French mantel clock with a finely cast bronze figure of a young woman in classical drapery, leaning on the circular drum case with enamel dial and Roman numerals. The architectural base is cast in spelter with applied gilt panel, all later painted in a dark finish with areas of bronze patina showing through on the figure; approx. 21 in. high. Later paint with rubbing and small losses to high points; movement not working and sold as found for restoration.

Rectangular giltwood vitrine table with hinged glass-top display compartment, the upper edge framed by continuous beaded and guilloche moldings above a pierced foliate and scroll-carved frieze backed with red fabric and enclosing a velvet-lined interior. Each corner with boldly modeled clustered leaf embellishments over turned and stop-fluted tapering legs carved with acanthus and berry motifs, joined by a shaped X-form stretcher with central roundel and beaded molding, terminating in small toupie feet. Retains an attractive, warm, time-softened gilded surface and red interior, designed for the presentation of jewelry or small objets d’art. Continental, in the Louis XVI Revival taste, late 19th century. 36x21x30H

Tall Art Deco brass torchère floor lamp, the standard rising to a central uplight with wide, inverted-bowl reflector shade having textured geometric banding, flanked by a pair of scrolled side arms terminating in candle-form sockets fitted with orange glass flame shades. Turned and molded shaft over a baluster element and circular plinth, all raised on a pierced and scrolled square-on-point base with bracket feet. Likely brass-plated metal with original warm golden finish and matching reflector shade, American, circa 1930, in the Art Deco taste. Sold as found, in need of complete rewiring prior to use.

Victorian burr walnut and inlaid games table, English, circa 1860–1870. The rectangular hinged top veneered in richly figured burr walnut, centred by a panel inlaid with an architectural landscape reserve within a geometric border, opening to reveal inlaid games surfaces for chess/draughts and backgammon in contrasting fruitwoods. The frieze fitted with a single drawer for games pieces, raised on paired turned baluster supports united by a ring-turned stretcher, the carved cabriole legs with leaf decoration terminating in small castors. A finely made mid-19th century games table combining practical gaming use with decorative appeal. Approx. 29 in. high x 32 in. wide x 18 in. deep

Round Italian gilt-metal and marble gueridon or pedestal table, the circular white and blush-veined marble top raised on an ornate cast metal standard with rich gilt-brass finish. The stem is modeled with stylized acanthus, scrolls, and draped foliate motifs in the Neo-Rococo / Hollywood Regency taste, above a small circular marble collar and stepped octagonal base with further fluted and foliate ornament. A glamorous mid-century decorative accent, ideal as a lamp, cocktail, or plant stand, Italy, circa 1970s. 15 x 21 H

Tall brass floor lamp with three candle-form lights, the cluster set on an octagonal tray-form platform with engraved border and molded rim, above a flared, cast foliate collar and reeded standard. The upper section surmounted by an adjustable center rod for a shade or reflector (not present). Turned lower column over a shaped urn and circular plinth, all raised on a domed, decorated base with stylized leaf and gadroon motifs and four small pad feet. Likely brass-plated metal with warm original patina, early 20th century, in a restrained neoclassical / Colonial Revival style. Reported to be in working condition at time of cataloging; includes existing candle sleeves and wiring.

Oil on canvas, bust-length portrait of a lady in dark court dress with broad white ermine-trimmed collar, jeweled bow at the neck, bracelets and rings, and a large feather fan held at center, all set against a deep, nearly black ground. Painted in a rich, Old Master–inspired style with careful attention to the sitter’s features and costume, likely after a 17th-century European prototype. Presented in an ornate gilt-composition frame with molded and patterned borders and warm gold finish. Unsigned, 20th century, a decorative homage to Baroque portraiture.

Assembled pair comprising a Victorian japanned work / occasional table and matching side chair, each in black lacquer with gilt and mother-of-pearl decoration. The serpentine rectangular work table with hinged lid and interior compartment (not shown), the exterior decorated with scrolling gilt foliate borders and scattered floral sprays, raised on a turned and faceted baluster standard with lobed, panelled base, each panel richly inlaid with abalone and nacre blossoms, on three exaggerated cabriole legs with further gilt and mother-of-pearl ornament. Together with a balloon-back side chair, the shaped splat painted with a still life of fruit heightened with mother-of-pearl, over a caned seat and ring-turned front legs united by stretchers. British, mid-19th century, in the Regency Revival / Victorian japanned taste. Sold together as one lot. Table 16x13x29H, Chair 32H

Small hand-knotted wool accent rug with a rich red field centering three stacked diamond medallions in dark blue, ivory, and rose, framed by stylized floral and geometric motifs. Surrounded by an ivory main border with repeating rosettes and latch-hook devices between narrow guard stripes, the whole woven in a palette of red, navy, ivory, rose, and sage green. Dense wool pile on a cotton or wool foundation, likely Middle Eastern/Central Asian manufacture, late 20th century, ideal as a hearth, entry, or decorative wall hanging.

