(Laugh-O-Gram, 1922) A photo of Laugh-O-Gram employees, including a young Walt Disney, filming a Kansas City parade. The sign reads, "These Pictures Will be Shown at the Isis Theatre Tomorrow Night.” It was while at Laugh-O-Gram that Walt Disney and Ub Iwerks were inspired to create their own cartoons. This print was made at the Disney Studio in the 1960s or early 1970s, and comes from the estate of Carl Stalling. With an image size of 7.75” x 9.5” on 8.25” x 10” photo paper, the picture is in good condition with light wear and scratches throughout.

(Disney, 1923) A wood piece from Walt Disney's garage animation studio in Los Angeles. The garage workshop is often credited as Walt's first animation studio, and this wood was salvaged during a more recent project to save and preserve the garage. Measuring 2" long, the wood section displays in fine condition and comes with a COA from Disney Historian Phil Sears.

(Disney, 1925-26) A photo of Walt Disney and Staff with Margie Gay of the Alice Comedies. With Walt and Margie are Friz Freleng, Rudolf Ising, Roy O. Disney, Lois Hardwick, Hugh and Walker Harman, Ub Iwerks, and two others. This print was made at the Disney Studio in the 1960s or early 1970s, and comes from the estate of Carl Stalling. Measuring 8” x 10”, the photo is in very good condition.

(Disney, 1925-26) A pair of photos of Walt Disney and Studio Staff posing with Margie Gay, who starred in 31 Alice Comedies in 1925 and 1926. One photo poses Margie on a stack of books beside Walt, along with Ham Hamilton, Roy Disney, Hugh Harman, Rudolf Ising, Ub Iwerks, and Walker Harman. The other features Walt and Margie with Walker Harman, Ub Iwerks, Lois Hardwick, Rudolf Ising, Friz Freleng, Roy Disney, and Hugh Harman. The photos were likely made at the Disney Studio in the 1960s or 1970s, and come from the estate of Bob Clampett. Measuring 8” x 10” each, the photos are in very good condition.

(Disney, 1929) A photo of Walt Disney Studios Animators taken at the Hyperion Studio in 1929. Pictured are Dick Lundy, Norm Ferguson, Jack King, Burt Gillett, Merle Gilson, and Ben Sharpsteen. This print was made at the Studio in the 1960s or 1970s and comes from the estate of Carl Stalling. Measuring 8” x 10” the print displays in fine condition with two spots of paper residue on the reverse.

(Disney, 1933) A print of two early images of the Women of Disney's Ink and Paint Department. One photo captures a July 8, 1933 party at Walt Disney’s home pool, with Sue Brown, Marie Henderson, and other women of Ink and Paint. The other is labeled "Tea Time” on the reverse, capturing a smoking break at the Hyperion Studio. Hand-written on the reverse are notes by one of the women identifying herself and some co-workers. This print was made at the Studio in 1971 and comes from the estate of Carl Stalling. Measuring 7.5” x 5.5” overall, the print displays in very good condition with light edge wear and a horizontal fold through the center that does not affect the images.

(Disney, 1933) A photo of the Walt Disney Hyperion Studio taken in 1933. This print was made at the Disney Studio in the 1960s or 1970s. Measuring 8” x 10”, the print is in fine condition.

(Disney, 1932) A photo of Walt and Roy Disney with the Hyperion Studio staff. Taken in 1932, this large and finely detailed print was made in the 1990s or 2000s. Measuring 16” x 20” in a 23.25” x 27.75” matted frame, the print is in fine condition with light scuffs to the frame.

(Disney, 1931) A photo from around 1931 of Walt Disney working with Staff at the Hyperion Studio, including Wilfred Jackson and Ben Sharpsteen. This print was made at the Studio in the 1960s or early 1970s, and comes from the estate of Carl Stalling. Measuring 8” x 10”, the print is in very good condition.

(Disney, 1920/30s) Two early Walt Disney Studio photos. The first is a group photo of Margie Gay of the Alice Comedies with Walt, Roy Disney, Ub Iwerks, Rudolf Ising, Friz Freleng, and Walker and Hugh Harman. The second features Walt Disney with director Burt Gillett and another, all holding early Charlotte Clark Mickey Mouse dolls. These prints were made at the Disney Studio in the 1960s or early 1970s and come from the estate of Carl Stalling. Each measuring 8” x 10”, they are in very good condition, with some wear visible in the Mickey Mouse doll image that was original to the negative.

(Disney, 1930s) A photo taken in the early 1930s of Walt Disney and Studio Staff in the second-floor Music Room at the Hyperion Studio. The room served as the office of director Burt Gillett, who is seated at the desk beside Walt. Also pictured are Carl Stalling, Ub Iwerks, animator Norm Ferguson, Wilfred Jackson, and more. This print was made at the Disney Studios in the 1960s to 1970s and comes from the estate of Carl Stalling. Measuring 8” x 10”, the print is in very good condition with light handling wear.

(Disney,1930s) A behind-the-scenes photo of a percussion recording session at the Disney Studios. This print was made at the Studio in the 1960s or 1970s and comes from the Bob Clampett Collection. Measuring 8” x 10”, the print is in fine condition.

(Borgfeldt, 1930-34) A rare early Mickey Mouse doll manufactured by the George Borgfeldt Corporation, the first major distributor of Disney merchandise. Walt and Roy Disney hired Borgfeldt to produce high-quality Mickey and Minnie dolls at a fast pace, which proved to be quite difficult. The contract was not renewed, making these early dolls scarce. Measuring 11.5” tall, the doll displays in very good condition with discoloration from age, light pilling, stains, wear, and the tail missing.

(Disney, 1930s) A very rare English celluloid stickpin of Mickey Mouse with incised details on the front. Measuring approximately 1.75" including the pin, the condition is fine with minor wear from age.

(Disney, 1931) A rare button featuring Mickey Mouse as Santa Claus wishing "Xmas Greetings” from the Plaza Theatre. Measuring 1.25" in diameter, the button displays in fine condition with very light wear and light oxidation to the reverse.

(Wilbur-Suchard, 1930s) A Mickey Mouse Toasted Nut Chocolate wrapper by the Wilbur-Suchard Chocolate Company of Philadelphia. The reverse features Clarabelle Cow and instructions on how to get a free Mickey Mouse Pocket Watch or Girl’s Stunning Mesh Bag. Measuring 4.5” x 4.5”, the paper wrapper displays in good condition with creases, adhesive residue, discoloration from age, and edge wear and tears.

(Seiberling, 1930s) A rare large Mickey Mouse rubber figure. Seiberling Latex Products manufactured a number of smaller 3.25” Disney character figures, but this larger 5.75" tall figure of Mickey Mouse is rarely found. The figure displays in good condition with stiffness and cracks to the rubber, light green marks on the lower right cheek, a missing tail, and discoloration and fading to the paint throughout.

(PAAS, 1930s) A pack of Mickey Mouse Transfer-O-s for decorating Easter Eggs. Included are four folded sheets with 37 images of Mickey, Minnie, Donald, Horace Horsecollar, and other early characters that can be applied to eggs. Measuring 9.5” x 5” each, the sheets are in very good condition with light creasing. The 5.75” x 5.75” packet is in good condition with creasing, edge wear, pencil notations to a corner on the back, and light discoloration from age.

(Vogue Needlecraft, 1931) An unfinished No. 98 Mickey and Minnie needlecraft pillowcase embroidery. The linen fabric was sold with a pre-colored pattern that the consumer would embroider by following the outline with a needle and thread. Measuring 14” x 13.5” and presented in a double window matte measuring 19” x 21.5” and 14” x 2” with the pattern’s title and copyright information, the linen displays in good condition with stains throughout, light edge wear and creasing to the matte, and light discoloration from age.

(Ensign Ltd., 1931-32) Eight very early Mickey Mouse lantern slide sets. Each set contains eight glass slides with a printed narration sheet adapted from the "Mickey Mouse Illustrated Movie Stories” published in 1931. Included are "The Cactus Kid,” "Fishin’ Around,” "The Castaway,” two sets of "The Birthday Party,” and three sets of "Traffic Troubles.” The 3.25” x 3.25” glass slides display in fair to good condition with rippling to the cellophane-printed images and cracks to four slides, two in "The Birthday Party” and two in "Traffic Troubles.” The boxes measuring 3.5” x 3.5” x 1.25” are in fair condition with heavy wear, split edges, paper loss, stains, and discoloration. The 11” x 5” narration sheets are in good to very good condition with light wear and some slight spotting, though missing from both sets of "The Birthday Party.”

(Ensign Ltd., 1933) A pair of full-color "Three Little Pigs” Lantern Slides boxed sets. One contains the complete story of the Silly Symphony short, told over 24 slides. The other, a Series 3 set, includes only slides 17-24. Measuring 3.25” x 3.25” each, the slides display in very good condition with light wrapping to the cellophane images inside the glass. The 3.5” x 3.5” x 1.25” and 3.5” x 3.5” x 3.5” boxes are in fair condition with edge wear, paper loss, creasing, stains, and discoloration.

(Disney, 1937) An original production drawing of the Three Little Pigs for a "Three Little Wolves” storybook, based on the Silly Symphony of the same name. The red pencil drawing has an image size of 9.5” x 7.75” on 10” x 12” animation paper. The drawing is in good condition with light edge wear and creasing, a horizontal fold down the center, corner pinholes from production use, and light discoloration from age.

(Disney, 1934) A photo of Walt Disney and Studio Staff studying real penguins as reference for the Silly Symphony short "Peculiar Penguins.” Staff pictured include director Wilfred Jackson, composer Leigh Harline, and animators Albert Hurter, Frenchy de Trémaudan, Dick Huemer, Clyde Geronimi, Hugh Hennesy, Art Babbitt, Norm Ferguson, and Bill Roberts. This print was made at the Disney Studio in the 1960s or 1970s. Measuring 8” x 10”, the print is in fine condition.

(Disney, 1944) A pair of production illustrations for a storybook based on the 1934 Silly Symphony short "The Grasshopper and the Ants.” The artworks’ image sizes range from 2.75” x 6” to 8” x 6”. The gouache on illustration board paintings are in very good condition with light smudging, light wear and discoloration to the edges, and creasing and tears to the protective paper overlays.

(Disney, 1936) An original pan background layout drawing from the Silly Symphony cartoon "Three Blind Mouseketeers.”The graphite drawing has an image size of 8.25” x 31” on 9” x 34” animation paper. The layout displays in good condition with light edge wear and creasing, and light discoloration from age.

(Disney, 1936) An original production drawing of Bobo the Elephant from "Mickey’s Elephant.” The graphite and color pencil drawing has an image size of 3.5” x 3.75” on 10” x 12” animation paper. The drawing displays in very good condition with creases, a full horizontal fold at the top, and discoloration from age to the edges.

(Disney, 1937) An original production cel and background from the early Donald Duck cartoon "Modern Inventions.” This short was the first Disney story contribution by Scrooge McDuck creator Carl Barks. Donald has an image size of 4.75” x 7.5” on an 11” x 13.5” slightly trimmed cel, paired with the original 10” x 12.5” background painted on animation paper. The entire matted piece measures 16” x 20”. The cel is in very good condition with light warping and scratches, while the background displays in very good condition with light discoloration, wear, and pinholes from production use. The matte is in good condition with edge wear and scratches, including a 3” scratch to the right.

(Disney, 1937) An original pan background layout drawing from the Mickey Mouse short "Hawaiian Holiday.” The drawing has an image size of 8.25” x 30” on 9” x 32” animation paper, and is adhered to 9.75” x 32” artist board. The graphite and color pencil drawing is in good condition with discoloration from age, signs of repair, and wear from production use including light stains, pinholes, creases, tape on the reverse, and a fold to the right edge.

(Disney, 1931-32) A photo of the Walt Disney and the Studio Staff outside the Hyperion Studio taken in 1931 or 1932. This print comes from the estate of Carl Stalling. Measuring 8” x 10” the print is in fine condition.

(Disney, 1937) A photo of Walt Disney Studio Animators Bill Tytla, Wilfred Jackson, and composer Frank Churchill working on "Snow White and the Seven Dwarfs” at the Hyperion Studio. This print was made at the Disney Studio in the 1970s or early 1980s, and comes from the estate of Carl Stalling. Measuring 8” x 10” the print is in very good condition.

(Disney, 1937) A rare program for the premiere of "Snow White and the Seven Dwarfs” at the Carthay Circle Theatre on December 21, 1937. The cover features Gustaf Tenggren's poster art, and the 28 pages detail the story of Walt Disney's first animated feature. There are several "best wishes" messages from local businesses, along with a special message of sincere appreciation by Walt Disney. Measuring 10” x 13”, the program is in good condition with edge wear, spotting, creases, oxidation stains from staples on the inside back cover, and discoloration from age. The program comes from the estate of Animation Legend Bob Clampett, who attended the premiere with Chuck Jones.

(Disney, 1937) An original production cel of the Dwarfs from "Snow White and the Seven Dwarfs.” Production artwork from "Snow White" was among the first Disney pieces to be marketed and sold as fine art through Courvoisier Galleries in San Francisco. This cel has been slightly trimmed and placed on a custom airbrushed woodgrain background as prepared by Courvoisier Galleries for sale. The Dwarfs have an image size of 8.5” x 11” on a 9.5” x 12.75” visible cel. The entire matted piece measures 21.5” x 24.5”. The artwork displays in very good condition with some expected warping from age.

(Disney, 1937) A pair of original production drawings of Snow White and Doc from "Snow White and the Seven Dwarfs.” The Snow White drawing is signed by Disney Legend Marc Davis. Snow White has an image size of 3.5” x 3” on untrimmed 10” x 12” animation paper, and Doc has an image size of 4.5” x 2.75” on trimmed 6” x 5.25” paper. The entire framed and matted piece measures 23.25” x 25”. The graphite drawings display in very good to fine condition with light discoloration from age.

(Disney, 1937) An original production drawing of Doc from "Snow White and the Seven Dwarfs.” The graphite and color pencil drawing has an image size of 3” x 3.5” in a 15.75” x 17.5” matte and frame. The drawing is in very good condition with light creases, while the frame is in good condition with scuffs, scratches, and wear.

(Disney, 1950s-60s) A Disney Studio photographic dye transfer of a scene from "Snow White and the Seven Dwarfs,” titled "Tired Bunnies.” Dye transfer prints like this were given to visitors of the Studio, and later sold in the Art Corner at Disneyland. With a visible image size of 10” x 12” in an 11” x 12.2” frame, the print is in very good condition with some color fading from age, and scuffs and chips to the molding of the frame. From the estate of Bob Clampett.

(Disney, 1970s-80s) A "Snow White and the Seven Dwarfs” publicity photo signed with a dedication by Adriana Caselotti, who voiced Snow White. Measuring 8” x 10” the photo is in fine condition.

(Disney, 1938) An oversized book of "Snow White and the Seven Dwarfs” paper dolls, featuring the eight main characters with four different dresses for Snow White. Measuring 11.75” x 17”, the book displays in fair condition with spotting, soiling, edge wear, and discoloration from age, most of which does not affect the appearance of the dolls and clothing.

(Deightons, 1930s) A Deightons Improved Transfers booklet with 25 embroidery transfers of "Snow White and the Seven Dwarfs.” Each design is printed on perforated paper to remove and iron onto fabric easily. Measuring 21.5” x 10.75”, the book and transfers display in good condition with discoloration to the covers, and edge wear and creasing throughout.

(E.M. Gheysens, 1950s-60s) A rare children’s miniature Walt Disney’s Snow White Sewing Machine from the "Little Betty" series made in Kent, England. The machine measures 8.5” x 4.5" x 7.5" tall with its 5.25” x 9.75” x 7.25” tall original box. The sewing machine and box are in very good condition with light discoloration from age, creases on the box, and wear.

(Disney, 1993) A one-sheet for the 1993 theatrical re-release of "Snow White and the Seven Dwarfs" with a reflective surface to the Magic Mirror. Measuring 27” x 40”, the poster displays in good condition with heavy surface discoloration throughout, scratches, and light wear.

(Disney, 1938) An original photostat model sheet of Ferdinand's Mama for "Ferdinand the Bull.” Model sheets such as this were distributed to animators to ensure character design continuity. Measuring 10” x 12.5” and presented in a 13” x 15.5” matte, the model sheet is in very good condition with light discoloration from age.

(Disney, 1938) An original production cel of Mickey Mouse from "The Brave Little Tailor.” The cel has been trimmed to the image and applied to a custom airbrushed background as prepared for sale by Courvoisier Galleries. Mickey has an image size of 4.25” x 6” in a frame and matte measuring 14” x 15.75”. The artwork displays in very good condition with light warping from age and a light scuff to the bottom of the frame.

(Disney, 1938) An original production cel of Mickey Mouse from his first color short, "The Brave Little Tailor.” The cel has been trimmed to the image and applied to a custom airbrushed woodgrain background as prepared for sale by Courvoisier Galleries. Mickey has an image size of 2.5” x 4.5” in a 12” x 12” matte and frame. The cel displays in very good condition with light discoloration and glue staining from age.

(Disney, 1938) A hand-drawn original model drawing of piglets for the Silly Symphony short "Farmyard Symphony.” With an image size of 7.5” x 9” on 10” x 12” animation paper, the graphite drawing is in good condition with creases, stains that do not affect the image, discoloration from age, and pinholes from production use.

(Disney, 1939) An original pan background layout drawing from the Donald Duck cartoon "The Autograph Hound,” with a rare production-used call-out sheet. Measuring 36.25” x 10” including the form attached to the left edge, the graphite drawing displays in good condition with edge wear and creases, pinholes from production use, three vertical creases from being folded, and discoloration from age.

(Disney, 1939) An original layout drawing from "Goofy and Wilbur,” Goofy’s first solo cartoon. Accomplished in red pencil and graphite, the drawing has a character image size of 5.5” x 4” on untrimmed 10” x 12” animation paper. The drawing is in good production-used condition with light edge wear, creasing, and light discoloration from age.

(Disney, 1939) A collection of eight production drawings of the bear from the Mickey short "The Pointer,” with each drawing trimmed to the image and arranged together. The graphite and color pencil drawings have character sizes from 2.25” x 2.5” to 4.5” x 8”, arranged in a 20.75” x 28” matte and frame. The drawings display in very good condition with light discoloration from age.

