, suitable for bar, shelf, or cabinet display. Condition: Overall good vintage condition with expected age and handling wear. The owl-form pottery vase shows scattered small rubs and minor glaze losses to high points and base edge, with no visible chips, cracks, or repairs noted. The Linton ice bucket has surface wear, small dents, scratches, spotting, tarnish, oxidation and patina to the metalwork, with minor verdigris near some rivets; lid fits well and the glass liner is present, with light scratching and clouding from use but no cracks or chips observed. The Aynsley vase is in very good condition with no chips or cracks seen, and only minor light surface wear and slight rubbing to the gilding.

Description: Assembled group of three Continental porcelain decorative articles, late 19th century, comprising a two-handled covered cup and saucer decorated in the Sèvres taste with monochrome scenes of frolicking putti on textured pink cartouches, scattered floral sprays, gilt scroll borders, and a domed cover with rose finial; a cylindrical porcelain cachepot or flower pot, probably French or German, with cream ground, pink and gilt banding, and a finely painted romantic riverside castle landscape framed by flowers; and a classical urn-form porcelain vase, probably French or German, richly decorated with gilt and a hand-painted rural landscape panel, fitted with stylized swan-form gilt handles and raised on a square plinth. A decorative cabinet group with strong late 19th-century Continental taste. Condition: Overall good antique condition with expected age and cabinet wear. The covered cup and saucer have minor chips to the cover rim and flower finial, with light wear to gilding and enamels, but no visible cracks noted. The cachepot has light rubbing and interior wear, with no major chips or cracks observed. The urn-form vase has rubbing and losses to gilding, small firing and glaze imperfections, general surface wear, and professional restoration to the handles.

Large mixed group of silver-plated tablewares and flatware, late 19th to mid-20th century, combining a substantial Birks “Regency Plate” flatware service with additional Birks and related plated cutlery, together with six larger silver-plated service pieces. The flatware portion includes an approximately 25-piece Birks “Regency Plate” service with dinner forks, soup or table spoons, a sauce ladle, serving fork, cream ladle and small condiment spoon, retained in the original turquoise Birks felt storage roll, along with a further mixed lot of Birks and other silver-plated flatware including dinner forks, smaller forks, tablespoons, hollow-handled knives and other knives of related patterns. Also included is a decorative group of six silver-plated service pieces in Victorian and Edwardian taste, comprising a champagne bucket, kettle-on-stand with burner, ornate teapot on stand with warmer, tall engraved hot-water jug, small tripod burner base, and a Victorian meat dome engraved with the initial “J.” A useful and visually impressive assemblage suited to table use, staging, decorative display, or polishing and restoration projects. Condition Overall with tarnish, scratches, plate wear, and signs of regular use throughout. Flatware shows varying wear, small dings, and minor handle distortions; knives with expected edge wear and light staining. Service pieces with heavy tarnish and surface wear. One stand is broken and detached and requires repair. Otherwise generally structurally sound and decorative.

Art Nouveau double cruet set with iridescent cranberry glass bottles and silver-plated stand, probably Central European/Bohemian, circa 1900; two hand-blown bulbous cruets in cranberry glass with golden iridescence, wheel-engraved with looped foliate and lattice bands and triple-ring detail to the necks, each with faceted clear glass stopper, resting in a pierced and cast silver-coloured metal stand of scrolling Jugendstil design on shaped base; approx. 23 cm (9 in.) high to stopper and 25 cm (10 in.) wide overall; overall very good antique condition with light surface wear and patina to metal, minor rubbing to iridescence, and a small, almost invisible chip to the rim of one bottle not affecting use.

Late 19th-century English walnut-veneered jewellery or dressing box, approx. 12 x 8½ x 6½ in., with mother-of-pearl lid cartouche and escutcheon, fitted interior including letter compartment in the lid, lift-out tray and lower drawer, all lined in blue velvet. One mother-of-pearl escutcheon lacking, some veneer losses including one corner section, and wear to velvet lining consistent with age; no key present.

Pair of tall silver-plated candlesticks by Henry Birks & Sons, Canada, 20th century, each approx. 12 in. high, marked Birks Regency Plate St. James to the base and presented in the original Birks blue presentation box. Elegant tapering stems with circular bases. Light surface wear and polishing marks from use; box with age-related scuffs and edge wear.

Group of two late Victorian wooden boxes, the larger a rosewood veneer jewellery or dressing box with mother-of-pearl escutcheon and stringing, fitted interior with red silk and compartmented tray; the smaller a mahogany box with simple brass escutcheon and later three-compartment interior. Both with hinged lids and brass locks (no keys). Condition: both boxes require restoration; veneers with cracks, lifting and losses, corners bumped, finish worn and scratched; interiors with staining, fading and fabric wear, one lid lining torn and detached in areas; hardware with oxidation. Larger box approx. 6 1/2 in. H x 12 in. W x 9 in. D; smaller approx. 5 in. H x 10 in. W x 6 in. D.

