Birks (Henry Birks & Sons), Montreal. A sterling silver stacking tea/coffee service comprising a small teapot base with curved spout and scroll handle, an intermediate handled vessel, a creamer with spout, and a domed lid with finial. Each section engraved to the front with a matching shield-form crest. Marked to underside BIRKS / STERLING (additional marks present). Gross weight approximately 912 grams.

Contemporary ladies’ diamond ring in 18K white gold with yellow gold claws, centering an estimated 2.50 ct radiant-cut fancy light yellow diamond, claw set and flanked by two trapezoid-cut side diamonds of approximately 0.58 ct total, with the shoulders and mount further set throughout with 228 round full-cut melee diamonds totaling approximately 0.97 ct. The ring presents as a substantial and well-made modern statement ring, combining the contrast of a yellow center stone with bright white accent diamonds in a richly set mount. According to the accompanying Muradov Jewellery Appraisals document dated January 10, 2026 (App. #AA7055), the mounting weighs 6.8 grams and is described as cast and hand assembled, with overall condition noted as very good. The main radiant-cut diamond is listed as measuring approximately 7.75 x 6.60 x 5.35 mm, with SI1 clarity, fancy light yellow color (estimated, approximate), and fair proportions. The two trapezoid side diamonds are graded approximately VS1–VS2, F–G color, while the melee diamonds are graded approximately VS1–SI1, G–H–I color, all graded in the mounting. Appraisal Specs: Mounting weight: 6.8 g Metal: 18K white gold with yellow gold claws Main diamond: Radiant cut, approx. 2.50 ct, 7.75 x 6.60 x 5.35 mm, SI1, fancy light yellow (estimated), fair proportions Side diamonds: 2 trapezoid-cut diamonds, approx. 0.58 ct total, VS1–VS2, F–G Melee diamonds: 228 round full-cut diamonds, approx. 0.97 ct total, VS1–SI1, G–H–I Approximate total diamond weight: 4.05 cts (calculated)

Heavy gent’s ring in 14 karat yellow gold, cast and hand assembled, channel set with ten natural baguette-cut diamonds. Total diamond weight is approximately 0.75 carat, with individual stones noted at approximately 0.06 to 0.08 carat each. Appraisal notes diamond clarity in the VS2 to SI2 range and color in the G–H range, graded in the setting. Gross weight approximately 9.9 grams. Condition noted as very good. Accompanied by a Muradov Jewellery Appraisals document dated April 14, 2026, giving an approximate insurance replacement value of $5,500 plus GST.

A sterling silver (925) pedestal bowl/compote with swing (bail) handle, beaded rim, and scroll-form handle terminals; engraved monogram to body as visible. Marked “925” to underside. Weight: 246 grams (sterling).

Birks (Henry Birks & Sons), Montreal. A sterling silver pierced-rim pedestal dish/tazza with rope-twist rim, openwork gallery band, and stepped circular foot. Marked to underside BIRKS / STERLING. Weight: 86 grams (sterling), as shown.

A Russian silver (84 standard) lidded vessel with vermeil (gilt) interior, domed lid with ring finial, and an applied high-relief figural frieze over a cast floral/scroll base. Interior stamped “84” (additional marks present but indistinct in photographs). Weight: 229.32 grams, as shown.

Levi & Salaman, Birmingham, 1909–1910. An Art Nouveau sterling silver-mounted cruet/condiment set comprising a pair of tall shakers, an open salt, a lidded mustard with liner, a lidded pot, and a small condiment spoon, each with green glass liners (blue liner visible to one lidded pot in photographs) within pierced scrolling silver mounts on four-footed bases; fully hallmarked throughout. Silver weight (mounts) approximately 146 grams as shown.

Universal Genève. A Swiss dress wristwatch with white Roman numeral dial signed UNIVERSAL GENEVE and co-signed TÜRLER, in a polished oval/tonneau-style case, fitted with a black textured leather strap and buckle. Working condition at time of cataloging. Noted minor crystal damage near 6 o’clock.

Small circular footed covered table bowl or bonbonnière in silver-toned metal, of plain tapering form on a stepped pedestal foot, fitted with a domed cover surmounted by an applied sculptural rose and leaf finial. The underside bears an indistinct stamped mark, and the silver standard is not confirmed from the available photographs. Likely 20th century. Presents attractively, with overall iridescent tarnish, light surface scratching, and minor oxidation spotting consistent with age and use.

English hallmarked sterling silver cream jug of compact size, the rounded body with shaped scalloped rim, pronounced pouring lip, simple loop handle, and three applied feet. The side bears a partially legible British hallmark sequence, consistent with English production and likely Birmingham assay. Early 20th century. A neatly scaled table silver form with good decorative utility. Visible with overall tarnish, rubbing, and general surface wear from age and use.

Associated three-piece lot of Continental 800 silver table wares, comprising a larger oval pierced dish with richly cast and pierced Rococo Revival border and central repoussé panel of putti among flowers, together with two smaller oval pierced bonbon dishes of related scrollwork form. All are marked, the principal dish struck 800 and the smaller dishes with additional Continental standard and maker’s punches consistent with German production. Late 19th to early 20th century. A decorative and usable silver group with strong cabinet appeal. Visible with overall tarnish, polishing wear, and light surface scratching from age and handling.