(Disney, 2020-21) A silkscreened print by Mainger titled "Ghosts,” inspired by the 1937 Mickey Mouse short "Lonesome Ghosts.” The prints were distributed through Germain Barthélémy Prints and The Disney Gallery in an edition of only 155 pieces. Hand-numbered 135 of 155 and measuring 23.5" x15.5" in a 34” x 26” matted frame, the print is in fine condition.

(Disney, 1939) An original production cel of Pluto and an ant from the Donald Duck short "Beach Picnic.” The cel has been trimmed to the image and applied to a custom airbrushed background as prepared by Courvoisier Galleries. The characters have an image size of 7.5” x 6.25” on a 10.25” x 11.75” visible background. The entire matted piece measures 18.75” x 20”. The artwork displays in very good condition with light paint cracking to Pluto’s lower right cheek and light warping from age.

(Disney, 1937) A collection of four original production drawings of Pluto and Fifi used for publishing and to publicize the short "Pluto’s Quin-Puplets.” The image sizes range from 3” x 7.5” to 9” x 11.5”, in mattes measuring up to 14” x 16.5”. The ink and gouache drawings display in good to very good condition with smudging from production use, and light discoloration around the edges from age.

(Disney, 1935) A collection of four original production drawings used for publishing and to publicize the short "Mickey’s Man Friday.” The image sizes range from 5.5” x 6” to 7.5” x 10”, in mattes up to 14” x 16.5” Accomplished in ink and gouache, the drawings display in good to very good condition with smudges from production use, and light discoloration around the edges from age.

(Disney, 1936) A collection of four production drawings of Elmer Elephant and Tillie Tiger used for publishing and to publicize the Silly Symphony "Elmer Elephant.” The character sizes range from 5.5” x 8” to 5.75” x 8.75”, in mattes sized 14” x 16.6” and 14” x 10.25”. Accomplished in ink and gouache, the drawings display in good to very good condition with smudges from production use, and light discoloration to the edges from age.

(Zell Products, 1930s) A pair of Disney steamer trunk-style banks featuring the Three Little Pigs and characters from "Pinocchio.” Both banks are locked and are missing the keys. Measuring 4.25” x 1.75” and 2.75” each, the metal and leather banks display in good and very good condition with light stains, soiling, and oxidation to the Three Little Pigs bank; and wear to the bottom edges and graphics of the "Pinocchio” bank.

(Disney, 1939) An original production drawing of Mickey Mouse and Pluto from "Mickey’s Surprise Party.” This commercial short for Nabisco was the earliest appearance of Fred Moore’s new model for Mickey Mouse popularized in "Fantasia.” With an image size of 7.5” x 4.75” in an 18.5” x 20.5” matte and frame, the graphite and colored pencil drawing is in very good condition with light creases, and light wear to the matte and frame.

(Disney, 1950s-60s) A Disney Studio dye transfer print of a scene from the 1939 Mickey short "The Pointer.” Dye transfers such as these were given as gifts to visitors of the Studio and sold through the Art Corner at Disneyland. The print has an image size of 10” x 12” in an 11” x 12.25” frame. The print is in very good condition with some color fading from age and scuffs and chips to the frame.

(Disney, 1930s) An aerial photograph of Burbank prior to the construction of the Walt Disney Studio. This northern-facing view shows the area that would become the Studio's future home. Measuring 8.25" x 10", the photograph is in very good condition with a scratch that includes a few small areas of surface loss along the left side of the image.

(Old King Cole, 1930s) An extremely rare Mickey Mouse animated window display, created for the Walt Disney Studios by Old King Cole. Mickey with his palm upraised was the first Disney figure from Old King Cole, and this animated version with the hand motorized to move up and down quickly followed. The back of the figure retains its (non-functioning from age) motor and plug, along with a Walt Disney Enterprises/Kay Kamen Incorporated label displaying Mickey Mouse. Measuring 30” x 5” x 40” tall, the figure displays in very good condition, with small scuffs, hairline cracking to the paint from age, and spots of wear to edges throughout. This lot requires special shipping arrangements. Please inquire before bidding.

(Old King Cole, 1930s) A very rare Mickey Mouse Pointing display figure. After the first Mickey Mouse display was released in 1932, new characters and a variety of poses were added every year, including this pointing Mickey Mouse. Measuring 26” x 4” x 40” tall, the Mickey figure is in very good condition, with small scuffs, hairline cracking to the paint from age, discoloration and soiling, and spots of wear to edges throughout. This lot requires special shipping arrangements. Please inquire before bidding.

(Old King Cole, 1930s) A rare Minnie Mouse window display made by Old King Cole. After the overwhelming success of their first Mickey Mouse figure, the second character offered by the company was this Minnie Mouse with a polka dotted dress, designed to complement Mickey. Measuring 27” x 4” x 42” tall, the Minnie figure is in very good condition, with small scuffs, hairline cracking to the paint from age, cracking with possible repair to the left hand, and spots of wear to edges throughout. This lot requires special shipping arrangements. Please inquire before bidding.

(Old King Cole, 1930s) A rare Donald Duck window display made by Old King Cole. Donald made his debut in the Silly Symphony "The Wise Little Hen,” released on June 9th, 1934. Two small Donald figures can be seen in Walt Disney Enterprises' film of Christmas displays from 1934, and this figure of the soon-to-be-headlining Duck likely dates to 1934 or 1935. The figure measures 33” x 5” x 36.5” tall. Donald is in good condition with small scuffs, cracks to the neck, tail, and foot, hairline cracking to the paint, and spots of wear to edges throughout. This lot requires special shipping arrangements. Please inquire before bidding.

(Old King Cole, 1930s) A very rare set of animated display figures of the Three Little Pigs. When the Walt Disney Silly Symphony "Three Little Pigs” was released on May 25, 1933, it reached a level of popularity of epic proportions. The cartoon played in theaters for months, and the public clamored for merchandise. Old King Cole produced these animated figures of Fifer, Fiddler, and Practical Pig, which can be seen in motion in the company’s 1934 film reel of Christmas displays in stores nationwide. Fifer Pig’s head and shoulders rock, Fiddler’s right arm waves his violin bow, and Practical Pig lifts his trowel up and down. The three figures measure from 18” to 20” wide, and from 30” to 34” tall. The figures are in very good condition, with small scuffs, hairline cracking to the paint from age, and spots of wear to edges throughout. This lot requires special shipping arrangements. Please inquire before bidding.

(Old King Cole, 1930s) A rare Pluto window display made by Old King Cole. The figure measures 36.5” x 4.5” x 25.5” tall. Pluto is in very good condition, with very light wear including small scuffs, hairline cracking to the paint from age, and spots of wear to edges. This lot requires special shipping arrangements. Please inquire before bidding.

(Old King Cole, 1930s) A rare Clarabelle Cow window display made by Old King Cole. The figure measures 25” x 3.5” x 40” tall. Clarabelle displays in very good condition, with very light wear including small scuffs, hairline cracking and chipping to the paint from age, soiling, and wear and chipping to edges. This lot requires special shipping arrangements. Please inquire before bidding.

(Old King Cole, 1930s) A very rare animated Clarabelle Cow window display made by Old King Cole. The figure measures 25.5” x 6” x 40” tall, and is designed so her head nods back and forth. The figure retains some of the original wiring, but the animation mechanism is non-functional from age. Clarabelle displays in very good condition, with very light wear including small scuffs, hairline cracking to the paint from age, and spots of wear to edges. This lot requires special shipping arrangements. Please inquire before bidding.

(Old King Cole, 1930s) A very rare animated Horace Horsecollar window display made by Old King Cole. The figure measures 27” x 5.5” x 39” tall, and is designed so his head nods back and forth. The figure retains some of the original wiring, but the animation mechanism is non-functional from age. Horace displays in very good condition, with very light wear including small scuffs, hairline cracking to the paint from age, and spots of wear to edges. This lot requires special shipping arrangements. Please inquire before bidding.

(Old King Cole, 1930s) A rare Sneezy window display made by Old King Cole. The figure measures 17.5” x 4” x 22.5” tall. Sneezy is in very good condition, with wear including small scuffs, hairline cracking to the paint from age, and spots of wear and paint chips throughout. This lot requires special shipping arrangements. Please inquire before bidding.

(Old King Cole, 1930s) A rare Dopey window display made by Old King Cole. The figure measures 16” x 3.5” x 23” tall. Dopey is in very good condition, with wear including hairline cracking and discoloration to the paint from age, scuffs, and spots of wear and chipping to the paint throughout. This lot requires special shipping arrangements. Please inquire before bidding.

(Old King Cole, 1930s) An extremely rare set of eight papier mache store display figures of "Snow White and the Seven Dwarfs.” Snow White, Grumpy, Doc, Bashful, Happy, Sneezy, and Sleepy are all static figures, standing on bases bearing their name. The Bashful figure is from another set of Snow White figures, with their names written on their hats, and was motorized to move his arm up and down. The "name on hat” versions of these characters have few surviving examples, and we have seen no other examples of these name-on-base figures. The figures measure from 16” x 5” x 25” up to 12” x 4” x 36”. The Bashful figure displays in very good condition, with signs of restoration and repainting, and the (non-functioning from age) motor attached to the back. The bouquet Bashful holds is a reproduction made of plaster. Sleepy displays in good condition, with a hole and crack at the top of his head. Snow White and the other Dwarfs display in good condition, all with some scuffs, cracks, soiling, and chipping, and light cracking through some paint from age. This lot requires special shipping arrangements. Please inquire before bidding.

(Disney, 1940s) A very rare store display figure of Mickey Mouse. Unlike the Old King Cole flat display figures, this full figure Mickey can be viewed from any angle. The figure measures 22” x 13” x 34.5” tall. Mickey displays in good condition, with some scuffs and spots of paint wear and loss from age. This lot requires special shipping arrangements. Please inquire before bidding.

(Disney, 1940s) A very rare animated store display figure of Donald Duck. Unlike the Old King Cole flat display figures, this full figure Donald can be viewed from any angle, designed to rock back and forth and put up his fists, while his head turns left and right, and tail feathers waggle. A bulb inside his head is meant to light up his eyes, but the animation and light are non-functional due to age. Donald's hat and jacket were custom-made for the figure by Bob Baker Marionettes. Measuring 22” x 13” x 34.5” tall and affixed to a 20” x 20” wooden base, the figure displays in very good condition, with some scuffs and spots of paint wear from age. This lot requires special shipping arrangements. Please inquire before bidding.

(Disney, 1939) A rare original Walt Disney Studios Animation Desk designed by Kem Weber for the new Burbank Studio in 1940. This beautiful, solid-core birch plywood desk features four pull-out drawers, two on each side, along with a plastic disk and pencil sharpener attached. Animator and Director Tim Walker used this desk during his time at Disney, where he worked on Disney Afternoon classics including "DuckTales,” "TaleSpin,” and "Darkwing Duck,” before leaving to work on "Batman: The Animated Series” and "Samurai Jack.” Measuring 41.5” x 73” x 50.75” tall, the animation desk is in very good condition with heavy wear from decades of production use at the Studio, including scuffs, stains, inscriptions, sticker residue, and heavy scratches. Due to size and weight, this item requires special shipping arrangements. Please inquire before bidding.

(Disney, 1939) A rare original Walt Disney Studios Office End Table designed by Kem Weber for the new Burbank Studio in 1940. Weber designed every aspect of the studio, including the office furniture. This stylish end table with sleek curved sides is adjustable, and its top rotates and opens to form a larger tabletop for story meetings on classics, including "Fantasia.” Measuring 24” x 24” x 25” tall, 24” x 48” x 25” tall when opened, the table displays in very good condition with typical scratches, scuffs, stains, and wear from use on the Disney lot. Due to size and weight, special shipping arrangements are required. Please inquire before bidding.

(Disney, 1939) A rare original Walt Disney Studios Office Wardrobe designed by Kem Weber for the new Burbank Studio in 1940. Weber designed every aspect of the new studio, including the office furniture. The stylized wardrobe was a common sight in every animator's office and retains its original Walt Disney Productions identification label, numbered 2318. Its original wood was painted over by a previous owner, who also added a lock. Measuring 22.25” x 16” x 66.25” tall, the piece is in good condition with heavy scuffs, scratches, paint loss, and wear from Studio use. Due to size and weight, special shipping arrangements are required. Please inquire before billing.

(Disney, 1940) An original multi-layer production cel and background of Pleasure Island’s Tobacco Row from "Pinocchio.” The characters have image sizes from 1.5” x 3” to 3.25” x 10” on a 7.75” x 10.5” visible background. The entire framed and matted piece measures 17.25” x 20”. The artwork displays in good to very good condition with scratches, stains, and paint transfer to the cels, and light spots of paint loss to the background. The framed matte is in good condition with scratches and streaks.

(Disney, 1940) An original production cel of a Stromboli puppet dancer from "Pinocchio.” The cel has been trimmed to the image and applied to an airbrushed woodgrain background as prepared by Courvoisier Galleries. The puppet has an image size of 4.5” x 7.25” on a 5.5” x 7.75” visible background. The entire framed and matted piece measures 14” x 17”. The artwork displays in very good condition with light scratches, scuffs, and wear from production use, while the frame is in good condition with scuffs and wear.

(Disney, 1940) An original production drawing of the Blue Fairy from "Pinocchio.” With an image size of 6.5” x 6.5” on 10” x 12” animation paper, the graphite and colored pencil drawing displays in very good condition with creases, light edge wear, and discoloration from age, which does not affect the image.

(Disney, 1950s) An original production cel of Jiminy Cricket from an unknown television appearance. This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the matte. With an image size of 3.25” x 4.5” on a 5.75” x 7.25” visible cel in an 8” x 9.5” matte, the piece is in good condition with light paint loss, scratches, and paint partially adhered to the backing.

(Giuseppe Armani, 1995) A fine art sculpture of Jiminy Cricket from "Pinocchio” by Giuseppe Armani. Jiminy stands atop a wooden base proudly displaying his "Official Conscience” badge. Measuring 9” tall and 5.25” in diameter, the resin sculpture is in very good condition with light scuffs, scratches, and wear.

(Disney, 1940) An original Walt Disney’s "Fantasia” program created for the film’s initial theatrical release. The 28-page program features extensive behind-the-scenes information and background notes on each of the film’s segments, and is illustrated throughout with set and studio photography, as well as concept art. Measuring 9.5” x 12.5”, the book is in very good condition, with very light wear from handling and age, mainly to the cover.

(Disney, 1940) An early Walt Disney Studio publicity photo taken in October 1940, featuring Ben Sharpsteen, Wilfred Jackson, and their fellow "Fantasia” creatives analyzing character art in a meeting. This print was likely made in the 1970s or 1980s and has a Walt Disney Productions stamp on the reverse. Measuring 8” x 10”, the print is in good condition with scratches, edge wear, and a 0.75" torn-off piece that has been reattached out of place.

(Disney, 1940) An extremely rare Leica reel for the Sorcerer’s Apprentice segment of "Fantasia.” The reel features sequential story concept panels of the entire sequence, which were projected in time to the music to determine each shot’s length during production. This print of the film was made in the 1960s or 70s for reference, and is in very good condition with some color fading from age.

(Disney, 1940) An extremely rare Leica reel for the Toccata and Fugue segment of "Fantasia.” The reel features sequential story concept panels of the entire sequence, which were projected in time to the music to determine each shot’s length during production. This print of the film was made in the 1960s or 70s for reference, and is in very good condition with some color fading from age.

(Disney, 1939) An extremely rare 35mm leica reel, also known as a story reel, for the "Beethoven Pastoral” segment of "Fantasia” used to time out the film. The film is slated Title 2004, Sequence 40, Scene CBW42, Animator CBW (indicating that this was the work of Cornett Wood), and dated 10/28. The film is in very good condition with some color fading from age.

(Disney, 1940) An original production cel of a baby pegasus from "Fantasia.” The cel has been trimmed to the image and applied to a custom airbrushed background as prepared by Courvoisier Galleries for sale. The character has an image size of 2.5” x 2.75” on a 5” x 6” visible background. The entire framed and matted piece measures 12.5” x 16”. The cel displays in very good condition with light areas of discoloration from pigment loss, paint cracking, wear from production use and age, and tape residue which does not affect the image. The frame and matte are in good condition with scratches, scuffs, and wear.

(Disney, 1940) An original production cel of a Centaurette from the Pastoral Symphony segment of "Fantasia.” The Centaurette has an image size of 5.5” x 5.5” on an 8.5” x 8.5” visible copy background. The entire framed and matted piece measures 23.25” x 23.25”. The trimmed-to-character cel displays in very good condition with spots of paint loss, scratches, and edge wear.

(Disney, 1940) An original production cel of baby unicorns from the Pastoral Symphony sequence of "Fantasia.” The cel has been trimmed to the image and applied to a custom airbrushed background as prepared by Courvoisier Galleries for sale. The characters have an image size of 3.5” x 8.75” on a 8” x 10” visible background. The entire framed and matted piece measures 14” x 17”. The cel is in fair condition with heavy warping, paint cracks, spots of paint loss, discoloration from age, and wear from production use.

(Disney, 1940) An original production cel from the Nutcracker Suite segment of "Fantasia.” The cel has been trimmed to image and applied to a custom airbrushed background as prepared by Courvoisier Galleries. The character has an image size of 2.75” x 1.75” on a 6.5” x 8” visible background. The entire framed and matted piece measures 11.75” x 13”. The cel displays in fine condition.

(Giuseppe Armani, 1997) A fine art sculpture of Mickey Mouse as he appeared in The Sorcerer’s Apprentice sequence of "Fantasia” by Giuseppe Armani. Measuring 11.5” tall and 8” in diameter, the resin sculpture is in very good condition with light scuffs, stains, and wear.

(Disney, 1941) An original production cel from "Dumbo” of the firefighting circus clowns. The cel has been trimmed to the image and applied to a custom airbrushed background as prepared by Courvoisier Galleries. The gallery's original label is present on the reverse and states that this piece is one of only 58 cels from the film to be released to collectors. The characters have an image size of 6.75” x 8.5” on an 8.5” x 11” visible background. The entire framed and matted piece measures 15” x 17.5”. The cel displays in good condition with heavy warping from age. The gallery label has edge wear and hand-written notations.