Mid-19th-century Austrian portico mantel clock, the black-painted wood case with arched pediment surmounted by a finely cast gilt-bronze eagle finial above scrolling foliate mounts and mask ornament, flanked by roundels. The circular enamel dial with Arabic numerals and gilt bezel is supported on four tapering alabaster columns with gilt-bronze Corinthian capitals and bases, framing an architectural plinth and a gilt-bronze sunburst pendulum with classical mask. All raised on a shaped black-painted base with stepped molding and block feet, accented with further gilt-bronze mounts. Original mid-19th-century mechanical movement (not examined in detail) now not working and in need of full servicing or repair. A handsome example of Austrian Biedermeier / Empire Revival clockmaking.

Hand-knotted wool rug in the Bokhara / Turkmen style, the camel-beige field set with three columns of repeating octagonal guls in dark blue and black with rust accents, within multiple geometric borders of lattice and diamond motifs. Finished with braided end fringe to one side and kilim finish to the other, woven in a soft, versatile palette suitable for hallway or accent use. Likely Pakistan or Afghanistan, late 20th century.

Large polychrome needlework picture depicting an 18th-century-style pastoral scene, with finely worked figures in colorful robes gathered beneath a spreading tree beside a stream, a central woman holding an infant and attended by companions, amid lush foliage and distant landscape. Worked in wool and silk yarns on a finely woven canvas ground, showing a high level of detail to the drapery and faces. Presented in an impressive deep, carved walnut (or similar hardwood) frame with scrolling rococo motifs and corner cartouches, fitted with an inner gilt-composition liner and glazed for protection. Likely British or Continental, late 19th century, in the Victorian taste and probably after an earlier engravings or print source.

Vintage wall mirror in the Rococo style, late 20th century. The rectangular mirror plate within an ornate molded frame with scrolling acanthus, shell and C-scroll decoration to all sides and a pierced cartouche crest and apron. Copper-tone metallic finish throughout, designed for vertical or horizontal hanging. A decorative Hollywood Regency–style accent mirror with strong Rococo revival presence and warm copper colour.

Cast-metal floor lamp with circular weighted base on four lion-paw feet, the domed center decorated with classical swags and beaded border and finished in an aged bronze and black patination. The slender, reeded standard rises to a twin candle-form light cluster with drip sleeves and an upper finial, originally intended to support a shade or reflector (not present). Likely iron or spelter with bronzed finish, American, circa 1920–1940, in a neoclassical / Colonial Revival style. Sold without shade and with electrical condition unknown.

American rosewood veneer flip-top card table, mid-19th century, the rectangular fold-over top of finely figured rosewood swiveling to reveal a shallow interior well and opening to a square baize-lined playing surface, raised on a turned baluster pedestal support over a quatreform plinth with scrolled carved feet. Green baize/felt playing surface with age patination and wear. Approx. 36 in. wide x 18 in. deep (closed), opening to 36 x 36 in., 30 in. high. In structurally sound, usable condition with expected wear for age: top with noticeable bow to one leaf, scattered scratches, surface marks and shrinkage lines, small veneer nicks and edge losses; mechanism functions but with minor play; baize/felt significantly faded and discolored with staining and wear; base with scuffs, abrasions and small chips to feet.

French Art Nouveau figural table lamp, early 20th century, cast in patinated spelter as a partially draped sea nymph seated on stylized waves and rockwork with a putto astride a dolphin below, the nymph raising one arm to support a single light fitting surmounted by a cut / pressed glass globe shade with diamond pattern. Cast artist’s signature Germain to base. Later electrical fitting and cord; currently in working order but in need of rewiring to modern standards. Approx. 28–30 in. overall height.