Comprising a smaller mahogany-veneered rectangular box with ebony-style stringing, round mother-of-pearl corner bosses and diamond cartouche to the lid, together with a larger burr-walnut veneered box with matching mother-of-pearl shield cartouche and escutcheon. Both likely English, Victorian, c. 1860–1885, originally used as work or stationery boxes. Condition: General surface wear, scratches and small veneer losses consistent with age; one corner chip to the larger box; both lacking keys but structurally sound, mother-of-pearl inlay intact.

An English silver-plated cruet or condiment set, Sheffield, early 20th century, the shaped base on four ball feet supporting four matching cut and engraved glass bottles—two with faceted stoppers and two with hinged plated lids—held within wirework rings below a tall sinuous Art Nouveau looped handle. Underside stamped with Sheffield electroplate marks and pattern number 9162. Condition: Glass bottles in very good condition with no apparent chips or cracks. Stand with tarnish, plate wear, and pitting to the base and mounts, consistent with age and use

1847 Rogers Bros. silver-plated flatware service in original fitted wooden canteen, mid-20th century, by The International Silver Company of Canada Limited. The stain-finished rectangular box opening to a bright red fitted textile interior with maker’s plaque reading 1847 Rogers Bros. / The International Silver Company of Canada Limited. The upper rack fitted with eight table knives, the lower section with assorted forks and spoons (a part service), each piece with bright-cut floral and scroll decoration to the terminals in the typical 1847 Rogers Bros. style. A classic mid-century plated flatware service, ideal for everyday or special-occasion use.

Victorian brass and glass paraffin / oil lamp with Young’s screw-fitting burner, late 19th century. The lamp with clear moulded and wheel-engraved glass shade decorated with radiating starburst and foliate motifs above a clear glass font similarly decorated with stylised foliage, fitted with brass collar and twin disc winder stamped YOUNG’S SCREW FITTING to each side. Reeded column stem rising from a domed and stepped brass socle, all mounted on a circular black glass plinth, complete with clear glass chimney. An attractive period example retaining its original burner and fittings.

Group of four decorative framed works and frame, including a 1970s gilt oval wall frame, an engraving of The Hon. Anne Damer, a Victorian portrait engraving after E. T. Parris engraved by H. Cook, and a Bundesdruckerei, Berlin facsimile of Albrecht Dürer’s Melencolia I, all framed and glazed.

Group of six small framed prints and views, comprising: a pair of 19th-century Berlin architectural views after Johann Philipp Eduard Gärtner (German, 1801–1877), each titled in German within the image, Die Hercoles Brücke and Die Königs Brücke, depicting animated bridge scenes with figures, carriages, and trees, delicately hand-coloured over printed outlines and presented in black frames with gilt slips and buff mounts; a small antique oval intaglio print, probably 19th century, printed in brown ink within an oval reserve and showing a finely drawn stylised subject against a softly worked ground, mounted on cream paper and housed in a simple black-painted wooden frame, the reverse bearing an old gallery or dealer label and later handwritten note; and a set of three 19th-century hand-coloured engraved views, including a marine or riverine scene after S. F. Serres engraved by W. Floyd, an architectural view after Thomas Allom engraved by F. J. Havell, and a pastoral landscape after W. Linton engraved by Higham, all presented in matching dark wood frames with cream mounts and peach-toned slips. A decorative and varied group of small-scale framed prints suitable for cabinet-wall or traditional interior display.

Collection of twenty-one small 19th-century engraved portraits, each presented in a narrow ebonised frame with gilt inner beading. The prints, finely worked in black on cream paper, depict various named historical sitters- predominantly ladies in early 19th-century dress with a few male figures-each identified in script in the lower margin. Most appear to be stipple or line engravings after contemporary painted portraits, likely issued as book or portfolio plates and subsequently framed en suite. Several retain remnants of old backing labels to the reverse. An attractive, period set for decorative or scholarly display.

Graham Clarke (British, b. 1941), Great Shakes, large hand-coloured etching with aquatint on wove paper, c. 1970s–80s. Characteristic bustling harbour-and-town scene with boats in the foreground and a medieval-style town under reconstruction behind, the composition contained within an architectural arch and watched over by a smiling sun. Richly printed and delicately hand-coloured in pastel tones with Clarke’s typical humorous detail and crowded narrative vignettes. The work bears the artist’s small red monogram chop to the lower image, with the title and edition number inscribed in pencil in the lower margin and signed at lower right “Graham Clarke.” Unframed.