(Disney, 1942) An original production cel of Thumper from "Bambi.” The cel has been trimmed to the image, paired with a hand-painted butterfly, and applied to a custom airbrushed background as prepared by Courvoisier Galleries for sale. Thumper and the butterfly have an image size of 3” x 4.25” on a 6” x 7.25” visible background. The entire framed and matted piece measures 13.5” x 15.25”. The cel is in poor condition with heavy lamination damage, paint chipping, large cracks at the top corners, lifting, paint loss, scratches, and wear from production use. The frame displays in good condition with spotting to the matte, scuffs, wear, and discoloration from age.

(Disney, 1942) An original Jose Carioca production cel from "Saludos Amigos.” The cel has been trimmed to the image and applied to a custom airbrushed background as prepared by Courvoisier Galleries for sale. Jose has an image size of 3.5” x 4.5” on a 6.25” x 7.25” visible background. The entire framed and matted piece measures 14” x 16”. The cel displays in very good condition with light warping, scratches, and wear from production use. The framed matte is in very good condition with light wear.

(Disney, 1942) A Walt Disney Productions letter on full color "Dumbo” stationery with a Studio envelope. Dated February 23, 1942, this typed letter from the Camera Department Manager addressed to Mr. Clarence A. Whitaker is regarding employment at the Studio. Measuring 8.5” x 11” and 4” x 9.5”, the letter and envelope display in good to very good condition with two horizontal creases and light discoloration to the letter, and wear, creasing, and discoloration to the envelope.

(Raymond Disney/American Airlines, 1943) An insurance policy sold to Disney Legend Dick Huemer by Walt’s older brother Raymond Disney, with an American Airlines travel packet. Raymond was noted for selling insurance policies to employees at the Studio until, to paraphrase one animator, "We figured out Walt didn’t care if we bought from him or not.” The policy bears a gold label from Raymond A. Disney Insurance, and comes with a travel packet from American Airlines including a pamphlet, map, amenities booklet, feedback card, and six postcards with four duplicates. The 3.5” x 8.5” policy is in fine condition. The travel documents ranging from the 3.5” x 4.25” booklet to the 5” x 10” envelope are in very good condition with some light discoloration from age, creases, tears on the envelope, and handling wear.

(Marx, 1946) A Walt Disney’s Donald Duck Duet tin-litho toy by Marx Toys. The wind-up toy did not work when tested and requires service to function. Measuring 7.55" x 4.25” x 10” high, the toy displays in good condition with discoloration from age, oxidation, scratches, scuffs, wear, and Goofy’s ears missing.

(Character Novelty Co., 1940s-50s) A stuffed Mickey Mouse doll manufactured by the Character Novelty Company in Norwalk, Connecticut, with the original tag. Measuring 12.5” tall, the doll is in good condition with discoloration from age, wear from use, fraying, and the felt tongue missing.

(Capitol Records, 1948) A 78 RPM record of the Little Toot story from Walt Disney's animated film "Melody Time,” with audio by Don Wilson and the Starlighters. Measuring 10” x 10”, the record and sleeve display in good condition with scratches to the record, creases, edge wear, a tear at the top right corner, and discoloration to the sleeve from age.

(Delta, 1940s-50s) A sterling silver charm of Mickey Mouse, manufactured by Delta of Hollywood, and attached to its original backing card. Measuring 0.5” x 1”, the charm displays in very good condition with light wear and oxidation from age, while the 1.5” x 2.25” card is in good condition with pinholes, scratches, creases, and wear.

(RKO, 1946) A rare original half-sheet poster for Walt Disney’s package film, "Make Mine Music.” Measuring 22” x 28”, the poster is in fair condition with heavy wear along the folds, creases, stains, spotting, edge wear, scratches, tape repair and inscriptions on the reverse, and discoloration from age.

(Disney, 1973) A one-sheet for the 1973 theatrical re-release of "Song of the South.” The film was re-released for the 50th anniversary of Walt Disney Productions. Measuring 27” x 41”, the poster displays in very good condition with full horizontal folds, discoloration from age, creases, and light wear.

(Disney, 1986) A "Song of the South” 40th anniversary re-release one-sheet, signed with a dedication by Br’er Bear voice actor Nick Stewart. Measuring 27” x 41”, the signed poster is in very good condition with light creases and edge wear.

(Disney, 1948) An original photostat model sheet of Orville for "Pluto's Fledgling." Model sheets such as this were distributed to animators to ensure consistency of character design. Measuring 11” x 14”, the sheet displays in very good condition with light edge wear and creasing from production use and light warping from age.

(Gallego, 1991) A painting of J. Thaddeus Toad by Disney background artist James Gallego, reproducing original artwork from Walt Disney’s The Adventures of Mr. Toad Big Golden Book. With an image size of 8.5” x 11” in a 10” x 13” window of a 15” x 18” frame, the acrylic painting is in fine condition.

(Disney, 1950s-60s) A photostat model sheet of Minnie Mouse. The original was drawn in November 1947, with this piece likely printed in the 1950s or 1960s. Model sheets such as these were distributed to animators and crew to ensure character design continuity. Measuring 11.25” x 13.75”, the model sheet displays in good condition with light edge wear, creasing to the upper corners, a vertical fold in the center, and light discoloration from age.

(Vernon Kilns/Shaw, 1940-50s) A collection of four very rare painted ceramic Walt Disney chamber pots created exclusively as gifts and given from Walt Disney to Studio Staff upon the birth of a child. The chamber pots were first made by Vernon Kilns in the 1940s and later by Evan K. Shaw Pottery in the 1950s, with the latter being slightly smaller and glossier. Measuring between 6” in diameter x 5” tall and 5.5” in diameter x 4.25” tall, the pots display in good condition with crazing throughout and light chips on the blue version to the left of Donald’s nephews.

(Disney, 1950) An original concept painting by color stylist Mary Blair for "Cinderella.” Although she had worked for the Studio since the 1940s, it was the 1950s that brought Mary Blair to the forefront of the Studio Animation Department. Walt Disney chose Blair as the color stylist for "Cinderella,” "Alice in Wonderland,” "Peter Pan,” and several theatrical shorts. It was her conceptual work and styling that set the tone for the first three features for the Studio in the 1950s. Her early concepts are considered by many collectors to be some of the most desirable and important artwork to come out of the Studio. This concept for "Cinderella” is accomplished in gouache on art board, and explores a key scene from the film as her Fairy Godmother creates her dress for the Ball. The piece has a painted image size of 8.5” x 8” on a 9” x 9” artist board. It is in very good condition, with minor fading and some surface wear. The artwork has been archivally framed.

(Disney, 1950) An original concept painting by color stylist Mary Blair for "Cinderella.” Although she had worked for the Studio since the 1940s, it was the 1950s that brought Mary Blair to the forefront of the Studio Animation Department. Walt Disney chose Blair as the color stylist for "Cinderella,” "Alice in Wonderland,” "Peter Pan,” and several theatrical shorts. It was her conceptual work and styling that set the tone for the first three features for the Studio in the 1950s. Her early concepts are considered by many collectors to be some of the most desirable and important artwork to come out of the Studio. This concept for "Cinderella” is accomplished in gouache on artist board, and explores the scene where Cinderella’s animal friends create her dress. This large pan piece has a painted image size of 19” x 8” on a 20” x 9.25” artist board. It is in very good condition with minor fading, discoloration to unpainted edges, pinholes at the corners from production use, and some surface wear.

(Disney, 1950) A pair of original production cels of Jaq and Gus from "Cinderella,” each signed in ink by Disney Legend Ward Kimball, the directing animator for the characters. Gus has an image size of 5.75” x 3.75” and Jaq has an image size of 3” x 6”, both on 7” x 7” visible cels. The entire double window framed and matted piece measures 16” x 25.75”. The cels are in fine condition.

(Disney, 1950) A stunning original concept painting by color stylist Mary Blair. The painting features Blair's vision of Alice as she falls down the rabbit hole. The colorful and vibrant image is accomplished in gouache on 9” x 9” artist board with an image size of 7.75" x 7.75". The artwork displays in fine condition with pinholes in the corners, minor surface wear, and staining along the edges.

(Disney, 1950) A stunning original concept painting by color stylist Mary Blair. The painting features Blair's vision of Alice as she meets the Caterpillar. The colorful and vibrant image is accomplished in gouache on 10” x 9.25” artist board with an image size of 8.5" x 8". The artwork displays in fine condition with pinholes in the corners, minor surface wear, and staining and wear along the edges.

(Disney, 1951) An original production cel of the Mad Hatter from "Alice in Wonderland,” with a color copy background. The Mad Hatter has an image size of 4.25” x 6.75” on a 8” x 10” visible background. The entire framed and matted piece measures 17” x 19”. The cel is in good condition with spots of paint and line loss, smudges, and scratches. The frame and matte are in very good condition with light stains, wear, and a sticker on the glass.

(Disney, 1951) An original production cel of the Walrus from "Alice in Wonderland,” with a color copy background. The Walrus has an image size of 7” x 7.5” on a 8” x 9.5” visible background. The entire framed and matted piece measures 17.75” x 19.25”. The cel is in very good condition with light waviness and wear from production use. The frame is in good condition with scuffs, scratches, and wear.

(Disney, 1951) An original production cel of the animal jury at Alice’s trial from "Alice in Wonderland,” with a color copy background. The characters have an image size of 7.5” x 10.5” trimmed to character on a 9.75” x 12.5” visible background. The entire framed and matted piece measures 16.25” x 20.25”. The cel displays in fine condition. The framed matte is in very good condition with light wear to the inner matte.

(Disney, 1951) An original production cel of the Queen and King of Hearts from "Alice in Wonderland,” with a custom-painted background. The King and Queen have an image size of 7” x 6.75” on a 7.75” x 10.5” visible background. The entire framed and matted piece measures 19” x 21”. The cel displays in good condition with paint cracking to the King’s right eye, the trim on his robe, and the Queen’s collar, and a 0.25” x 0.5” tear to the upper left corner, which does not affect the image.

(Disney, 1951) An original production drawing of the White Rabbit from "Alice in Wonderland." With an image size of 4” x 3.5” on 10” x 12” animation paper, the graphite and color pencil drawing displays in very good condition with light edge wear and creasing and light discoloration from age.

(Disney, 1951) An original production cel of the Dodo Bird and Bill the Lizard from "Alice in Wonderland.” This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the matte. The Dodo Bird and Bill the Lizard have an image size of 5” x 8” on a 6” x 9” visible cel. The entire framed and matted piece measures 13.5” x 16.5”. The cel displays in very good condition with light paint separation to Bill’s right fingers and a 0.25” spot of paint loss towards the bottom of the Dodo.

(Disney, 1951) An original production cel of King of Hearts from "Alice in Wonderland.” The King has an image size of 3.5” x 3.25” on a 12.5” x 15.5” cel. The piece displays in very good condition with light color bleed from the heart on the scepter into the left sleeve and light discoloration along the top edge, which does not affect the image.

(Disney, 1951) An original production cel from "Alice in Wonderland” of the Carpenter. The cel has been trimmed to image measuring 7” x 7” and displays in fine condition.

(Disney, 1951) An original production cel of Tweedledee and Tweedledum from "Alice in Wonderland.” The cel has been trimmed to image measuring 5.75” x 6.5” and displays in very good condition with light line and paint loss to the top tip of the hat flag on the right.

(Disney, 1951) An original production cel of the Caterpillar transformed into a butterfly from "Alice in Wonderland.” The cel measures 5” x 3” trimmed to image and mounted to a 6” x 5” matte board. The cel displays in very good condition with a light crack across the face and light line loss to the eyes.

(Disney, 1951) An original multi-layer production cel of Goofy and a neighbor from the short, "Fathers Are People,” with a color copy background. This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the matte. Goofy and the neighbor have an image size of 6.5” x 6.5” on an 8” x 9.75” visible cel. The entire matted piece measures 12” x 13.75”. The cel is in poor condition with heavy paint bleed and water damage, discoloration from pigment loss, paint cracking, and paint transfer to the background. The matte displays discoloration from age, and heavy water damage with warping.

(Disney, 1953) An original concept painting by Disney Legend Mary Blair for "Peter Pan.”Blair was a renowned color stylist and designer who left her mark on classic Disney films and in the Parks, particularly the interior of It’s a Small World. In this piece, she depicts Peter Pan, John, Michael, and the Lost Boys marching through Never Land, showcasing her mastery of color with the use of gouache. With an image size of 8.25” x 18.75” on 9.25” x 20” artist board, the piece displays in fine condition with pinholes in the corners, minor surface wear, and staining and wear along the edges.

(Anderson, 1970s-80s) An original drawing of Wendy Darling, signed by Disney Legend Ken Anderson, and a sheet of his personal notecard stationery. Measuring 6.25” x 1.75” in a 13” x 10” matte and 8.5” x 5.5”, the mixed-media drawing and stationery are in very good condition with minor edge wear.

(Disney, 1953) An original production cel from "Peter Pan,” signed by Disney Legends Frank Thomas and Ollie Johnston, with a color copy background. Peter has an image size of 4.25” x 7.75” on a 7.75” x 10” visible background. The entire framed and matted piece measures 18” x 20.25”. The piece is in very good condition with light scratches and wear to the frame.

(Disney, 1953) An original production cel of Mr. Smee from "Peter Pan,” signed in ink by Disney Legend Ollie Johnston, the directing animator for the character. Mr. Smee has an image size of 6” x 9.75” on a 9” x 12.25” visible cel. The entire framed and matted piece measures 17” x 20.5”. The cel displays in very good condition with light warping from age.

(Disney, 1953) An original production cel of Mr. Smee from "Peter Pan." This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the matte. Mr. Smee has an image size of 4” x 5.25” on a 7” x 7.5” visible cel. The entire framed and matted piece measures 12.75” x 13.25”. The cel is in good condition with light scratches, spots of paint loss, and wear from production use. The framed matte is in very good condition with light wear.

(Disney, 1950s-60s) An original production cel of Tinker Bell from an unknown television appearance. The cel was originally sold at the Art Corner in Disneyland, and still has the original backing with the Art Corner gold label on the reverse. Tinker Bell has an image size of 2.75” x 3.75” on a 6.25” x 9.25” visible cel. The entire matted piece measures 9” x 12”. The piece displays in good condition with paint cracks, scratches, wear from production use, and discoloration and spotting to the matte from age.

(Disney, 1976) An insert poster for the 1976 re-release of "Peter Pan.” Measuring 14" x 36" in an 18.25” x 40.25” frame, the poster is in very good condition with light wear and creases, while the frame is in good condition with scuffs, scratches, and wear.

(Giuseppe Armani, 2004) A fine art sculpture of Peter Pan by artist Giuseppe Armani. Measuring 11” tall and 5.75” in diameter, the resin sculpture is in very good condition with light stains on the nose.

(RKO, 1953) A one-sheet for Walt Disney’s"4th of July Fireworks” cartoon package film, released by RKO. Measuring 27” x 41”, the poster displays in very good condition with up to 2” separation at the center folds, spotting, scratches, discoloration from age, and heavy wear along the lower fold.

(RKO, 1953) A one-sheet for Walt Disney’s "New Year’s Jamboree” cartoon compilation film released by RKO. Measuring 27” x 41”, the poster displays in very good condition with discoloration from age, separation at the center of the original folds up to 1”, light creases, and edge wear.

(Disney, 1954) An original concept painting by Eyvind Earle from production of the Academy Award-nominated short "Pigs is Pigs.” Hired by the Studio in 1951 as an assistant background painter, the Disney Legend made a name for himself as a concept artist and color stylist on "Sleeping Beauty.” Measuring 9.25” x 23.25”, the gouache art on heavy paper is in good condition with creases, edge wear including a missing bottom right corner, light stains, pinholes from display, wear from production use, a deep 2” long scratch, and a 1.5” x 2.5” section missing from the ride side.

(Disney, 1963) A window card for the 1963 re-release of "20,000 Leagues Under the Sea.” This card is from the Main Street theater in Beloit, Kansas, and displays showtimes at the top. Measuring 14” x 22”, the window card displays in good condition with creases, pinholes from display, and edge wear, including a tear at the bottom left corner.

(Disney, 1971) A large poster for the 1971 theatrical rerelease of Disney’s 1954 classic, "20,000 Leagues Under the Sea.” Measuring 40” x 60”, the poster is in fair condition with heavy creases, water damage, folds, edge tears up to 2.5” long, pinholes at the corners, and spotting throughout.

(Disney, 1971) A three-sheet poster for the 1971 theatrical re-release of Disney’s 1954 classic, "20,000 Leagues Under the Sea.” Measuring 39” x 77”, the poster displays in very good condition with light separation at the folds, edge tears up to 1.75”, visible tape repair, creases, and discoloration from age.

(Disney, 1955) A one-sheet for Walt Disney’s "Davy Crockett: King of the Wild Frontier” starring Fess Parker. Measuring 27” x 41”, the poster is in good condition with discoloration from age, heavy ink transfer from storage, and multiple tears at the corners.

(Disney, 1955) A rare collection of 29 unused souvenir passes from Carolwood Pacific Railroad, Walt Disney’s personal backyard railroad. These were issued to riders, and the front of the card includes a line at the bottom where Walt would sign his name. Due to the limited capacity of the ride and ongoing safety issues, no further cards were issued after 1953, and the remaining passes for 1954-55 were stored at the Retlaw offices. The unused passes measure 2.25" x 3.75" and are in fine condition.

(Disney, 1955) An original production cel from the Donald Duck short, "No Hunting,” with a color copy background. This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the matte. The characters have an image size of 7” x 7.5” on an 8” x 10” visible cel. The entire matted piece measures 12” x 14”. The cel displays in very good condition with a 0.25” area of paint transfer from the cel to the background on the right hunter’s hat, and warping from age.

(Disney, 1950s) A multi-layer production cel from "The Mickey Mouse Club” opening title sequence. This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the matte. For this presentation, the Art Corner has the characters toss Donald into the air, instead of the original intro with Mickey. The characters have an image size of 7.5” x 12” on 9” x 12” slightly trimmed cels. The piece is in good condition with scratches, spots of paint loss, cracking, and paint transfer.