Early 20th century walnut (or walnut veneer) single-door display cabinet, the rectangular case fitted with a full-height glazed door with shallow arched top rail and simple line-and-cross inlay to the door stiles and front corners, opening to three wooden shelves, adjustable on side supports. Plain top and shaped skirt, raised on small metal casters for mobility. Together with a working key for the door lock. Approx. 20 in. wide, 15 in. deep, 37 in. high.

Early 20th century mahogany vitrine display cabinet, the tall rectangular case surmounted by a molded cornice above a single glazed door with vertical astragal bars centering an oval panel, the sides also glazed, opening to three display shelves over a shaped apron and raised on slender cabriole legs with carved foliate knees. Interior lined in figured gold moiré fabric, probably silk or silk-blend, providing a rich backdrop for display. Warm medium-brown finish overall. Approx. 29 in. wide, 16 in. deep, 68 in. high.

Pair of neoclassical-style table lamps, mid-20th century, each formed as a baluster urn of white and grey-veined marble on stepped square marble plinths with applied gilt metal foliate mounts, raised on molded gilt metal bases. Fitted with faux-candle columns and brass sockets. One lamp currently lights, the other does not; both are advised to be rewired by a qualified electrician prior to use. Height 23 in. to top of sockets (excluding harps and finials).

Georgian revival mahogany drum table, mid-20th century, the circular top with crossbanded edge and inset tan leather writing surface tooled with concentric borders and paneled line decoration, above a conforming frieze fitted with four cockbeaded drawer fronts, one a functioning drawer and the remaining dummies, all with brass ring pulls, raised on a turned baluster pedestal over four outswept legs terminating in brass caps and casters. A handsome, useful occasional or center table. Approx. 30 in. high, 28 in. diameter.

Rectangular tabletop display case, late 20th century, the low wooden frame finished in a medium brown stain and fitted with glass panels to the top and all four sides, the hinged glazed lid opening on brass hinges and stay to a single compartment lined in red fabric / felt, ideal for medals, collectibles or jewelry display. Approx. 23 in. wide, 18 in. deep, 4 in. high.

Hand-knotted wool tribal runner, likely Middle Eastern, late 20th century, with a central ivory field panel containing a column of linked diamond and hexagonal medallions in red, green and black, within deep red borders of hooked and angular motifs, finished with fringed ends. Strong, saturated palette and graphic, repeating design, suitable for hallway or accent use. Approx. 21 in. x 72 in.

Afghan or Central Asian tribal hand-knotted wool runner, late 20th century, the narrow ivory central panel woven with a column of linked octagonal and diamond medallions in red, camel, green and black, flanked by angular hooked motifs and enclosed by red borders of repeating geometric devices, finished with fringed ends. Strong, saturated palette and graphic tribal design, suitable as a hallway or accent runner. Approx. 21 in. x 72 in. Overall good condition with even pile, fringes lightly frayed, minor edge wear and typical small irregularities of handwoven production; no major repairs or losses visible.

Mid-20th century bouillotte-style table lamp, the two candle-form lights mounted on a central gilt metal standard above a square white porcelain plinth with cast gilt-metal collar and stepped base on bracket feet, fitted with a shaped floral-print fabric shade trimmed in looped gimp. Retains vintage cloth-covered cord and plug; currently in working condition, though wiring should be inspected by a qualified electrician before use. Height approx. 16–18 in. overall.

Group of four carved alabaster table lamps, mid-20th century, each of urn form on a stepped or square plinth base, variously decorated with fluting, leaf and panel carving, and fitted with brass or brass-tone electrical fittings. Attractive variations in creamy white to pale honey veining and coloration throughout. Average height approx. 15 in. to top of sockets (one with harp). Wiring condition unknown and sold as found; all lamps are recommended for inspection and possible rewiring by a qualified electrician prior to use.

Afghan or Central Asian tribal hand-knotted wool mat, late 20th century, with a bold central column of three stepped cruciform medallions in dark brown outlined in ivory on a rich red field, framed by narrow borders of repeating geometric hooked motifs in brown, red and ivory, with fringed ends. Dense, soft pile and strong, saturated colors make this a useful accent piece or small bench / door mat. Approx. 13 in. x 33 in.