Small German 835 silver tray of rounded rectangular form with shallow well and gently raised rim, stamped 835 and HANDARBEIT. Plain, restrained design with hand-worked character, suitable as a vide-poche, calling card tray, or small desk accessory. 20th century. Presents with honest age and use, including overall tarnish, surface scratching, and patchy oxidation to the border and well.

Small round Continental silver compact, the hinged case engraved with floral and foliate bright-cut ornament above a basket-like reserve, the underside with concentric engine-turned decoration, and the interior fitted with a mirror. Bears small side marks, not fully legible, and therefore not securely attributable to a specific maker or assay office from the available photographs. Early 20th century. A well-scaled vanity accessory with portable decorative appeal. Visible with light general wear, minor tarnish, and surface scratching consistent with age and use.

English sterling silver card tray by Walker & Hall, Sheffield, of rectangular form with canted corners, reeded border, repoussé Rococo Revival corner ornament, and raised central oval cartouche boss. The tray bears a British hallmark group including Sheffield crown, lion passant sterling mark, date letter, and Walker & Hall pennant-form maker’s mark. Early 20th century. A useful and decorative small tray with good desk or table presence. Visible with general polishing wear, surface scratching, spotting, and minor rim waviness consistent with age and use.

Associated four-piece lot of Continental vanity and dressing-table articles, comprising a small oval brush marked .875, a larger repoussé silver-mounted hair brush with putti, fruit, and rocaille ornament, a small trumpet-form weighted vase, and an associated oval silver-toned holder or mount. The group appears assembled rather than an original matching service. 20th century. Offered as a decorative lot with visible age and use throughout, including tarnish, scratches, wear to the mounted surfaces, and significant damage to the larger brush.

Six-piece sterling silver-mounted vanity set, including a hand mirror, handled hair brush, oval brush, sterling-mounted comb, small manicure implement, and cut-glass dresser jar with sterling lid. Several pieces are marked BIRKS STERLING, with the comb additionally stamped MADE IN ENGLAND, and related components bear sterling marks consistent with the group. The set is decorated with engine-turned fields, small oval reserves, and restrained scrolling borders, characteristic of early to mid-20th-century dresser wares. A well-composed and displayable Canadian-retail vanity group. Visible with general tarnish, surface wear, brush use, and minor losses to the comb teeth.

Russian silver creamer, 84 standard, with applied handle and pouring lip; engraved monogram and Roman numerals “XXV” to body. Stamped with Russian silver marks to underside. Gross weight approximately 202.20 grams.

Swiss open-face pocket watch in high-grade 0.935 silver case, the white enamel dial and black Roman numerals and subsidiary seconds at 6 o’clock, fitted with gilt hands, key-wind/key-set movement under plain inner cuvette. The inner covers stamped with Swiss 0.935 fineness mark and bear hallmarks for Swiss silver, with case serial number 114871, confirming manufacture for the British market. Together with a matched 0.935 silver curb-link Albert chain with T-bar and swivel clip, the bar additionally stamped with 0.935 and maker’s initials, total chain weight approx. 29.6 g, and associated winding key. Condition: Case with general surface wear, small nicks and tarnish consistent with age. Enamel dial with light spotting and probable fine hairlines; one central hour hand lacking, minute and subsidiary seconds hands present. Movement unsigned and untested for timekeeping, sold as seen and likely to require cleaning/servicing. Chain in good, wearable condition with even patina. (Dimensions approx.: watch 50 mm diameter; chain c.30–35 cm long.)

Men’s 10K yellow gold band ring, marked ARAS 10K to the interior. The ring is designed with a finely textured exterior and centered with a cut starburst motif to the front, giving the otherwise clean band a subtle decorative accent. Plain polished interior. Size: 13 Weight: 4.95 grams Overall good estate condition with light surface wear consistent with use. A straightforward vintage men’s gold band with restrained detailing and solid wearable presence.

Modern Dumai Swiss quartz pocket watch in gold-tone hunter-style case, with matching chain and fitted presentation box. The watch has a plain brushed front cover and a clean minimalist dial with baton hour markers, central hands, and date aperture. The reverse is engraved “Omniae vincini Amore,” intended as a variation of the Latin motto “Omnia vincit amor” (“Love conquers all”). A decorative late-20th-century presentation or gift watch with restrained modern styling. Dial signed Dumai and Swiss Quartz. General light wear from handling and use. Running condition and timekeeping not tested at the time of cataloguing.

Description: Signet-style ring with a rectangular stepped bezel, centered by a shield bearing a black cross on a white ground and encircled by the inscription “IN TREUEN FEST.” The interior is stamped M. STER. Based on the motto, this ring is best catalogued as a probable Baltic German association or identity ring, as “In Treuen fest” is documented as a Baltic German motto and is specifically associated with Fraternitas Baltica of Riga. The black cross on white also strongly recalls the emblematic colors of the Teutonic Order. This combination suggests a piece tied to Baltic German historical or cultural identity rather than an ordinary decorative signet alone. Likely 20th century. Warm-toned silver-colored metal with visible patina, oxidation, and surface wear throughout, consistent with age and use. The shield device remains legible and visually strong. Because the stamp reads M. STER rather than a full sterling fineness mark