(Disney, 1955) An original production cel from "Lady and the Tramp.” This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the frame. Lady and Tramp have an image size of 5” x 7” on a 7” x 9” visible cel. The entire framed and matted piece measures 13” x 15”. The piece displays in very good condition with light paint separation to Tramp’s face and light warping from age.

(Disney, 1955) An original production cel of Tramp and Toughy from "Lady and the Tramp,” signed by Disney Legends Frank Thomas and Ollie Johnston. This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the frame. Tramp and Toughy have an image size of 5.5” x 8” on a 6.75” x 9.5” visible cel. The entire framed and matted piece measures 13” x 15.5”. The cel displays in fine condition with light scuffs to the frame.

(Seven China, 1960s-70s) A 3D ceramic wall decoration of Lady from "Lady and the Tramp.” The ceramic is mounted to a felt-lined frame with a "Disney’s Fancy” label featuring Bambi on the reverse. Measuring 9” x 10” overall, with Lady measuring 5.5” x 4.5” x 1.25”, the piece displays in good condition with light crazing to the nose and mouth, and scuffs. The frame is in fair condition with adhesive residue and cracks.

(Seven China, 1960s-70s) A 3D ceramic wall decoration of Tramp from "Lady and the Tramp.” The ceramic is mounted to a felt-lined frame with a "Disney’s Fancy” label featuring Bambi on the reverse. Measuring 9" x 10" overall, with Tramp measuring 6" x 4.5" x 1.25”, the piece displays in good condition with light crazing and scuffs. The frame is in fair condition with adhesive residue and cracks.

(Disneyland, 1960s) An original production cel of Mickey from "The Mickey Mouse Club” Fun with Music Day. This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label and store stamp on the back of the matte. Mickey has an image size of 5” x 5.5” on a 5.5” x 7.5” visible cel. The entire framed and matted piece measures 10.25” x 12.25”. The piece is in good condition with paint cracks and transfer and light scratches. The frame displays in very good condition with light scuffs and wear.

(Disney, 1956) A photo of Walt Disney and Max Fleischer with Studio animators at the Burbank Commissary taken in January 1956. Fleischer’s son Richard, who directed "20,000 Leagues Under the Sea,” invited his father for a tour and reunion at the Studio with former colleagues. Seated around the table are Gerry Geronimi, Walt Disney, Ben Sharpsteen, Ted Sears, Max Fleischer, Dick Huemer, George Stallings, Richard Fleischer, Andy Engman, and Wilfred Jackson. Measuring 8” x 10”, the print is in fine condition.

(Disney, 1955) An original production cel of Humphrey the Bear from the Donald Duck short "Bearly Asleep.” This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the matte. Humphrey has an image size of 5.75” x 7” on a 6” x 9.5” visible cel. The entire matted piece measures 9” x 12”. The cel displays in very good condition with light paint cracking to the eyes, light discoloration from pigment loss to the phone, and light warping from age.

(Disney, 1956) An original production cel of Donald Duck from the "Disneyland” episode, "A Day in the Life of Donald Duck," sold at the Art Corner in Disneyland. The cel was placed on a color copy background at the Studio and retains the original backing with the Art Corner gold label on the reverse. Donald has an image size of 7.5” x 6.5” on an 8” x 10” visible cel. The entire matted piece measures 12” x 14”. The cel displays in very good condition with light paint cracking to the bowtie, light warping from age, and discoloration to the matte.

(Disney, 1956) An original multi-layer production cel of Donald Duck and Jiminy Cricket from Disney TV productions, with a color copy background. The cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the matte. The characters have an image size of 6.5” x 9.25” on an 8” x 10” visible cel. The entire matted piece measures 12” x 14”. The piece is in good condition with a 0.25” area of paint cracking to Donald’s underside, paint bleed with water damage along Donald’s hand and right foot, a 6” paint streak from Donald’s backside to the left edge of the cel, and light warping from age. The matte displays edge wear and discoloration from age.

(Disney, 1956) An original multi-layer production cel of Goofy from the "Walt Disney's Wonderful World of Color” episode, "Holiday for Henpecked Husbands." This cel with a color copy background was originally sold at the Art Corner in Disneyland, and still has the original backing with the Art Corner gold label on the reverse. Goofy has an image size of 4” x 4.25” on an 8” x 10” visible cel. The entire matted piece measures 12” x 14”. The piece displays in very good condition with light warping from age, and heavy edge and corner wear and discoloration to the matte.

(Disney, 1955) A very rare original poster for the theatrical release of Walt Disney’s "Music Land.” This feature combined segments of "Make Mine Music" and "Melody Time" into a new feature-length program to fulfill a contractual obligation to RKO distribution. "Music Land" has not been seen or released since 1955 except for a single tribute screening in 1970. Measuring 27” x 41”, the poster is in good condition, with creases and wear along the original folds, edges, and corners.

(Disney, 1958) An original production cel of Donald Duck from the Disneyland anthology series episode "Donald’s Weekend.” The cel was originally sold at the Art Corner in Disneyland, and still has the original backing with the Art Corner gold label on the reverse. Donald has an image size of 5” x 6.75” on a 6.25” x 9.25” visible cel. The entire matted piece measures 9” x 12”. The cel is in good condition with light warping and scratches. The matte is in fair condition with creases, discoloration from age, and tears throughout.

(Disney, 1959) An original production cel of Prince Phillip and Samson from "Sleeping Beauty,” with a color copy background. This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the matte. Prince Phillip and Samson have an image size of 6.75” x 10” on an 8” x 10” visible cel. The entire matted piece measures 11” x 14”. The piece displays in very good condition with light paint cracking to Phillip’s cape and armor, light warping from age, and edge wear and heavy discoloration to the matte from age.

(Disney, 1959) An original production cel of Merryweather from "Sleeping Beauty.” This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the matte. Merryweather has an image size of 6.25” x 6” on a 6.25” x 9.25” visible cel. The entire matted piece measures 9” x 12”. The piece displays in very good condition, with a spot of paint loss under the wand, and light edge and corner wear, discoloration, and a 0.25” x 0.25” spot of paint transfer to the right of the matte.

(Disney, 1959) An original multi-layer production cel of Flora and King Hubert from "Sleeping Beauty.” This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the matte. King Hubert and Flora have an image size of 4.5” x 7” on a 5.5” x 8.5” visible cel. The entire matted piece measures 9” x 12”. The piece displays in good condition, with areas of light line transfer between layers, spots of light discoloration from pigment loss, light warping from age, and paint cracking and transfer to the matte on Hubert’s right side and Flora’s hat.

(Disney, 1959) An original production cel of Fauna from "Sleeping Beauty.” This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the matte. Fauna has an image size of 6.75” x 4.5” on a 6.75” x 9.75” visible cel. The entire matted piece measures 9” x 12”. The piece displays in fine condition with light edge and corner wear and light discoloration to the matte.

(Disney, 1959) An original production cel of Briar Rose from "Sleeping Beauty,” signed by Disney Legends Marc Davis, Frank Thomas, and Ollie Johnston. The art has been trimmed to the character and paired with a color copy background. Briar Rose has an image size of 2.5” x 4” on a 9” x 11” visible background. The entire framed and matted piece measures 21.75” x 24.25”. The piece is in good condition with cracks and wear from production use. The frame is in very good condition with light wear.

(Disney, 1959) An original production cel of King Hubert and King Stefan from "Sleeping Beauty,” with a color copy background. This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the frame. King Hubert and King Stefan have an image size of 6.5” x 8.75” on a 7” x 8.5” visible cel. The entire framed and matted piece measures 14” x 16”. The cel displays in very good condition with light discoloration from pigment loss to Stefan’s left sleeve and chest and light warping from age.

(Disney, 1959) An original production cel of Briar Rose and Flora from "Sleeping Beauty,” with a color copy background. This cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label still on the reverse. Briar Rose and Flora have an image size of 6.5” x 8.75” on an 8.25” visible background. The entire framed and matted piece measures 14” x 16.25”. The cel displays in good condition with light paint cracking and loss to Flora’s head, heavy paint cracking and transfer from the cel to the background near Briar Rose’s chest, light discoloration to the lower body, and light warping from age.

(Disney, 1959) An original multi-layer production cel of Briar Rose and Flora from "Sleeping Beauty.” The piece was originally sold at the Disneyland Art Corner, with its original backing and Art Corner gold label removed, but included. Briar Rose and Flora have an image size of 6.75” x 8” on an 8.75” x 8.75” visible cel. The entire framed and matted piece measures 23.25” x 23.25”. The cel displays in very good condition with spots of paint loss, scratches, and light paint transfer.

(Disney, 1959) An original photostat model sheet from "Sleeping Beauty” of rough suggestions for Birds. Model sheets such as these were distributed to animators and crew working on the film to ensure character design continuity. Measuring 14” x 17”, the photostat is in good condition with edge wear and tear, warping, a vertical crease running through the center, and light discoloration from age.

(Disney, 1959) A signed original concept painting by Disney Legend Eyvind Earle for "Sleeping Beauty.” After joining the Disney Studio in 1951, Earle gained a reputation for his exquisite paintings and sense of style. His work on "Sleeping Beauty” as both a concept artist and color stylist resulted in what many consider to be the pinnacle of Disney animation. This piece, accomplished in gouache on artist board, features Princess Aurora walking through the castle hallway and is signed by Earle to the bottom right corner. Measuring 6” x 11.5” in a 14.25” x 19.75” framed matte, the painting is in fine condition, while the frame is in good condition with scuffs, scratches, and wear.

(Disney, 1959) An original concept painting by Eyvind Earle for Walt Disney’s "Sleeping Beauty.” Earle worked on several Disney productions throughout the 1950s, but his work on "Sleeping Beauty” as both concept artist and color stylist created what many consider the high point of Disney animation. This piece expertly captures the epic duel between Prince Philip and Maleficent as the dragon, showcasing the Disney Legend’s mastery of depth, color palette, and stylization. Measuring 9.25” x 22.75”, the gouache on artist board painting has been hand-signed by Earle in the lower right corner and displays in fine condition, with light scratches and pinholes at the corners from original production use.

(Disney, 1959) A beautiful original "Sleeping Beauty” concept painting by Eyvind Earle. The Disney Legend is best remembered for his work as a concept artist and color stylist on the classic film, with his mastery of depth and stylization greatly contributing to the film’s legacy. Accomplished in gouache on artist board, the piece is signed by Earle in the bottom right corner. Measuring 9.25” x 23.25”, the concept is in very good condition with light scratches, smudges, and pinholes at the corners from production use.

(Disney, 1959) A matte painting on glass of King Brian’s throne room from "Darby O’Gill and the Little People” painted by Disney Legend Peter Ellenshaw. Walt Disney first met Ellenshaw painting mattes for Disney’s first all live-action film "Treasure Island.” Ellenshaw was a master of matte-on-glass painting, a practical effect technique in which elaborate, fantastic, or historical details painted on glass are filmed on location, adding them into the scene. For "Darby O’Gill and the Little People,” Ellenshaw’s talent combined with oversized props and sets created the illusion of miniature leprechauns side-by-side with full-sized humans. This painting is seen as Darby, played by Albert Sharpe, first enters the leprechaun’s underground throne room. The camera filmed through this glass, with Sharpe entering on the left side, high on a platform at one end of the soundstage. Far below at the other end of the stage were full-sized actors as leprechauns, with an oversized set including the throne and sword, whose tops are painted into the matte. The painted elements on this glass blended seamlessly with the oversized set to create the illusion of a full-sized man close to a room full of knee-high leprechauns. This production-used painting on glass is housed in its original frame, measuring 31” x 40” in total. The glass measures 26.25” x 35”, with the detailed image area of the cave ceiling and throne approximately 13” x 24.” The lower area of the throne has areas intentionally unpainted to allow the set behind to show through, aiding in the blending of the two. The lower right corner is painted very roughly - possibly even used as a palette - where the glass was blocked by a foreground rock element. This piece is overall in very good to fine condition, with very light wear from original production use and age. This lot requires special shipping arrangements. Please inquire before bidding. Peter Ellenshaw won an Academy Award for his matte paintings for 1964’s "Mary Poppins,” and after retiring from film work, painted landscapes and Disney-inspired pieces. While those pieces have been available before, this is the only production matte piece from Ellenshaw’s illustrious, Oscar-winning career that we have ever seen for sale.

(Disney, 1977) An original one-sheet for the 1977 theatrical re-release of "Darby O’Gill and the Little People,” starring Sean Connery in one of his earliest leading roles. Measuring 27” x 41”, the poster displays in good condition with typical wear and creases along the original folds, 0.25” separation at the paper and center crossfolds, a 0.25” tear to the center bottom edge, light stains on the lower left edge, and light discoloration from age.

(Disney, 1959) An original production cel of Donald Duck from the educational short "How to Have an Accident at Work.” Donald has an image size of 3.5” x 5.75” on a 6” x 9” visible cel. The entire framed and matted piece measures 11” x 12.5”. The cel is in very good condition with light scratches and wear. The frame is in good condition with scuffs, scratches, stains, and wear.

(Disney, 1950s) A pair of original production cels of Pluto from the "Disneyland” episode "Pluto’s Day” and a limousine from the episode "Adventures in Fantasy.” The cels were paired together and originally sold at the Disneyland Art Corner, with the original Art Corner gold label still on the reverse of the matte. Pluto and the limousine have an image size of 4” x 6.25” on a 6.25” x 9.25” visible cel. The entire matted piece measures 9” x 12”. The piece displays in good condition with paint cracking and loss to the limousine.

(Giuseppe Armani, 1998) A fine art sculpture of Pluto by Giuseppe Armani. Measuring 6” tall and 4” in diameter, the resin sculpture is in very good condition with a stain on Pluto’s nose.

(Disney, 1990s) A serigraph cel of Cinderella and Prince Charming, signed by Disney Legends Frank Thomas and Ollie Johnston. These cels were limited to an edition of 9,500 and created using a silk-screen process, rather than hand-painting. With an image size of 7.5” x 8.25” on a 10.75” x 14” cel, the piece is in very good condition with light scratches.

(Strombecker, 1950s) An original Lou Lispi concept drawing for a Mickey Mouse Revolving Cameraman Pull toy for Strombecker. Lispi became the Art Director of Walt Disney Productions Character Merchandise Division starting in 1932 and bears his stamp at the lower left corner of the drawing. Measuring 14” x 17” with an image size of 9” x 12”, the crayon and graphite on tracing paper drawing displays in good condition with light edge wear and creasing, a vertical center fold, and light discoloration from age. The drawing is stapled to a thicker opaque paper along the top edge.

(Strombecker, 1950s) An original Lou Lispi concept drawing for a Mickey Mouse Juggler Push Toy for Strombecker. The Art Director for the Walt Disney Productions Character Merchandise Division, Lispi, created several popular Mickey toys, including the Blue Ribbon Pop-Up Books and the Lionel Mickey Circus Train. Lispi’s stamp is visible at the lower left corner of the drawing. Measuring 14” x 16” with an image size of 12” x 12”, the graphite and crayon drawing on tracing paper displays in good condition with light edge wear and creasing, a horizontal fold through the center, and light discoloration from age. The drawing is stapled along the top edge to a thicker opaque sheet of paper.

(Rand McNally, 1955) An educational tin lithograph globe featuring Disney characters such as Mickey, Minnie, Goofy, and Donald Duck, highlighting different locations with interesting facts. Measuring 8" in diameter and 10" tall, the globe displays in very good condition with light spots of wear and oxidation, and a light dent to Alaska.

(Whitman, 1951/61/63) Three unused Walt Disney Punchout books published by Whitman. Included are an Alice in Wonderland Punchout, a Babes in Toyland Great Big Punchout, and a Sword in the Stone Punch-Out, each with eight complete full-color card stock pages of perforated characters, props, and sets. Measuring from the 10” x 14” Sword in the Stone to the 11.25” x 22.25” Babes in Toyland, the books display in good condition with surface and edge wear, creasing along the spines, dulled corners, a 1.5” crease to the lower right cover of Alice in Wonderland, a water stain along the top edge of the back cover of Babes in Toyland, and light discoloration from age.

(Disney, 1950s) A pair of Jiminy Cricket and Professor Owl original production cels. The Professor Owl cel is from the March 27, 1959, "Walt Disney Presents” episode "Toot, Whistle, Plunk, and Boom,” and the Jiminy Cricket cel is from one of his many televised appearances. Jiminy has an image size of 2.75” x 4” and Professor Owl has an image size of 3.25” x 3.5” on a 6.25” x 9.25” visible cel. The entire matted piece measures 9” x 12”. The cels are in fair to good condition with heavy cracks to Professor Owl, paint loss, and scratches. The matte displays discoloration from age, edge wear, and spotting.

(Disney, 1950s) An original production cel of Jiminy Cricket from an unknown television appearance. The cel was slightly trimmed at the studio, placed on a color copy background, and matted in preparation for sale at the Art Corner in Disneyland. It is still in its original matte and retains the original Art Corner gold label on the reverse. Jiminy’s image size is 4.25” x 5.5” on a slightly trimmed 12” x 10” cel. The entire matted piece measures 12” x 14”. The artwork is in good condition with paint loss in Jiminy’s hat and umbrella handle, and some cracking in his shoes.

(Disney, 1950s) An original production cel of Jiminy Cricket from one of his many television appearances. The cel was originally sold at the Art Corner in Disneyland, and still has the original backing with the Art Corner gold label on the reverse. Jiminy has an image size of 3.5” x 4” on a 6.25” x 9.25” visible cel. The entire matted piece measures 9” x 12”. The piece is in fair condition with paint cracks on Jiminy's sleeves and hands, bleed around the hat, paint loss, and scratches.

(Disney, 1950s) An original production cel of Donald Duck from a late 1950s television appearance. The cel was slightly trimmed at the Studio and matted in preparation for sale at the Art Corner in Disneyland. It is still in its original matte and retains the original Art Corner gold label on the reverse. Donald’s image size is 5.5” x 6.5” on a slightly trimmed 5.5” x 7.5” visible cel. The entire framed and matted piece measures 10” x 12”. The piece displays in good condition with light scratches, paint tracking, and heavy transfer, particularly to the arm. The frame displays in very good condition with light scuffs and wear.