Baluch or Baluch-style hand-knotted wool rug, Eastern Iran or Western Afghanistan, mid–late 20th century, the camel/peach field centered by an elongated octagonal panel in navy enclosing a lattice of hooked diamonds in red, navy and ivory, within a stepped “running dog” frame and multiple narrow borders of rosette and geometric motifs in red, navy and ivory, finished with fringed ends. A traditional tribal design in a convenient small mat size. Approx. 37 in. x 24 in.

Persian village hand-knotted wool mat, mid–late 20th century, the deep navy field centered by an elongated hexagonal medallion with stepped ends and a striped diamond device, within a broad ivory border densely patterned with a lattice of small hooked and “X” motifs in red, green and dark blue, framed by narrow red guard stripes, with fringed ends. A finely detailed small rug suitable as an accent mat or wall piece. Approx. 22.5 in. x 17 in.

Chippendale revival footstool, early–mid 20th century, the rectangular seat upholstered in floral needlepoint depicting a bouquet of pastel blossoms within an oval reserve on a tan ground with rust-colored corners, secured with brass nailhead trim, raised on four cabriole legs with carved foliate knees terminating in ball-and-claw feet. The seat requires re-webbing/support and is sold for restoration. Approx. 24 in. wide, 17 in. deep, 19 in. high.

Set of four Victorian balloon-back side chairs, late 19th century, each with a shaped balloon back above a pair of scroll-carved horizontal splats, over a square seat upholstered in dark leather or leathercloth, raised on turned and reeded front legs and splayed rear legs. Warm medium-brown finish with ebonized details to the carved splats and legs. Several joints are loose and some chairs will require regluing and tightening; sold as a restoration group. Approx. 33 in. high, 18–19 in. wide; seat height approx. 17–18 in.

Schatz (Germany) mid-20th century mantel clock, the circular teal dial with applied gilt Roman numerals and hands set behind a domed glass bezel within a round wooden drum case, mounted on a long rectilinear hardwood base with brass rod trim and shaped feet. Three keyholes to the dial for time and chime trains. Back with later retailer’s label, “Hands of Time Clock Boutique Inc., Calgary, Alta.” Accompanied by winding key and noted to be in working condition at time of cataloging. Approx. 8–9 in. high, 20–22 in. wide.

Gilt-composition oval wall frame, circa 1970s, with deeply molded border cast in continuous scrolling acanthus and foliate motifs, finished in warm gold tone with subtle burnishing to the high points. Ideal for use with a mirror plate, portrait, or as a decorative empty frame. Overall approx. 26–28 in. high, 20–22 in. wide (sight and rabbet sizes slightly smaller).

Victorian walnut oval center table, 19th century, the thick veneered top with molded edge over a plain frieze, raised on four turned cluster columns surrounding a central turned finial, all supported on a shaped quatreform plinth with boldly carved scroll and leaf-decorated downswept legs ending in block toes. A substantial period table suitable as a center or small dining table. Approx. 54 in. long, 38 in. wide, 27 in. high.

Early–mid 20th century bridge floor lamp, the fluted upright standard rising from a round, hammered copper-finished base cast with stylized scroll and geometric motifs, supporting an ornate scrolling bridge arm with leafy flourishes, fitted with a later pleated cream fabric shade trimmed with braid and tassel. Retains old cloth-covered wiring and plug; lamp is not in working order and is sold strictly for rewiring and restoration. Approx. 60–62 in. high overall.

Mid-20th century oil on canvas depicting a dramatic sunset over a calm coastal inlet, the sky filled with soft pink and blue clouds reflected in the water below, flanked by dark silhouetted pines and rocky headlands at left and right. Indistinctly signed at lower left. Presented in an ornate gilt-composition frame with scrolling rococo-style corners and a later cream-painted inner liner. Overall approx. 32–34 in. high x 28–30 in. wide (frame); sight size approx. 23–25 in. x 19–21 in.

Set of three Victorian mahogany side chairs, mid-19th century, each with a flat tablet top rail above a pierced horizontal splat centered by a roundel and flanked by carved scroll details, over a square seat upholstered in floral needlepoint depicting a central bouquet within a wreath on a beige ground, raised on turned front legs and slightly splayed rear legs. Warm, mellow finish throughout. All chairs show looseness at joints and are sold for restoration and regluing.

French figural mantel clock, early 20th century, cast in patinated spelter as a fisherman in rain hat and boots standing on a rocky shoreline, raising a small cup in one hand, the timepiece mounted on a turned pedestal at his side with circular dial and Arabic numerals. Cast signature Y. Raphael to base. Original bezel and convex glass crystal present but detached, together with a winding key. Approx. 22 in. high.