Large English white-glazed pottery wash jug of baluster form, with a flared spout, tall loop handle, and pink transfer-printed floral sprays beneath a pendant lattice border at the neck. The underside bears a red printed factory mark and an impressed registration number. Likely produced in the late Victorian to early Edwardian period for washstand use. Presents well, with light surface and footrim wear visible and no obvious major structural damage.

Partial Continental European porcelain dessert / luncheon service, comprising a covered two-handled serving dish, an oval handled serving platter, a square serving bowl, and groups of plates in two sizes. Each piece is decorated with soft salmon-pink floral sprays on a white ground, finished with molded scalloped rims and light gilt accents, the ensemble reflecting an early 20th-century taste for naturalistic floral decoration. One plate bears a painted underside number reading approximately “3528” over “9,” but no definitive factory mark was observed, and the lot is offered as unmarked Continental porcelain. Circa 1900–1920. Good overall presentation, with light wear from use and stacking, visible gilt rubbing at the rims, and no obvious chips or cracks noticed.

Pair of contemporary modernist bookends, likely resin or composite, each formed from interlocking arched elements in contrasting black and white to create a bold abstract stepped design. Each approx. 5 in. high and 3.5 in. wide. Minor light surface scuffs and a few small marks from handling; otherwise in good presentable condition.

Pair of modern stone bookends, probably marble or onyx, each of squared profile with opposing cut-out curves, the cream-coloured stone inset with contrasting brown stone panels at top and bottom. Approx. 6 3/4 in. high. General light surface wear, small edge nicks and natural veining; overall good decorative condition.

Pair of carved stone Foo dog or guardian lion bookends, mid-20th century, each figure finely carved in pale grey and cream stone seated on a rectangular plinth with incised decoration. Height approx. 6 1/2 in. Minor edge nicks and natural inclusions to the stone, light surface wear; overall good condition.

Pair of solid grey marble bookends, late 20th century, each of tall half-round pillar form with softly rounded tops and attractive grey veining, polished on all visible surfaces. Approx. 6 3/4 in. high. Minor surface scuffs and small edge nicks consistent with use; overall very good decorative condition.

Pair of cream-coloured onyx stone bookends, mid-20th century, each of stepped rectangular base surmounted by a vertical back plate and a polished stone sphere, creating a simple geometric architectural form. Approx. 5 1/2 in. high. Natural veining and colour variation, minor edge nicks and light surface wear consistent with age and use.

A pair of carved Italian alabaster bookends in stepped book-spine form, the stone displaying attractive grey veining and a smooth polished finish. Retaining the original Tirrenia workshop label for JIM, known for quality stonework in alabaster, marble, and onyx. Solid and weighty, ideal for display or functional use. Very good condition with no chips or cracks.

An assembled two-piece decorative ceramic lot comprising a large studio pottery jardinière and a Royal Doulton character jug. The jardinière is of substantial size, finished in a deep cobalt blue glaze and decorated in relief with applied grapevine, leaves, and grape clusters in contrasting stoneware, probably European and dating to the mid to late 20th century. The base bears an impressed shield-shaped cartouche with a stylised “S” together with an incised but indistinct potter’s signature. The accompanying Royal Doulton character jug is modelled as the jovial highwayman Dick Turpin, shown wearing a tricorn hat and decorated in bright polychrome enamels, with printed Royal Doulton lion-and-crown backstamp to the underside. A visually appealing mixed lot combining sculptural studio pottery with an iconic English character jug. Condition: Jardinière overall in very good condition, with a few small chips to the tips and edges of the applied leaves, and no cracks or structural repairs observed. Character jug with expected light surface wear consistent with age and handling.

Set of four matching Herend, Hungary hand-painted porcelain rim soup plates, each with a gently scalloped gilt rim, delicate blue floral garland border, and scattered blue sprigs to the well. The group displays the refined white porcelain body and restrained hand-painted decoration for which Herend is known, making it well suited for elegant table use or cabinet display. A pleasing partial service with strong maker recognition and a classic Continental presentation. One reverse retains the blue underglaze Herend shield mark. Condition appears very good overall, with light underside wear and no visible chips, cracks, or restorations.

Associated group of three Continental porcelain cabinet plates, comprising a Herend, Hungary hand-painted floral plate with scalloped basketweave-molded rim and gilt edge, together with two St. Martin / Email de Limoges decorator plates, one centered with a brightly colored stylized Easter egg and the other with a richly painted floral bouquet. Though not a matching set, the lot forms an attractive assembled group of late 20th-century European decorative porcelain, combining the refined white body and hand-painted floral manner associated with Herend with the ornamental appeal of French decorator porcelain. Suitable for cabinet display or spring and floral-themed table decoration. Condition appears good overall, with light underside wear and no visible chips or cracks.