(Disney, 1959-1964) A very large collection of hundreds of Disney movie theatrical trailer slides. Before the digital age, it was a common practice to splice frames out of trailers to source still images. Included in the lot are slides from "The Shaggy Dog,” "Darby O’Gill and the Little People,” "The Absent-Minded Professor,” "Babes in Toyland,” "The Legend of Lobo,” "In Search of the Castaways,” "Son of Flubber,” "The Sword in the Stone,” "The Moon-Spinners,” and "Mary Poppins.” Measuring 0.75” x 1” each in 2” x 2” mattes, the slides are in good to fine condition with scratches and wear.

(Disney, 1960) An original production cel of Jose Carioca from the "Walt Disney Presents” episode "Two Happy Amigos,” which aired February 5, 1960. Jose has an image size of 4” x 6” on a 12.5” x 15” cel. The piece is in good condition with light scratches, line loss, wear from production use, and paint loss, particularly to the hat.

(Disney, 1960s-70s) A pair of original Jiminy Cricket and Tinker Bell production cels from unknown Disney Television productions. The cels were sold at the Art Corner in Disneyland, trimmed and attached to the original backing board with the Art Corner’s gold label on the reverse. Tinker Bell has an image size of 1.75” x 1.75” and Jiminy has an image size of 4” x 5” on a 9” x 11.5” visible cel. The entire framed and matted piece measures 18.75” x 21”. The cel is in fair condition with paint cracks, light warping, and heavy paint bleed and water damage to Tink. The frame is in good condition with light wear and a sticker on the glass.

(Disney, 1960s) An original production cel of Dale from an unknown Disney TV appearance. The cel was slightly trimmed at the studio, paired with a color copy background, and originally sold at the Art Corner in Disneyland. It retains the original backing with the Art Corner gold label on the reverse. Dale has an image size of 5” x 7.5” on a slightly trimmed 8” x 10” animation cel. The entire matted piece measures 11” x 14”. The artwork is in good condition with light scratches on the cel, some separation in the paint in Dale’s left arm, and a small chip near his elbow.

(Disney, 1960s) An original production cel of Donald Duck from a Disney TV production. The cel was slightly trimmed at the studio and placed on a color copy background in preparation for sale at the Art Corner in Disneyland. The Art Corner gold label has been retained and is included with the piece. Donald has an image size of 7.25” x 4.25” on a trimmed 10.25” x 12.25” animation cel. The cel displays in fair condition with light line loss, paint loss to Donald’s right eye and tip of beak, discoloration from pigment loss, near total transfer of paint from cel to background, staple holes along the top edge which do not affect the image, and light warping from age.

(Disneyland, 1961) An incredibly rare preview record for "The Sounds of America," a Bell Telephone Hour special that aired on NBC, live from Disneyland on February 17th, 1961. The LP record holds a promotional preview of the hour-long television special that would "capture the sounds that mean America," through music and song, in the most exciting setting ever built - Disneyland. Measuring 10.25” x 10.25”, the album is in very good condition with creases, ink smudges, and wear, while the 10” in diameter record is in very good condition with light scratches.

(Disney, 1961) A lobby card from the original theatrical release of "Babes in Toyland,” featuring Tommy Sands and Disney Legend Ed Wynn. Measuring 11” x 14”, the lobby card is in good condition with creases, scratches, and edge wear.

(Disney, 1961) An original production cel of Pongo and Freckles from "One Hundred and One Dalmatians,” with a color copy background. Pongo and Freckles have an image size of 4.25” x 6.75” on a 9.25” x 13.25” visible cel. The entire framed and matted piece measures 20.5” x 24.5”. The cel displays in very good condition with light line loss and scratches. The frame is in good condition with wear, scuffs, and scratches throughout.

(Disney, 1961) An original production cel of Pongo from "One Hundred and One Dalmatians.” The cel was originally sold at the Art Corner in Disneyland, and still has the original backing with the Art Corner gold label on the reverse. Pongo has an image size of 5.25” x 5.5” on a 6.25” x 9.25” visible cel. The entire matted piece measures 9” x 12”. The piece is in poor condition with heavy paint loss, scratches, paint bleed and chipping, streaks, and discoloration from age to the matte.

(Disney, 1964) An original production cel of Nanny from "One Hundred and One Dalmatians” sold at the Art Corner in Disneyland. The cel was placed on a color copy background at the Studio and retains the original backing with the Art Corner gold label on the reverse. Nanny has an image size of 3.5” x 6.75” visible on an 8” x 10” background. The entire matted piece measures 11” x 14”. The cel is in very good condition with light warping, while the matte exhibits tape residue and scrapes at the bottom corners and light wear.

(Disney, 1961) An original production cel of Colonel from "One Hundred and One Dalmatians” with a color copy background. This cel was sold at the Disneyland Art Corner, and retains the original Art Corner gold label on the reverse. Colonel has an image size of 5” x 6.75” on a 7.75” x 10.5” visible cel. The entire matted piece measures 13.5” x 16.5”. The cel displays in good condition with paint cracking and transfer from the cel to the background on the tongue, nose, and lower left body, and light warping from age.

(Disney, 1990s) A vinyl bank of Perdita and puppies from "One Hundred and One Dalmatians," signed in black marker by Perdita's voice artist, Lisa Daniels. Measuring 6" x 9" x 5.5" tall, the bank is in very good condition with light wear and scuffs from display.

(Disney, 1961) An original production cel of Ludwig Von Drake from the "Walt Disney’s Wonderful World of Color” episode, "The Hunting Instinct." The cel with a color copy background was originally sold at the Art Corner in Disneyland and still has the original backing with the Art Corner gold label on the reverse. Ludwig has an image size of 6.5” x 4.25” on an 8” x 10” visible cel. The entire matted piece measures 12” x 14”. The piece displays in very good condition with paint transfer from cel to background on the lower right side of Ludwig’s coat and center tip of the beak, and edge wear, stains, and discoloration to the matte.

(Disney, 1962) An original production cel of Ludwig Von Drake from the "Walt Disney's Wonderful World of Color” episode "Carnival Time,” which aired March 4, 1962. Ludwig has an image size of 7.25” x 4.75” on a 12.5” x 15” cel. The cel displays in very good condition with light warping from age and very light paint wear throughout.

(Disney, 1962) An original production cel of Ludwig Von Drake from the "Walt Disney’s Wonderful World of Color” episode "Carnival Time.” Ludwig has an image size of 5.5” x 5.25” on a 6” x 8.5” visible cel. The entire matted piece measures 11.25” x 13.25”. The piece is in very good condition with light warping from age and a light scuff to the frame.

(Disney, 1962) An original production cel of Donald Duck, Jose Carioca, and Ludwig Von Drake from the "Walt Disney’s Wonderful World of Color” episode, "Carnival Time.” Presented with a color copy background, this cel was sold at the Disneyland Art Corner, and comes with the original Art Corner gold label on the back of the matte. The characters have an image size of 4.25” x 3.5” on an 8” x 10” visible cel. The entire matted piece measures 12” x 14”. The piece displays in good condition with a 0.75” vertical cut through Donald’s head, warping from age, and discoloration and creasing to the matte.

(Disney, 1963) An original production drawing of Merlin from Walt Disney’s 1963 feature, "The Sword in the Stone,” hand-signed by Disney Legend Ollie Johnston. Merlin’s image size is 8.5” x 8.5” on untrimmed 12.5” x 15.5” animation paper. The artwork is in very good condition with only light wear from age.

(Disney, 1963) An original production cel from "Cri-Cri el Grillito Cantor,” a biopic about songwriter Francisco Gabilondo Soler. This cel was originally sold at the Art Corner in Disneyland, with the Art Corner gold label still on the reverse. The character has an image size of 6” x 7.5” on a 7.5” x 11” visible cel. The entire matted piece measures 11” x 14”. The cel is in good condition with light warping, scratches, and spots of paint loss and cracking. The matte exhibits discoloration from age and wear, particularly to the corners.

(Disney, 1964) An original production cel from the fox hunting scene in "Mary Poppins.” The characters have an image size of 8.5” x 15.25” on an 11.25” x 15.5” visible cel. The entire framed and matted piece measures 20.25” x 24.25”. The piece displays in very good condition with light warping, and the frame in good condition with scuffs and wear.

(Disney, 1964) An original production cel of two hounds from the "Mary Poppins” fox chase scene, sold at the Art Corner in Disneyland. The cel was placed on a color copy background at the Studio and retains the original backing with the Art Corner gold label on the reverse. With an image size of 5” x 9.5” in a 9.5 "x 11” visible window of a 15” x 15.25” matte, the piece displays in good condition with cracks throughout and light warping to the cel and light edge wear to the matte.

(Disney, 1964) An original production cel of the fox from the "Mary Poppins” fox chase scene. This cel was originally prepared for sale at the Art Corner in Disneyland, trimmed and attached to a color copy background, with the Art Corner gold label still on the reverse. The fox has an image size of 4.5” x 7.75” on a 9.75” x 11.25” visible background. The entire matted piece measures 15” x 15.25”. The piece displays in good condition with paint bleed, cracks, and light warping, and edge wear to the matte.

(Atencio, 1980) A drawing of a "Mary Poppins” penguin butler by Disney Legend X. Atencio, signed and dated with a personalized dedication to super-collector Alan Hylton. Accomplished in colored markers on vellum and measuring 8.5” x 11”, the drawing is in fine condition.

(Disney, 2000s) A limited edition "Mary Poppins and Merry Penguins” giclee print signed by Julie Andrews and the artist Toby Bluth. This artist proof labeled AP 6/10, measures 11.75” x 13.25”, and is in very good condition with stains to the top right corner and light edge wear.

(Disney, 1965) An original production cel from the animated educational film "Goofy’s Freeway Troubles.” This cel was sold at the Disneyland Art Corner, paired with a cel of two birds and a color copy background, and retains the original Art Corner gold label on the back. Goofy and the birds have an image size of 4.75” x 5.25” on a 7.25” x 9.25” visible background. The entire framed and matted piece measures 13.25” x 15.75”. The cel is in good condition with light warping, paint lifting, and scratches, while the frame exhibits scuffs and wear.

(Disney, 1965) An original multi-layer production cel of Donald Duck from the educational short, "Steel and America.” This cel, paired with a color copy background, was sold at the Disneyland Art Corner, and retains the original Art Corner gold label on the reverse of the matte. Donald has an image size of 2.5” x 2.5” on a 6.25” x 8.25” visible background. The entire matted piece measures 10” x 12”. The piece displays in very good condition with light warping from age and wear, and discoloration to the matte.

(Disney, 1960s) An original hand-drawn "Walt Disney’s Scamp” daily comic strip. Distributed by King Features Syndicate, the strip followed the adventures of Lady and Tramp’s son, Scamp. Measuring 20” x 6.75”, the four-panel strip accomplished in color pencil displays in good condition with a 1” tear to the bottom center edge, a horizontal fold down the center, and discoloration from age.

(Gold Key, 1967) A collection of six original pages of preliminary drawings for the "Puppy Performer” story from issue #9 of "Walt Disney’s Scamp” comic by Al Hubbard. Measuring 10” x 12.5” each, the graphite drawings are in good condition with light edge wear and creasing, three horizontal creases from folding, and light discoloration from age.

(Disney, 1966) The original drawing for the August 7, 1966, "Walt Disney’s Scamp” Sunday comic strip titled "Scamp & Nappy” comprised of several pieces of paper clipped and arranged together. Accomplished in graphite and red pencil on vellum and measuring 15.75” x 22.75”, the strip displays in good condition with light creasing and edge wear, cuts from production and tears ranging from 0.25” x 0.25” to 1” x 1”, two vertical and horizontal center creases from being folded, and discoloration from age.

(Disney, 1967) An original development drawing by Ken Anderson of Shere Khan of "The Jungle Book.” Anderson drew inspiration for the villain Shere Khan from actor Basil Rathbone. With an image size of 5” x 8.25” on trimmed 5.25” x 9.25” animation paper adhered to 7.25” x 11.25” artist board, the ink and paint drawing is in very good condition with light creases, and the artist board has light wear and discoloration from age.

(Disney, 1967) An original development drawing by Ken Anderson of Shere Khan from "The Jungle Book.” Anderson’s sketches reminded Walt of character actor George Sanders, who was then cast for the role. With an image size of 5” x 8.25” on trimmed 5.25” x 9.25” animation paper adhered to 7.25” x 11.25” artist board, the ink and paint drawing is in very good condition with light creases, with the artist board displaying light wear and discoloration from age.

(Disney, 1967) An original character development drawing of King Louie by Disney Legend Ken Anderson for Walt Disney’s 1967 feature film "The Jungle Book.” Accomplished in ink and watercolor with an image size of 5.75” x 7.75” on 7.5” x 9” heavy paper adhered to 8.5” x 10” artist board, the piece is in very good condition with light scrapes and edge wear.

(Disney, 1967) An original character development drawing of King Louie by Disney Legend Ken Anderson for Walt Disney’s 1967 feature film "The Jungle Book.” Accomplished in ink and watercolor with an image size of 4.75” x 7.75” on trimmed 6.75” x 10” heavy paper adhered to 8” x 11.25” artist board, the piece displays in very good condition with light stains, scuffs, and edge wear.

(Disney, 1967) An original Mowgli and Kaa multi-layer production cel from "The Jungle Book,” with a color copy background. The piece was sold at the Disneyland Art Corner and retains the original backing with the Art Corner gold label on the reverse. Mowgli and Kaa have an image size of 6.75” x 9” on a 7.75” x 9.75” visible background. The entire framed and matted piece measures 13.5” x 15.5”. The cel is in good condition with light warping, paint bleed, scratches, spots of paint loss, and wear from production use. The frame is in very good condition with light wear and a sticker on the glass.

(Disney, 1967) A one-sheet for the original theatrical release of "The Jungle Book.” Due to its overwhelming popularity, the film was re-released in theaters many times for audiences craving "The Bare Necessities.” Measuring 27” x 41”, the poster displays in very good condition with light creases, folds, edge wear, and a yellow ink spot near the center.

(Disney, 1978) A one-sheet for the 1978 theatrical re-release of "The Jungle Book,” signed in blue marker by voice actor Clint Howard. Measuring 27” x 41”, the poster displays in very good condition with light creases, wear along the folds, discoloration from age, and a stain to the bottom right edge.

(Sawyer’s, 1960s) A View-Master Walt Disney Cartoon Theatre set by Sawyer’s. Included with the set are a theatre, a View-Master Junior Projector, and ten 14-scene reels of images from "One Hundred and One Dalmatians,” "Peter Pan,” "Pinocchio,” "Snow White,” "Sleeping Beauty,” "Bambi,” and "Lady and the Tramp,” as well as characters like Mickey Mouse, Donald, Pluto, and Goofy. The projector did not work when tested and lacks the focusing dial on the lens barrel. Measuring 12” x 7” x 15.25” tall with its original 12.75” x 7.5” x 16” box, the theatre is in fair condition with heavy tears and creases, notably at the top, along with scuffs, scrapes, and wear from age and use, while the original box is also in fair condition with heavy water damage, creases, tears, and wear from shipping. The reels are in very good condition with light wear.

(Gabriel Toy Co., 1960s) An Official Mouseketeers Mickey Mouse AM transistor radio with the original box, earplug, battery, and detachable antenna. The radio powered on when tested, but needs servicing to function properly. Measuring 4.75” x 5” x 1” thick, the radio displays in good condition with light scuffs. The 6” x 7” x 1.5” tall box displays in fair condition with heavy wear throughout, writing in pen and grease pencil on the top and bottom, tape residue stains inside, and a 2” x 1” area of paper loss to the top right corner.

(Disney, 1960s) A collection of four mechanical watch faces of Disney characters. Included are faces featuring Minnie Mouse, Pinocchio, Cinderella, and Snow White with Dopey. Measuring 0.75” in diameter, the watch faces range in fair to very good condition with light scratches, light discoloration, and heavy tarnish to the Minnie face.

(Disney, 1969) A 33 ⅓ RPM "The Love Bug” record with narration by star Buddy Hackett and an 11-page illustrated booklet of the film’s story. Measuring 12.5” x 12.5”, the sleeve and record are in very good condition with light wear.

(Colgate-Palmolive, 1950s-60s) A box set of Soaky Soap Bars by Colgate-Palmolive. Included are 9 of the 24 original soap bars, each with an image of a Disney character on the wrapper, and a colorful folded activity page. Ranging in size from the 1.5” x 2.25” soap bars to the 12” x 12” activity page, in the original 5” x 5” x 1.5” box, the items display in very good condition with creases, light discoloration from age, and wear, with light perforation on the front of the box.

(Disneyland Records, 1978) A plastic store display sign for Disneyland Records, designed to fit atop an LP record bin. Measuring 15.5” x 28.25” the sign is in good condition, with wear from use including scuffs and scratches.

(Gulf, 1961-1969) A Gulf presenting "Walt Disney’s Wonderful World of Color” foldable paper pennant. Gulf sponsored the anthology show following its move from ABC to NBC. Measuring 3.5” x 11”, the pennant displays in very condition with light scratches, stains, wear, and discoloration from age.

(Disney/USPS, 1968-1989) A collection of five United States Postal Service issued stamped envelopes commemorating Walt Disney and other Park-related events, signed by members of the Disney family and key members of the company. Signatures include Michael Eisner on a Disneyland 30th anniversary Skyfest cover, Sharon Disney Lund and Roy E. Disney, each on a First Day of Issue cover for the Walt Disney stamp, Disney Legend Tony Baxter on an opening of Splash Mountain cover, and Imagineer Bill Justice on a cover for Orcoexpo, a Southern California postal stamp show. Measuring 6.5” x 3.5” each and presented in a matted frame measuring 15.5” x 17.5”, the covers display in fine condition with light smudging to Roy’s signature.

(Disney, 1969) An insert poster for the original theatrical release of "The Computer Wore Tennis Shoes.” Measuring 14” x 36” in an 18.5” x 40.5” frame, the poster is in good condition with creases throughout, light scuffs, and edge wear. The frame is in good condition with scuffs, scratches, and wear.