Pair of mid-20th century alabaster table lamps, each with a stepped circular base and stacked baluster-form column in soft celadon green alabaster, accented with brass-plated collar and base rings, fitted with single-light brass-plated sockets. Elegant, softly glowing stone suitable for bedside or console use. Approx. 18–19 in. high to top of sockets (excluding harps and finials).

Mid–late 20th century oil on canvas depicting a dramatic moonlit seascape, with a glowing full moon breaking through layered clouds at left and illuminating crashing waves against dark rocky cliffs at right, a few white seabirds wheeling above the surf. Executed in a rich palette of blues and turquoise with green highlights to the rocks and soft yellow around the moon. Unsigned (as visible). Presented in an ornate gilt and copper-toned molded frame with rococo-style corner and center ornaments and a cream inner liner. Overall approx. 30–32 in. high x 26–28 in. wide; sight size approx. 20–22 in. x 16–18 in.

Oil on canvas landscape, probably early–mid 20th century, depicting a tranquil river winding through a wooded valley toward distant blue mountains, with birch and autumnal trees along the banks and soft clouded sky above. Unsigned (as visible). Presented in a substantial gilt-composition frame with bead-and-reel outer molding and inner foliate border. Overall approx. 31 in. wide x 24 in. high.

Original Orientalist street-scene oil painting, early–mid 20th century, depicting a group of turbaned men seated and conversing in a narrow Middle Eastern alleyway with stone buildings, awnings, and stepped architecture receding into the distance. Rich robes in reds, greens, and ochres contrast with the sun-washed walls and paving. Signed at lower edge (signature indistinct) and presented under glass in a substantial two-tone molded frame with foliate inner border and braided outer edge. Overall approx. 29 in. wide x 25 in. high (frame); sight size approx. 19–21 in. x 15–17 in.

Mancini (20th century), large oil on canvas depicting an Alpine lake landscape, with snow-capped mountains rising in the distance above a serene green lake and a series of red-roofed chalets and trees scattered along a rocky, autumnal shoreline. Executed in a vivid palette of whites, blues, russets and greens with heavy impasto to the foreground. Signed Mancini at lower right. Presented in an ornate gilt-composition frame with molded foliate border and name plate. Overall approx. 45 in. wide x 29 in. high.

Signed oil landscape, likely mid-20th century, depicting a country lane leading past a gate toward a thatched or tile-roofed cottage nestled among trees, with gentle hills and soft sky beyond; a lone figure stands by the gate, adding scale to the scene. Signed at the lower left (indistinct). Presented in an ornate cream and gilt-tinted rococo-style frame with molded scroll and foliate corners. Overall frame dimensions approx. 18 in. wide x 14 in. high.

French Rococo Revival gilt oval wall mirror, late 19th–early 20th century, the substantial molded frame with a textured, basket-weave ground to the sides and smooth inner molding, surmounted to one flank by an exuberant asymmetrical crest of scrolling acanthus, flowers and foliage, all richly finished in gilt gold. Retains an old oval silvered mirror plate showing pronounced age spotting and foxing that enhances its period character. Approx. 26 in. high x 36 in. wide overall.

Handwoven wool flatweave runner, likely Mexican Zapotec or Southwestern production, late 20th century, the deep red field centered by two large serrated diamond medallions in cream, dark green and black, framed by smaller cruciform motifs and a multiple-panel top section with repeating diamond and arrow devices. Finished with braided/fringed ends. Strong, graphic design ideal for a hallway or accent use. Approx. 23 in. x 90 in.

Oil on canvas river landscape, probably Scottish School, late 19th century. The composition shows a rocky stream running through a wooded valley, with boulders and small falls in the foreground, a stand of trees at right, and rolling hills receding to distant blue mountains under a soft, clouded sky. Rich greens and earth tones are balanced by the cool blues of the water and distance. Presented in a substantial later gilt frame with molded bead-and-reel and stepped inner molding. The reverse of the canvas bears the supplier’s oval stamp for “Alexᵣ Hill, Colorman to the Royal Scottish Academy, Edinburgh”, indicating Scottish manufacture of the artist’s materials; the frame carries an old framer’s label and a handwritten slip identifying the work, though the artist’s name is not fully legible in the present photos. Unsigned on the visible face.