Antique pewter plate or shallow dish with broad plain rim, simple incised border lines, and a faint engraved ornamental or ownership panel to the face of the rim. The piece has a restrained utilitarian form and mellow grey surface consistent with historic table pewter, and is best catalogued as a late 18th- to 19th-century English or Continental example. An appealing decorative object for shelf, dresser, or wall display, with the understated character associated with early domestic metalwares. Condition consistent with age and use, including general scratching, oxidation, worn engraved detail, and minor surface unevenness; no major repairs observed.

Large mixed group of illustrated art portfolios and small-format art books, including examples from The Nation's Pictures and Die Kunst-Reihe in Farben. Condition varies across the group, with age toning and edge wear.

Framed oil painting depicting a rocky shoreline with breaking surf, signed indistinctly “Stöhr 911” within the composition. Surface wear and minor age marks visible; 27 x 21 x 1.25 in. framed.

Vertical architectural townscape, oil on board, depicting an old Central European street with irregular stone buildings, a fortified tower-like structure, and a vaulted passage opening into the lane beyond. The handling is loose but controlled, with broken brushwork and tonal modelling typical of late naturalist Central European painting with impressionistic influence. Stylistically, the work fits well within the tradition of Austrian or South German regional painting, and more broadly the Austro-Hungarian cultural sphere, where painters often treated old village and small-town architecture in a restrained, mood-driven manner. The picture is best understood as a tonal naturalist / Stimmungsmalerei village scene, probably dating to about 1895–1925. The subject appears to represent an old provincial or medieval street rather than a formal topographical view, with the emphasis placed on atmosphere, age, and architectural character. Presented in a later dark-stained wood frame with inner gilt liner. Signature present but illegitimate. Dimensions: Frame: 15 x 18 in.

Framed oil on board by Alois Beran-Polly depicting a narrow street with clustered buildings and receding perspective. Reverse bears identifying inscription; minor surface wear and age-related marks.

Pair of framed military prints or reproductions depicting cavalry and infantry scenes, one associated with Ludwig Koch and dated 1899 in the supplied notes. Age toning, spotting, and glazing wear visible.

A pair of framed monochrome photomechanical commemorative prints on paper relating to Franz Schubert and the Schubert circle, each with a printed German heading associated with the Wiener Schubertbund. One sheet is after Leopold Kupelwieser and shows a bust portrait of Schubert; the other, after Franz von Schober, appears titled Vogl und Schubert. The lot is presented as a matched pair in later black frames with wide mats and offers clear appeal as Viennese musical-historical ephemera rather than as original 19th-century drawings. Visible condition includes light toning, minor spotting, and modest frame wear; not examined out of frame.

Associated pair of small framed Continental landscape studies, comprising a more finished Alpine lake and village view with church steeple, mountain ridge, and shoreline, together with a smaller, more abstracted landscape sketch in muted earth and blue tones. The lot is not a formal matching pair, but the two works sit well together as decorative cabinet or wall pictures, offering contrasting levels of finish and a pleasing period palette. The larger painting has the character of a Central European scenic view, while the smaller work reads as a compact landscape study or color sketch. Condition consistent with age and framing, including light frame wear, old backing wear, and visible spotting or discoloration to the mount area of the smaller work.

Large rectangular wall mirror in an ornate gilt frame with repeating molded ornament to the inner and outer edges. General wear to gilt surface and frame edges consistent with age and use.

Mahogany dressing table or vanity with shaped rectangular tilting mirror, two frieze drawers, and two deeper side drawers on tapering legs. Surface scratching, finish wear, and spotting to the mirror plate.

Oval dining table by Walter Gagné of Victoriaville, with central leaf and twin pedestal supports on molded bases. General surface wear from use, including light marks and scratches.

A decorative assembled group of approximately two dozen porcelain tea and cabinet wares, comprising cups and saucers, demitasse examples, plates, bowls, cream jugs, and other small associated table pieces. The lot includes cobalt, iron-red, and gilt Imari-style wares, floral-sprig and scenic-decorated cups, portrait-reserve examples, a cobalt-ground cup and saucer, two larger white scalloped dishes with iron-red rims, and additional serving pieces. The group reads as largely English and Continental, late 19th to 20th century, with varied revivalist and export-inspired decorative language. Overall condition appears very good to near excellent and initial notes, with no chips or cracks observed and only light handling or minor gilt wear visible.