(Disney, 1974-1977) A very large collection of hundreds of Disney movie theatrical trailer slides. Before the digital age, it was a common practice to splice frames out of trailers to source still images. Included in the lot are slides from "The Island at the Top of the World,” "Winnie the Pooh and Tigger Too,” "Escape to Witch Mountain,” "One of Our Dinosaurs is Missing,” "No Deposit, No Return,” "Gus,” "Freaky Friday,” "The Littlest Horse Thieves," "The Many Adventures of Winnie the Pooh,” "Herbie Goes to Monte Carlo,” "The Rescuers,” and "Pete’s Dragon.” Measuring 0.75” x 1” each in 2” x 2” mattes, the slides are in good to fine condition with scratches and wear.

(Disney, 1970) A multi-layer production cel from "The Aristocats.” A Roquefort cel is paired with a cel overlay of the yellow keyboard from the classic "Ev’rybody Wants to Be a Cat” scene. The piece has an image size of 5” x 12.5” on a 9” x 13” visible cel. The entire matted piece measures 14” x 18”. The piece displays in good condition with paint cracks, scratches, stains, paint transfer and loss, particularly on Roquefort’s arm, and scuffs and tape on the matte.

(Disney, 1970) An original production cel of Thomas O'Malley from "The Aristocats," with a color copy background. The cel was originally sold at the Art Corner in Disneyland and retains the original Art Center gold label on the reverse. Thomas O’Malley has an image size of 3.75" x 6" in the 12" x 14" matte. The cel displays in good condition with some cracking and lifting to the paint, particularly along Thomas's back and the right side of his face, as well as some waviness to the cel from age.

(Disney, 1970) An original multi-layer production cel of Abigail and Amelia Gabble from "The Aristocats.” Abigail and Amelia have an image size of 6.5” x 6.5” on an 8” x 10” visible cel. The entire matted piece measures 12.25” x 14.25”. The cel is in good condition with light scratches and wear from production use.

(Hell Publishing, 1971) Air Pirates Funnies Vol. 1 No. 1 and Vol. 1 No. 2 comic books, the only ones released in the series. The comic books are not intended for children and contain themes of sex and drugs with Disney characters. This led to a well-known lawsuit between the Air Pirates cartoonists and Disney. Measuring 7.25” x 10.25” each, the comic books are in very good condition with light handling wear and a blue pen inscription on No. 1’s cover.

(Disney, 1971) A rare gift from the premiere of "Bedknobs and Broomsticks.” The brass doorknob is adhered to a wood base, with "Bedknobs & Broomsticks 1971” engraved on the handle. Measuring 6.75” in diameter and 4.5” tall, the piece is in good condition with scratches, scuffs, and wear.

(Disney, 1973) A one-sheet for the 1973 re-release of "The Aristocats,” featuring an "Oriental Cat, Voice - Paul Winchell” sticker not common to these posters. Measuring 27” x 41”, the poster is in good condition with creases, wear along the folds, separation at the center folds, stains, and discoloration from age.

(Disney, 1973) An original production cel of Prince John from "Robin Hood,” signed by Disney Legend Ollie Johnston in black marker. Prince John has an image size of 6.5” x 6.75” on an 8.5” x 10.75” visible cel. The entire framed and matted piece measures 19.25” x 21.25”. The laminated cel is in fair condition with light stains, scratches, and typical heavy wear and waviness from the lamination process. The frame is in good condition with scuffs and wear.

(Disney, 1977) An original theatrical poster for "Herbie Goes to Monte Carlo,” signed by Don Knotts in black marker. Measuring 30” x 40”, the poster displays in very good condition with edge wear, folds, and heavy pinholes to the bottom right.

(Disney, 1977) An original theatrical one-sheet for "The Rescuers.” Measuring 27” x 41”, the poster is in good condition with edge wear, creases, wear along the folds, discoloration from age, and a blue pen inscription on the reverse.

(Disney, 1977) An original production cel of Madame Medusa from "The Rescuers,” with a color copy background. Madame Medusa has an image size of 4.5” x 10.5” on a 12.5” cel adhered to a 12.5” x 16.5” cel. The piece is in very good condition with light wear and scratches.

(Disney, 1977) An original production cel of Madame Medusa from "The Rescuers.” Madame Medusa has an image size of 8” x 8.5” on a 10.5” x 13.5” visible cel. The entire framed and matted piece measures 16.5” x 20.5”. The cel is in good condition with light stains, scratches, and warping. The frame is in good condition with scratches, scuffs, and wear.

(Disney, 1977) An original theatrical release one-sheet for "Pete’s Dragon.” Measuring 27” x 41”, the poster is in very good condition with wear along the folds, creases, and light discoloration from age to the border.

(Disney, 1977) An original insert poster for the 1977 theatrical re-release of "The Boatniks” starring Phil Silvers. Measuring 14" x 36" in an 18.25” x 40.25” frame, the poster is in good condition with horizontal creases from folding, edge wear, and scuffs to the frame.

(Disney, 1978) An original one-sheet poster for the Disney Summer releases "The Cat from Outer Space,” "The Jungle Book,” and "Welcome to Bloodshy.” Measuring 27” x 41”, the poster displays in good condition with typical wear and creases along the original folds, small areas of tape on the corners, crossfold separation, and light discoloration from age.

(Thermos, 1980s-90s) A Winnie the Pooh and Piglet lunch box and Thermos, each signed by Christopher Robin voice actor Jon Walmsley in purple marker and Roo voice actor Clint Howard in black marker. The lunchbox measures 8.75” x 4” x 7.75” tall, and the Thermos 6.75” tall and 3.25” in diameter, both in good condition with scratches throughout, stains, and light wear.

(Disney, 1980s) A collection of over 200 Walt Disney Productions mailing labels. 32 labels are designated for First Class mail, while the remaining labels are marked for Merchandise. Measuring 3.25” x 6.25” each, the labels are in very good to fine condition with light handling wear, some bending from storage, and several with spots of discoloration.

(Disney, 1981) An original production cel of Vixey from "The Fox and the Hound.” Vixey has an image size of 3.5” x 5.25” on a 12.5” x 16” cel. The cel is in good condition with scratches, paint cracks to the forehead, and stapled to 12” x 16” animation paper with discoloration from age.

(Disney, 1980s-90s) An original production cel from an unknown Goofy television commercial. Goofy has an image size of 5.5” x 5.75” on a 7.5” x 9.5” visible cel. The entire framed and matted piece measures 14.5” x 17.5”. The cel is in fine condition, and the frame is in good condition with scuffs and wear.

(Video Games Live, 2000s) A large red TRON lightcycle prop, which was "ridden” across the stage during performances of the touring concert Video Games Live. This lightcycle was also on display at Disney’s 30th anniversary celebration of TRON, held October 27, 2012 at Grauman’s Chinese Theatre. Measuring 90” x 12” x 34” tall, the prop is in very good condition with scuffs, stains, and wear from production use. Due to size and weight, special shipping arrangements are required. Please inquire before bidding.

(Disney, 1983) An original production cel of Scrooge McDuck as Ebenezer Scrooge from "Mickey's Christmas Carol." The cel has been laminated and paired with a background established in line work on a secondary cel. Scrooge’s character image size is 4.25” x 3.5” on an 11” x 15” visible cel. The entire matted piece measures 16” x 20” and is in very good condition with light scratches and wear.

(Disney, 1983) An original production cel of Scrooge McDuck from "Mickey’s Christmas Carol.” The cel has been laminated and is presented with a secondary cel featuring a background established in line work. Scrooge has an image size of 9.5” x 7.75” on a 12.5” x 16” cel. The entire matted piece measures 16” x 20”. The piece displays in fine condition with a light smudge to the matte.

(Disney, 1983) An original production cel of Scrooge McDuck as Ebenezer Scrooge from "Mickey’s Christmas Carol.” The cel is paired with a background established in line work on a secondary cel. Scrooge has an image size of 7” x 7.25” on a 12.25” x 15.5” cel adhered to a 13” x 16” cel. The cel displays in good condition with heavy cracks throughout, spots of paint loss and lifting, a staple at the top left, and wear.

(Disney, 1983) An original production cel of Scrooge McDuck as Ebenezer Scrooge from "Mickey's Christmas Carol." Scrooge has an image size of 6” x 4.25” in a 16” x 20” matte. The cel is in very good condition with minor spots of lifting to the paint around the edges of the character image due to lamination.

(Disney, 1983) An original production cel of Willie the Giant as the Ghost of Christmas Present from "Mickey’s Christmas Carol.” Willie has an image size of 8.5” x 12” in a 10.5” x 14.5” visible opening. The entire matted piece measures 16” x 20”. The cel is in good condition with scratches, and scuffs, and edge wear to the matte.

(Disney, 1984) A complete collection of 14 vouchers for passage aboard the "Duck One” plane during Donald Duck’s 50th Birthday Tour. The tour traveled to 15 cities across the nation, starting with a flight from Burbank to San Jose and ending with a trip from Dallas to Orange County, home of Disneyland. Every ticket is numbered 072 and is specific to each leg of the trip. Measuring 3.5" x 8.5" each, the vouchers are in good condition with light handling wear, including small scuffs to some edges.

(Disney, 1985) An original theatrical one-sheet for "The Black Cauldron,” based on The Chronicles of Prydain book series by Lloyd Alexander. Measuring 27” x 41”, the poster is in very good condition with wear along the folds and light creases.

(Disney, 1986) An original multi-layer production cel of Dawson and the smoking mouse from "The Great Mouse Detective.” The cel has been placed over a matching background established in line work on a secondary cel. The characters have an image size of 8.5” x 14” on 12” x 16” cel layers. The piece displays in good condition with minor lifting to the paint around the edges of the character image, and a staple in the top left corner with tape at several points around the edges. The cel layer of Dawson appears to have vinegar syndrome and may have been laminated.

(Disney, 1987) An original "DuckTales” production cel with three matching drawings of Uncle Scrooge McDuck, Huey, Dewey, and Louie from the episode "Ducks of the West.” The characters have image sizes of 3.25” x 1.5” to 4.75” x 2” on an 8” x 11.25” visible cel. The entire matted piece measures 14.5” x 18.5”. The cel and frame are in good condition with near total line loss and scuffs to the frame. The graphite drawings on 9.5” x 12.5” animation paper display in good condition with paint residue from contact with a cel and are stapled together at the top left corner.

(Disney, 1987-90) An original production cel and drawing from "DuckTales” of Uncle Scrooge McDuck protecting his Number One Dime. Each with a character image size of 7” x 5.25” on an 8” x 7” visible area in a 14.25” x 21.75” matted frame, the cel and graphite drawing are in very good condition with light line loss to the cel and light scuff to the frame.

(Disney, 1988) An original production cel of Jenny and Oliver at the piano from "Oliver & Company.” Jenny and Oliver have an image size of 6.5” x 10.75” on a 9.25” x 15.5” visible background. The entire framed and matted piece measures 18” x 24.5”. The piece is in very good condition with light scratches and wear to the frame.

(Gibbs, 1988-90) A collection of four photocopies from the portfolio of George Gibbs relating to his special effects work on "Who Framed Roger Rabbit.” Included are a recommendation letter from the film's director, Robert Zemeckis, two certificates for Special Effects award nominations—one for an Academy Award and another for the Academy of Science Fiction Fantasy and Horror Films—and a certificate for winning the British Academy Award for Best Special Effects. Measuring 11.75” x 8.25”, the photocopies are all in fine condition.

(Disney, 1988) An original one-sheet for the theatrical release of "Who Killed Roger Rabbit." Measuring 27" x 40", the poster is in very good condition with creasing along the right edge.

(Disney, 1989) A one-sheet poster for the short film "Tummy Trouble" starring Roger Rabbit and Baby Herman. Measuring 27" x 41", the poster is in very good condition with areas of minor creasing along the edges.

(Disney, 1989) An original theatrical one-sheet for "The Little Mermaid." Measuring 27" x 41", the poster is in very good condition with some edge wear, including two small 1/4" tears along the upper right edge and one at the lower left.

(Disney, 1989) An original multi-layer production cel of Ariel from "The Little Mermaid” paired with a color copy background. Ariel has an image size of 6.75” x 4.75” on an untrimmed 12.5” x 16” cel over a 13” x 19” background. The cel is in fine condition.

(Disney, 1989-90) A revised draft script for "The Rescuers Down Under” dated May 11, 89, and written by Karey Kirkpatrick and Byron Simpson. This version bears slight differences from the final film, ending not with Marahute, but with Bernard and Bianca flying home with Orville. Measuring 8.5” x 11”, the 89-page script is in good condition with wear mainly on the cover including water damage, paper loss, stains, edge tears up to 0.5”, and discoloration from age.

(Disney, 1980s-90s) A collection of twenty-six sheets of Disney film letterhead stationery. Included are letterheads from "The Muppet Christmas Carol," "Fantasia," "Pinocchio," "The Lion King," "Pocahontas," "Snow White and the Seven Dwarfs," "Jungle 2 Jungle," "Aladdin," "Masterpiece Collection," "The Jungle Book," "The Jungle Book: Mowgli's Story," and "Sleeping Beauty." Measuring 11" x 8.5" each, the stationery is in very good condition with minor edge wear.

(Disney, 1990s) A Walt Disney Company employee exclusive serigraph featuring the Fab Five released as part of a fundraiser for CalArts. With an image size of 7.5” x 10” in a 9” x 11” visible window of an 11.75” x 15” matte, the serigraph with a color copy background is in very good condition with light scratches.

(Disney, 1992) A Walt Disney Studios Facilities, Production & Post Production Services booklet with phone numbers and information for the Moulding, Staff, and Paint Shops, the Buena Vista Audio/Visual and Editing services, and more. The 16-page booklet also comes with a tri-fold brochure for the Golden Oak Ranch. Measuring 12" x 9", the booklet is in very good condition with light discoloration from age along the top edge, as well as expected edge wear from use.

(Disney, 1991) A one-sheet for the original theatrical release of "Beauty and the Beast." Measuring 27" x 40", the poster is in very good condition with some creasing marks along the edges, particularly at the lower left.

(Disney, 1992) A one-sheet for the original theatrical release of "Aladdin." Measuring 27" x 41", the poster is in very good condition with some edge wear, including two less than 1/4" tears on the right edge and light creasing at the bottom center.

(Disney, 1992) A one-sheet for the original theatrical release of "Aladdin." Measuring 27" x 40", the poster is in very good condition with some edge wear, including two small 0.25" tears along the upper right edge.

(Disney, 1993) An original one-sheet poster for the short "Trail Mix-Up" starring Roger Rabbit and Baby Herman. Measuring 27" x 40", the poster is in very good condition with minor wear along the right edge, including two 1/4" tears.

(Disney, 1994) A one-sheet for the original theatrical release of "The Lion King." Measuring 27" x 40", the poster is in very good condition with a 1" tear at the lower right.

(Disney, 1995) A one-sheet for the Mickey Mouse short "Runaway Brain." Measuring 27" x 40", the poster is in fine condition with minor wear along the right edge.

(Disney, 1993) An original multi-layer cel and a pair of production drawings from the "Bonkers” episode "In the Bag.” The cel of Bonkers D. Bobcat and Detective Lucky Piquel is paired with a color copy background and presented with the graphite and colored pencil drawings of the characters in a custom-framed display. With image sizes of 8.25” x 10.25” in 8.5” x 10.5” visible windows of the 16.5” x 42” frame, the piece is in good to very good condition with creases and spots of paint loss to the cel, while the frame displays in very good condition with light wear and scratches throughout.

(Disney, 1995) An original production layout drawing from "Pocahontas" featuring John Smith and Thomas. With an image size of 10" x 15" on 12.5" x 17" animation paper, the graphite drawing is in good condition with some areas of creasing to the paper along the left side and minor smudging to the graphite from storage.

(Disney, 1995) A Walt Disney Company Employee Policy Manual and a Cast Member letter in the original envelope. The 95-page manual details company policies, including chapters on Benefits, Wage and Salary, and Standards of Performance and Conduct. Measuring 8.5” x 5.5”, the manual is in very good condition, with minor wear to the edges from storage.

(Giuseppe Armani, 1998) A fine art sculpture of Goofy by artist Giuseppe Armani. Measuring 6.5” x 4” x 11” tall, the resin sculpture displays in very good condition with light stains and a visible repair to the left ear.

(Disney, 1998) A large animator's maquette of Chien-Po from "Mulan." This maquette of the gentle giant was sculpted by Tony Cipriano for animators' reference at the Studio, with "CP-13” written on the bottom of the base. Measuring 13.5” tall and 9" in diameter, the maquette displays in very good condition with scuffs and wear from production use.

(Disney, 1993) An original stop-motion animation puppet of The One Hiding Under the Stairs from the opening musical number of "Tim Burton’s The Nightmare Before Christmas.” The impressive screen-used puppet is composed of hand-painted foam over a complex metal armature. Measuring 8” x 7.5” x 11” tall, the puppet displays in fair condition with wear from production use, heavy paint loss, cracks, exposed armature and foam up to 1”, missing its black eyeball spots and hair, and pieces of its head broken off, particularly at the neck.

(Disney, 1991) A production-used script copy for "Tim Burton’s The Nightmare Before Christmas." The 82-page script is bound with two brads and has the production title handwritten on the left edge, with fax markings dating it to August 7, 1991, at the top of the page. Measuring 11" x 8.5", the script is in very good condition with some edge wear at the corners, and a few spots of discoloration on the final page.

(Disney, 1993) An original storyboard panel of Behemoth for "Tim Burton’s The Nightmare Before Christmas.” Measuring 5.5” x 8”, the mixed-media drawing is in very good condition with minor edge wear, pinholes to the top edge from production use, and a circular sticker to the lower left corner that reads "23E.”

(Disney, 2011) A figure of Jack Skellington, Sally, and a hidden Zero from "The Nightmare Before Christmas," created by artist Keri Murphy. Zero is revealed when a small door on the reverse that reads "RIP” is opened. Measuring 6" x 6.75" at the base and 13.5" tall, the figure is in very good condition with a small spot of paint transfer and loss where the tombstone door has come into contact with the pumpkin at the side.

(Disney, 1993) A prop potion bottle from production of "Hocus Pocus," likely used as set dressing for the Sandersons' cottage. Measuring 3.5" tall, the glass prop is in good condition with speckling, chipping, and discoloration to the painted detail around the bottle.

(Disney, 1993) A costume witch’s cloak from production of "Hocus Pocus.” The cloak was considered for Kathy Najimy’s character or Bette Midler, as the internal tag is marked "BM #3.” However, the cloak was not used in the final film. The cloak is not sized and is in very good condition with some wear from age.

(Disney, 1996) A brass tankard crew gift and bandana from the "Muppet Treasure Island,” starring Tim Curry. The tankard has the film’s logo etched into the front, and the bandana is screen-printed with an image of Spa'am, chief of the native island pigs. Measuring 3.5” in diameter and 5.25” tall and housed in a 6.75” x 6.75” x 4.25” velvet-lined presentation box, the tankard displays in very good condition with tarnish and light stains to the box. The bandana measures 21” x 21” and is in fine condition.

(Disney, 1990s) A swatch of Kermit the Frog puppet fabric, a photo transparency, and a crew gift Jim Henson medallion. The transparency was used for the 1997 Muppet Parody Calendar: The Sequel and the solid sterling silver medallion, given to the crew, features an embossed Jim Henson signature and Kermit with faux green jewels for eyes. Measuring from the 1.5” x 1.5” medallion to the 5” x 3.75” transparency, the items display in very good condition with light stains to the reverse side of the fabric, light scratches to the transparency, and light tarnish to the medallion.

(Disney, 1996) A collection of production materials and props from "Muppet Treasure Island.” Included are a reference photocopy blueprint for the Hispaniola, two prop gold-toned plastic doubloons and a prop faux jewel rimmed brass bowl, and a premiere screening invitation and button. Measuring from the 1.25” diameter doubloons to the 18” x 17” photocopy, the items display in good to very good condition with light edge wear and creasing to the photocopy and invitation, light wear and stains to the doubloons and button, and tarnish to the bowl.

(Henson, 1990s) A Kermit the Frog fabric sample with a photo transparency of Kermit in a leather jacket used for a Muppet Profiles trading card. Measuring 7” x 10” and 4” x 5”, the fabric and transparency are in very good condition with typical pilling and wear to the sample and scratches to the transparency.

(Disney, 1990s-2000s) A collection of fabrics, props, and tools from Jim Henson’s Creature Shop. Included are a tool roll with nine fabrication tools, a Creature Shop T-shirt, a hand-written note from Cheryl Henson on her personal Jim Henson Productions stationery, a pair of muppet-sized prop glasses, two floral embroidery patches, and 26 samples of different fabrics used for Miss Piggy costumes. The tool roll measures 8” x 11.25” unrolled, the shirt a size "L”, and the glasses 2.75” x 3” and 1” tall, all in very good to fine condition with minor handling wear. The fabrics range in size from 4.5” x 4.5” to 35.5” x 51” and are in very good condition with fraying to the edges.

(Columbia, 1999) A multi-signed "Muppets from Space” theatrical one-sheet and six original graphite concept drawings of Gonzo’s spaceship. Director Timothy Hill and visual effects producer Thomas G. Smith signed the poster with dedications in silver marker. Also included is a printed copy of a spaceship concept drawing. Measuring 27” x 40”, the poster displays in good condition with edge wear and tears, scratches, creases, and a 3.5” tear that has been repaired with tape on the reverse. Measuring from 11” x 11” to 18” x 24”, the concepts are in good to very good condition with discoloration from age, tears up to 1.75” long, and pinholes from production use.

(Disney, 1996) A collection of 13 photocopy costume concepts and a spyglass from "Muppet Treasure Island.” Included are costume designs for Gonzo, Animal, Dr. Teeth, Rizzo, Sam the Eagle, Long John Silver, and more. The spyglass was held by Kermit in a photo for the film's promotional brochure. Measuring 8.5” x 11” each, and 1.75” diameter and 5.5” long, the items are in very good condition with light handling wear to the concepts, and stains to the spyglass.

(Henson, 1980s) A publicity photo of Miss Piggy for The Muppet Show: On Tour! and a prop ring worn by Miss Piggy for one of her many promotional shoots. Measuring 3.75” x 6.75” and 0.75” in diameter, the photo and ring are in very good and fine condition with light handling wear and scratches to the photo.

(Henson, 1980s) A photo transparency of Miss Piggy recreating "The Birth of Venus" and a silver prop ring worn by her for a photo shoot. This Sandro Botticelli recreation was featured in the 1984 Miss Piggy's Art Masterpiece calendar. Measuring 4” x 5” and 1” in diameter, the photo transparency and ring are in very good condition with light scratches to the transparency and light oxidation to the ring.

(Henson/Disney, 1980s/2015) A silver prop ring worn by Miss Piggy in one of her many photoshoots and a patch from Gonzo’s Evel Knievel costume, seen in "The Muppets” episode "Going, Going, Gonzo.” Ranging in size from the 0.75” in diameter ring to the 2” x 3” patch, the props are in good to very good condition with pinholes and wear to the patch from production use and light scratches on the ring.

(Henson, 1980s) A prop ring worn by Miss Piggy in one of her many photoshoots and a page of her "personal” scratch-n-sniff stationery. Also included is a matching envelope with the address of Henson Associates’ headquarters in New York City. Measuring 8.5” x 11” and 1” diameter, the stationery and ring are in very good condition with light wear to the ring and creases to the stationery. The scratch-n-sniff feature has not been tested.

(Henson, 1980s) A collection of 14 faux pearl necklaces for the glamorous Miss Piggy. Ever the diva, Piggy wore many different jewelry combinations for photo shoots, productions, and press opportunities. Ranging in size from 7” to 18” long, the faux jewelry is in good to very good condition with loose pearls, separation to one’s "Love” charm, and wear from use.

(Henson, 1980s-2000s) A collection of 18 costume jewelry bracelets worn by Miss Piggy in promotional photoshoots. Ranging in size from 2” to 5” in diameter, the faux pearl, jewel, and beaded bracelets are in good to very good condition with light oxidation from age and wear.

(Henson, 1980s) A Miss Piggy costume design, fabric sample, and a prop faux pearl necklace and ring worn in one of her many photoshoots. The costume artwork is accomplished in colored pencil on vellum and stapled with a rose-pattern fabric sample onto a heavy paper photocopy of Miss Piggy. Ranging in size from the 0.75” in diameter ring to the 8.5” x 11” costume design, the items are in very good condition with light wear, fraying on the fabric, and a fold at the bottom left corner of the vellum.

(Henson, 1980s-2000s) A large collection of items related to The Muppets. Included are a Miss Piggy costume glove, four pea pod props, a "Muppet Babies” merchandise color composition reference photo, a publicity photo of Jim Henson, ten pages of studio stationery featuring Miss Piggy, a "The Muppet Show” season 3 pamphlet, six pages of concept art photocopies for the never-produced series "Starboppers,” a "The Muppets” movie tech scout itinerary dated November 2nd, 2010, and a May 22, 1999 read-through draft script for the "Mopatop’s Shop” episode "Helping Hands,” signed by and Mosey Mouse puppeteer Nigel Plaskitt and Muppet Workshop puppeteer "Paul,” whose last name is illegible. Ranging in size from the 3.5” long pea pods to the 11” x 15” pamphlet, the items are in fair to very good condition with handling wear, color fading to the pea pods, heavy water damage and paper loss to the pamphlet, wear, and creases to the paper documents.

(Pixar, 1997-98) A collection of early development documents for "Monsters, Inc.” Included are an outline, memo, and pitch text dated June 12, 1997, along with a beautiful 75-page pitch book telling a very early, different version of the film’s story through text and color prints of concept art. This version featuring Johnson and Mary instead of Sulley and Boo, is much darker than the realized film. Mary is a troublesome pre-teen, unlike toddler Boo, and while Johnson clearly evolved into Sulley, there is no sign of a Mike Wazowski character. The memo on Pixar letterhead is signed by Pete Docter, Ralph Eggleston, and Allison Murphy. Also included is a full 77-page script dated March 26, 1998 representing another very different step in the development of the feature film that would not be released for another three years. Ranging in size from the 8.5” x 9.25” memo to the 10” x 11” pitch book, the items are in good to very good condition with creases, scratches, discoloration from age, light stains, and wear from production use.

(Pixar, 1998-2001) A revised first draft script of "Monsters, Inc.” by Andrew Stanton, dated November 23, 1998. Included are two internal memos concerning script changes to "Hidden City," the production's code name, with the changes highlighted throughout the script. Measuring 8.5” x 11”, the 93-page script is in very good condition with light handling wear and highlights from production use.

(Pixar, 1996-98) An early draft for "A Bug’s Life” dated June 12, 1996. In this unfinished version, Heimlich is named Happy and the script ends with the text "ACT THREE IDEAS???” Measuring 8.5” x 11”, the 82-page script displays in very good condition with light handling wear and a stain on the bottom edge, while the cover has stains and creases.

(Pixar, 2002-06) A first draft script for "Cars” dated April 12, 2002, and written by John Lasseter, Joe Ranft, and Jorgen Klubien. At this stage of development, the hero who we know as Lightning McQueen is called "Monte Carlo." The script is watermarked for Kathleen Gavin and includes two Studio stationery pages from her desk. Measuring 8.5” x 11”, the 168-page script is in very good condition with light handling wear, while the cover exhibits light creases, an ink inscription on the front, stains on the back, and wear from production use.

(Disney, 1990s-2000s) A clapperboard-shaped "Mickey’s Toy Shoppe” sign for a Disney Store display. Measuring 17.5” x 17.25” x 0.75”, the foamcore sign displays in good condition with light scratches and a 2.25” crack at the top.

(Disney, 1990-2000s) A clapperboard-shaped "Lone Chipmunks” sign originally displayed at the Disney Store. Measuring 17.5” x 17.25” x 0.75”, the foamcore sign displays in good condition with light scratches, a 2.25” crack at the top with paint loss, and a 0.25” chip at the bottom center edge.

(Disney, 1994-2000s) A hand-painted Disney Store double-sided wooden display of adult Simba and Nala from "The Lion King.” Measuring 17” x 14” and 1.5” thick, the display is in good condition with scratches, light stains, and wear from store use.

(Disney, 1990s-2000s) A hand-painted Disney Store double-sided wooden display of Ariel and Flounder from "The Little Mermaid.” Measuring 17” x 14” and 1.5” thick, the piece displays in very good condition with light scratches, scuffs, and wear from store use.

(Disney, 1990s-2000s) A hand-painted Disney Store "One Hundred and One Dalmatians” wooden double-sided display. Measuring 17” x 14” and 1.5” thick, the piece is in good condition with pinholes, scratches, and wear from store use.

(Disney, 1990s-2000s) A Royal Crest-themed wooden display of Pluto wearing a crown and holding a bone originally displayed at the Disney Store. Measuring 14.75” x 14” and 1.5” thick, the piece displays in very good condition with scratches, wear, inscriptions on the reverse, and spots of paint loss.

(Disney, 1992-2000s) A hand-painted Disney Store double-sided wooden display featuring Aladdin, Jafar, Jasmine, Rajah, Abu, and the Sultan from "Aladdin.” Measuring 17” x 14” and 1.5” thick, the piece is in very good condition with light scratches, stains, and wear from store use.

(Disney, 1990s-2000s) A hand-painted Disney Store double-sided wooden display of Snow White from "Snow White and the Seven Dwarfs.” Measuring 17” x 14” and 1.5” thick, the piece displays in very good condition with light scratches, pinholes, a large scuff resulting in creasing, and wear from store use.

(Disney, 1990s-2000s) A Royal Crest-themed hand-painted Disney Store display featuring Mickey as a knight. Measuring 15” x 18” and 2” thick, the plaque displays in very good condition with scratches, wear, inscriptions on the reverse, and spots of paint loss.

(Disney, 1987-2000s) A collection of four multi-colored Disney Store bird display figures. These types of birds were caged in a "Sleepy Time Donald” display. Measuring 4” x 3.25” x 8” tall each, the birds are in good to very good condition with scuffs, spots of paint loss, tap residue, paint chips, stains, scratches, and wear from store use.

(Disney, 1988) An original Disney Store display figure of Donald’s nephew, Huey. This figure was part of a display titled "Earthquack,” where Donald’s nephews rode in a mine cart, with Huey hanging off the edge from the handbrake. Measuring 16.5” x 8” x 8”, the figure is in fair condition missing the clothing, cracks ranging from 0.25 to 3.5” throughout, two holes in the center chest from mounting screws, a screw in the head, a 3.5” strip of adhesive residue along the forehead from the detached but included hat, stains and a hole in the hat, and the tail broken off. Due to size and weight, special shipping arrangements are required. Please inquire before bidding.

(Disney, 1987-2000s) An original Disney Store display figure of Goofy wearing a pilot-style jacket. Measuring 31” x 25” x 18”, Goofy displays in very good condition with light chips and scuffs, the hat has detached but is included, chips to the nose which have been repaired, and a light crack running the 7” circumference of the neck. Due to size and weight, special shipping arrangements are required. Please inquire before bidding.

(Disney, 1990s) An original Disney Store display figure of Pete dressed as a cowboy and clutching a fistful of Scrooge McDuck dollars. Measuring 30” x 27” x 28”, the figure displays in very good condition with light chips and scuffs, light oxidation to vest and hat buttons, staining to the paints, tears to the dollar bills, and a 3” crack on the underside of the left foot which is not visible when displayed. Due to size and weight, this item requires special shipping arrangements. Please inquire before bidding.

(Disney, 1990) A pair of original Disney Store display figures of Gadget and Monterey Jack from the hit television series "Chip ‘n Dale Rescue Rangers.” Ranging in size from 8.5” x 6” x 15” tall to 20” x 10.5” x 19” tall, the figures display in good condition with paint chips and loss, tape residue, stains, scuffs, wear from store use, cracks including a full repaired crack on Gadget’s neck, and Gadget’s tail loose. Due to size and weight, special shipping arrangements are required. Please inquire before bidding.

(Disney, 1987-2000s) An original Disney Store display figure of the March Hare from "Alice in Wonderland.” Measuring 21.5” x 13.5” x 28”, the figure displays in very good condition with light chips, including a 0.75” x 0.25” chip to the right shoe, and scuffs. Due to size and weight, this item requires special shipping arrangements.

(Disney, 1987-2000s) A pair of Disney Store Mickey Mouse award statue display figures. Measuring 35” x 20” x 10”, the flat-backed statues display in very good condition with light scuffs and one with a 1” x 0.75” area of adhesive residue to the left ear. Due to size and weight, this lot requires special shipping arrangements. Please inquire before bidding.

(Disney, 1994-2000s) A Disney Store display figure of Timon and Pumbaa. "The Lion King” stars are seen recreating "Aladdin,” with Timon as Prince Ali and the pair on top of a magic carpet. Measuring 23” x 21” x 35” tall, the figure displays in very good condition with intentional holes from display, a visible repair to a break at the base of Timon’s feather, paint chips, scuffs, spots of paint loss, a 1” crack on Timon’s left hand, and light tears in the carpet. Due to size and weight, special shipping arrangements are required. Please inquire before bidding.

(Disney, 1987-2000s) An original Disney Store display figure of Donald Duck playing the tambourine. This figure was part of a scene titled "Mickey’s Magical Music Shoppe” featuring beloved Disney characters in medieval attire and playing instruments. Measuring 16” x 29” x 34” tall on a 20” x 7” x 16” base for a full height of 41”, the figure displays in very good condition with light oxidation on the tambourine metal, most of the tambourine cover torn and missing, scuffs, wear from store use, and heavy cracks on the chair up to 8” long. Due to size and weight, special shipping arrangements are required. Please inquire before bidding.

(Disney, 1987-2000s) An original Disney Store display figure of Uncle Scrooge McDuck with two prop stacks of movie reel canisters. Measuring 12.5” x 12” x 31” tall on a 20” x 16 x 6.5” custom base for a full height of 37.5”, Scrooge displays in very good condition with light chips, scuffs, a small screw hole in the left shoulder and spots of adhesive residue on the hat. The reel stacks measure 12.5” x 14” x 16.5” and 14” x 18” x 16.5” and are in very good condition with light chips, scuffs. Due to size and weight, special shipping arrangements are required. Please inquire before bidding.

(Disney, 1987-2000s) An original Disney Store display figure of Goofy holding a hammer featured in a "Lonesome Ghosts” scene. Measuring 20” x 25” x 35” tall on a 20” x 16" x 7" base for a full height of 41.5”, the figure is in very good condition with typical scuffs, spots of paint loss, and wear from store display. Due to size and weight, special shipping arrangements are required. Please inquire before bidding.

(Disney, 1987-2000s) An original Disney Store display figure of Mickey Mouse. This figure was part of a scene titled "Mickey’s Magical Music Shoppe” featuring beloved Disney characters in medieval attire playing instruments. Measuring 15” x 13” x 33.75” tall on a 20” x 16” x 6.5” base for a height of 21.5”, the figure displays in very good condition with light scuffs and chips, light discoloration to the pants and collar, and adhesive residue on the left hand. Due to size and weight, this item will require special shipping arrangements. Please inquire before bidding.

(Disney, 1987-2000s) An original Disney Store Goofy figure featured in a "Mickey and the Beanstalk" display. Measuring 25” x 13”x 48” tall on a 20” x 16” x 6.5” custom base for a full height of 54.5”, the figure displays in very good condition with light scuffs, cracks with paint chips up to 1.5” on the left shoe and back of the neck, a 2.25” x 1.5” area of adhesive residue to the belt’s velvet pouch with light tarnish to the buckle, and light adhesive residue to the ears. Due to size and weight, this item will require special shipping arrangements. Please inquire before bidding.

(Disney, 2000) A one-sheet poster for the home video release of "The Tigger Movie" on August 22, 2000. Measuring 27" x 40", the poster has been mounted to foamcore and is in good condition with some wear on the edges, including tape and tape residue. The original DVD release date has been covered by a printed correction, and there are two holes used for mounting at the top.

(Disney, 2000s) A patriotic medium fig of Mickey Mouse by Disney artist Costa Alavezos. Measuring 13.5” tall with an 8” diameter detached base, the resin piece is in very good condition with scuffs and light wear.

(Disney, 2000s) A pair of Tiffany-style Mickey Mouse silhouette floor lamps. Originally sold by Disney Shopping, these downward-facing stained glass lampshades feature Mickey Mouse heads in a green, red, and yellow pattern. The lamp’s light function and pull switches worked when tested. Measuring 57” tall and 16” in diameter, the lamps display in very good condition with light scratches, scuffs, and wear.

(Disney, 2000s) A Tiffany-style Mickey Mouse floor lamp originally sold by Disney Shopping. The beautiful glass shade, patterned with Mickey Mouse heads, screws onto the metal neck and base. The lamp's light function and on/off button worked when tested. Measuring 70” tall and 16” in diameter, the floor lamp is in very good condition with light wear and oxidation.

(Disney, 2002) An original one-sheet poster for the theatrical release of "The Country Bears." Measuring 27" x 40", the poster is in very good condition with creasing along the right edge.

(Disney, 2002) An original production drawing of Lilo hula dancing from "Lilo & Stitch.” Measuring 3.75” x 6” on 12.5” x 17” animation paper, the graphite and colored pencil drawing is in very good condition with light creases.

(Pixar, 2004) A UK premiere invitation with a mask and a lucite crew gift paperweight from "The Incredibles.” Embedded in the lucite cube paperweight are three 35mm film frames featuring Edna Mode with Mrs. Incredible from the film. Measuring 5” x 8.25” and 2” x 2” x 2”, the invitation and paperweight are in very good condition, with some light edge wear and adhesive residue to the invitation, as well as some scuffs to the surface of the paperweight.

(Disney/Pixar, 2004) A large page of two removable vinyl decals for "The Incredibles.” Included are one large decal of Frozone and one small decal of the Incredibles logo. Measuring 27" x 40" overall, with Frozone measuring 23” x 38” and the logo 10” x 14”, both decals are in good condition with scratches, scuffs, and wear.

(Disney, 2004) A pair of large "National Treasure” Declaration of Independence promotional prints and 36 pages of stationery featuring an early version of the film’s title treatment. Ranging in size from the 8.5” x 11” stationery to the 18” x 22” prints, the items are in very good condition with light creases, handling wear, and ink smudging along the edges of some pages.

(Disney, 2006) A “Mickey as the Sorcerer’s Apprentice” magical big fig by Disney artist Richard Sznerch. The figure’s light-up features, which require 3 AA batteries (not included), worked when tested. Measuring 18” x 8.5” x 19” tall, the figure displays in good condition with scratches, scuffs, spots of paint loss, material loss on the robe, discoloration, and wear.

(Disney, 2020s) Three costume pieces and a crew sticker from production of "The Mandalorian.” Two of the metal and leather pieces are wrist guards, and the third is a jagged necklace. The decal is for the Legacy Effects Crew from Season 1 & 2 and features Grogu. Ranging in size from the 3” in diameter sticker to the 13” long necklace, the items are in good to very good condition with scratches on the decal and typical wear from production use.

(Lionel, 2005) A W. E. Disney Railway Passenger Train set from Lionel. The set includes a die-cast metal locomotive that emits smoke from the smoke stack, one plastic coal car, three plastic passenger cars featuring illuminating silhouettes of Disney characters in the windows, a 40-watt transformer control with forward, reverse, and train whistle functions, track sections including eight curved and three straight, one power terminal section, and an instruction manual. Limited to an edition of 1000, the set with cars ranging from 7.25” x 3.25” x 2.25” to 11” x 3” x 2.25”, is in fine, tested condition with all functions working properly. The set is packaged in its 25.5” x 8.25” x 18” original box, in good condition with scratches and wear.

(Disney, 2003) A gorgeous wooden vanity prop for Elizabeth Swann's bedroom in "Pirates of the Caribbean: The Curse of the Black Pearl." Though this prop is not seen on screen, it is labeled in white marker on the bottom as "E. Swann Bedroom" and was used as set decoration in the film's early scenes. The vanity has a single drawer and a lid with a built-in mirror, which can be folded back for use or stored flat. Measuring 13" x 8.5" and 7.25" tall, the vanity is in very good condition with some scratches to the wood and metal fixtures, as well as general tarnish either from age or intentional distress.

(Disney, 2003) A collection of props from the Isla de Muerta treasure hoard in "Pirates of the Caribbean: The Curse of the Black Pearl.” Included are an ornate glass bowl with gold accents, two metal gravy boats, and over 100 multi-colored plastic jewels. Ranging in size from a 0.75” in diameter jewel to the 8.25” in diameter and 7” tall glass bowl, the props are in good to very good condition with light stains, oxidation from age, and wear from production use.

(Disney, 2003) A collection of unfinished props and production materials from "Pirates of the Caribbean: The Curse of the Black Pearl.” The props include a silicone mold for ingots and coins with four unpainted resin casts, over 200 faux jewels with a spool of "pearls" on a string, a bag of gold-toned sequins, and a gold-toned metal cross with a duplicate unpainted resin cast. The production materials include an unused page of Jerry Bruckheimer stationery themed to the film, and a press kit with 15 pages of press releases and photos. Measuring from the 0.25” x 0.25” jewels to the 9” x 12” press kit, the items are in good to fine condition, with the unfinished props showing typical wear from production use.

(Disney, 2003) A collection of props from the Isla de Muerta treasure in "Pirates of the Caribbean: The Curse of the Black Pearl.” Included are a teapot, three pitchers, and two sugar bowls, all made of nickel silver. Ranging in size from a 1.5” x 2.5” pitcher to the 9.75” x 8.5” teapot, the items all display in very good condition with light tarnish and wear from production use.

(Disney, 2003) A Buena Vista International clock and four props from "Pirates of the Caribbean.” The glass and metal Benchmark clock commemorates a successful 2003 at the studio, with blockbuster film titles "Finding Nemo,” "Bruce Almighty," and "Pirates of the Caribbean” etched onto the surface. The props include a wooden chest and three metal pieces of Spanish gold, all from the Isla de Muerta treasure in "Curse of the Black Pearl.” Ranging in size from the 5.5” long gold props to the 6” x 7” clock, the items are in good to very good condition with light stains, wear from production use, and the clasps on the chest broken.

(Disney, 2003/2006) A collection of Isla de Muerta treasure props from "The Curse of the Black Pearl,” a "Dead Man’s Chest” premiere guest pass, and a crew gift shirt from the franchise. The Isla de Muerta treasure includes a pewter belt and three Aztec brass ornaments in a suede pouch. The pass is for the World Premiere of the second film at Disneyland on June 24, 2006. Measuring from the 1.25” x 1.25” Aztec ornaments to the 2.75” x 27.75” belt, the props are in very good condition with light wear from production use. The shirt labeled a size "Adult L” and the premiere pass are both in fine condition.

(Disney, 2003) A large collection of over 100 plastic multi-colored jewels and a gold metal tray, all used as Isla de Muerta treasure props in "Pirates of the Caribbean: The Curse of the Black Pearl.” Ranging in size from a 0.75” in diameter jewel to the 13” x 17” tray, the props are in good to very good condition with oxidation from age, dents, scratches, typical wear from production use, and glue residue and a foam pad on the bottom of the tray.

(Disney, 2003) A collection of "Pirates of the Caribbean: The Curse of the Black Pearl” props from the Isla de Muerta treasure hoard. Included are a teapot, three pitchers, and a sugar bowl, all made of nickel silver. Ranging in size from a 3.25” x 2” pitcher to the 7.5” x 9” teapot, the items all display in very good condition with light tarnish and wear from production use.

(Disney, 2003) A collection of eight Isla de Muerta treasure props from "Pirates of the Caribbean: The Curse of the Black Pearl.” Included are two plates, one bowl, two serving trays with lids, and three lidless serving trays. Ranging in size from 8” in diameter to 12.25”, the nickel silver treasure props are in fair to good condition with oxidation from age, scratches, scuffs, and wear from production use.

(Disney, 2003) A collection of props from the Isla de Muerta treasure hoard in "Pirates of the Caribbean: The Curse of the Black Pearl.” Included are over 150 glass and plastic faux jewels, a nickel silver serving platter and sugar bowl, and a copper serving fork, butter knife, and saucière. Ranging in size from a 0.25” x 0.25” jewel to the 11” x 14” platter, the items all display in very good condition with light tarnish and wear from production use.

(Disney, 2003) A collection of six Isla de Muerta treasure props from "Pirates of the Caribbean: The Curse of the Black Pearl.” Included are two champagne flutes, a coupe champagne cup, a cocktail glass, and three bowls. One of the champagne flutes is seen on-screen during Captain Barbossa’s death scene. Ranging in size from 3.25” in diameter and 4.25” tall to 2.75” in diameter and 9” tall, the props display in good to very good condition with intentional distress, oxidation, and typical wear from production use.

(Disney, 2003) A collection of Isla de Muerta treasure props from "Pirates of the Caribbean: The Curse of the Black Pearl.” Included are 15 gold-painted lava rocks, a polished brass chalice, and a nickel silver serving tray. Ranging in size from a 2.5” x 1.5” rock to the 19.25” diameter platter, the items all display in very good condition with light tarnish and wear from production use.

(Disney, 2003) A crew gift hat and a collection of Isla de Muerta treasure props from "Pirates of the Caribbean: The Curse of the Black Pearl.” The props include a faux bejeweled brass goblet and gold-toned cross, and two faux jewel rings in a velvet-lined box. The hat is labeled "one size fits most” and is in very good condition with light stains and wear. The props range in size from the 0.75” x 1” rings to the 4” diameter and 6” tall goblet, and display in good condition with tarnish, two missing faux jewels to the cross, and one missing faux jewel from the goblet. The goblet jewel is included.

(Disney, 2003) An Isla de Muerta treasure prop chalice with a leather case, and a doubloon presented in a custom display from "Pirates of the Caribbean: The Curse of the Black Pearl.” The brass chalice measures 3.25” in diameter and 8” tall in a 6.5” x 6.5” x 12” leather case with a velvet lining, and both display in good condition with tarnish to the chalice and scuffs and tears to the case. Measuring 1.5” in diameter in a 13.75” x 16.5” matted frame, the doubloon is in fine condition with a light scuff to the frame.

(Disney, 2000s) A pendant of a cursed Aztec gold coin from "Pirates of the Caribbean” on a black cord. Measuring 0.75” in diameter and 9” long in its original 2.25” x 2.75” x 1.25” box, the piece is in very good condition with light wear and a sticker to the bottom of the box.

(Disney, 2003/07) A hero prop necklace used for Isla de Muerta treasure close-ups in "The Curse of the Black Pearl." Also included are a compass gift from Disneyland’s premiere of the first film, and an invitation to the premiere of "At World’s End” at the El Capitan Theatre on May 21, 2007. Measuring 2.25” x 1.75” on a 14.25” long chain, the sterling silver necklace is in very good condition with light wear and scuffing. The 3.5” x 3.5” x 1” compass and 5” x 7” invitation are both in very good condition with a chip to the varnish of the compass and light handling wear.

(Disney, 2003-2007) A crew gift V-neck shirt and a mermaid serving dish prop from the Pirates of the Caribbean film franchise. The shirt was made for crew members who worked on the Oscar-winning special effects for "Dead Man’s Chest” and its sequel "At World’s End,” while the prop is from the Captain’s quarters of The Black Pearl. Labeled a size M, the shirt is in fine condition. The 6.25” tall and 7.25” in diameter prop is in good condition with intentional distress, oxidation from age, and wear from production use.

(Disney, 2003/2006) Three prop rings and a goblet from production of "The Curse of the Black Pearl.” Also included is a crew gift shirt from the 2006 update of Pirates of the Caribbean at Disneyland and Walt Disney World. With the release of "Dead Man’s Chest,” the beloved attraction saw an extensive refurbishment with the addition of several Audio-Animatronic figures of Jack Sparrow and Captain Barbossa. Measuring 0.75” in diameter to 2.75” and 5.75” tall, the plastic and metal props are in very good condition with light oxidation. The shirt is labeled a size XL and is in very good condition with light cracking to the front graphic.

(Disney, 2006/07) A collection of East India Trading Company props, similar to those seen in the office of Lord Cutler Beckett, from "Dead Man’s Chest” and "At World’s End.” Included are a glass goblet and bowl, and a wooden box with the East India Trading Company insignia. Inside the box are a key and a piece of linen with the same East India insignia. The 6.5” tall goblet, 6.75” in diameter bowl, and 9.5” x 14” x 2.25” box are in good condition with some paint loss and discoloration to the gold detail on the dishes, and some scratches and chips to the box.

(Disney, 2006-2007) Three props from the production of the "Pirates of the Caribbean” sequels, "Dead Man’s Chest” and "At World’s End.” The props included are a wax seal, two paper Spanish milled dollars, and a wooden keepsake box. Ranging in size from the 3.5” tall and 1” in diameter wax seal to the 5” x 7.5” x 3.5” tall keepsake box, the items are in fair to very good condition with light scratches, discoloration, wear, scuffs, and heavy cracks on the lid of the box. ES

(Disney, 2006-2007) A "Pirates of the Caribbean” prop rum bottle. This type of bottle is seen in multiple sets in the sequels "Dead Man’s Chest” and "At World’s End,” including the Flying Dutchman and Tia Dalma’s shack. Measuring 7.5” tall and 5.5” in diameter, the glass bottle is in good condition with typical wear from production use, stains, scuffs, and a crack around the entire neck.

(Disney, 2006-2007) A glass rum bottle and a small glass bottle filled with sand, both props from the "Pirates of the Caribbean” sequels "Dead Man’s Chest” and "At World’s End.” These types of bottles appear in Tia Dalma’s shack and on many pirate ships throughout the films. Measuring 9.75” tall and 3” in diameter, and 2.5” tall and 2.5” in diameter, the bottles are in very good condition with intentional distress, scratches, stains, and wear from production use.

(Disney, 2006-2007) A pair of prop rum bottles from production of the "Pirates of the Caribbean” sequels, "Dead Man’s Chest” and "At World’s End.” These types of bottles are seen in the Flying Dutchman, the Black Pearl, and Tia Dalma’s shack in the films. Ranging from 9” to 9.5” tall and both 2.5” in diameter, the glass bottles are in fair to good condition with scratches, cracks, stains, intentional distress, and wear from production use.

(Disney, 2006-2007) A pair of prop rum bottles from production of the "Pirates of the Caribbean” sequels, "Dead Man’s Chest” and "At World’s End.” Rum bottles, beloved by Captain Jack Sparrow, are seen on the films’ ships and at many of the crew’s ports of call. Measuring 9.5” tall and 2.75” in diameter and 11.75” tall and 3.5” in diameter, the glass bottles are in good condition with scratches, intentional distress, and wear from production use.

(Disney, 2006) A "Pirates of the Caribbean: Dead Man’s Chest” production call sheet and prop rum bottle. The call sheet is dated February 28, 2005, for a scene in the Black Pearl’s rum locker with principal actors Johnny Depp as Jack Sparrow and Stellan Skarsgard as Bootstrap Bill. The call sheet measures 8.5” x 14” and the glass bottle is 13” tall and 3.25” in diameter, both in good condition with creases, folds, and wear to the sheet, and intentional distress and typical wear from production use to the bottle.

(Disney, 2003-2017) A large collection of 63 prop coins from production of the Pirates of the Caribbean movie franchise. The coins come in a variety of shapes, colors, and sizes, but feature similar embossed imagery based on early Spanish currency. Ranging in size from 1” to 2” in diameter, the metal props are in very good condition with light wear from production use.

(Disneyland, 2006) A large collection of keepsakes from the "Pirates of the Caribbean: Dead Man’s Chest” world premiere event at Disneyland, held June 24, 2006. Included are a press badge, a schedule badge, two "Dead Man’s Chest” special Blue Bayou menus, five world premiere buttons, a "Dead Man’s Chest” Disney Dollar, two Disneyland guidemaps, a one-page printout of event photos, and over 100 plastic coins used as decorations at the event. Also included are A Celebration of Pirates merchandise event brochure, a "Black Pearl” DVD release promo pendant, a press folder for the first film, and ten metal treasure props from the films. Ranging in size from a 1.25” in diameter plastic coin to the 11” x 17” menus, the items are in good to very good condition with light creases, scratches, scuffs, stains, oxidation, edge tears on the menus, and wear.

(Disney, 2017) A prop metal lock box and resin gold ingot prop from production of Jack Sparrow’s bank heist scene in "Pirates of the Caribbean: Dead Men Tell No Tales.” The lock box measures 6.25” x 4” x 2.75” tall, in good condition with intentional distress, scuffs, and oxidation, and the 4.75” x 2” x 1” tall ingot is in very good condition with light wear from production use.

(Disney, 2002) Three of the very first concept drawings of undead pirate crew members from "Pirates of the Caribbean: The Curse of the Black Pearl” by the film’s creative consultant, James Byrkit. While the designs would undergo many changes throughout the film’s production, they retained the haunting spirit of these first drawings. Measuring 9” x 12” each, the ink drawings display in very good condition with light edge wear and a 0.25” area of paper surface loss to the Captain drawing.

(Disney, 2004) A concept drawing for a cursed Davy Jones crew member from "Pirates of the Caribbean: Dead Man’s Chest” by the film’s conceptual artist, James Byrkit. This early concept provides a unique look into the incorporation of aquatic flora and fauna to create a horde of undead pirates to serve aboard The Flying Dutchman. Measuring 9” x 12”, the graphite drawing is in fine condition.

(Disney, 2004) A concept drawing for an undead member of Davey Jones’ crew from "Pirates of the Caribbean: Dead Man’s Chest” by the film’s conceptual artist, James Byrkit. Measuring 9” x 12”, the drawing is in fine condition.

(Disney, 2004) A storyboard drawing of Jack Sparrow, Will Turner, Elizabeth Swann, and James Norrington digging up the Dead Man’s Chest in the second Pirates of the Caribbean film. The film’s creative consultant and storyboard artist, James Byrkit, accomplished the drawing in graphite. Measuring 9” x 12”, the drawing is in fine condition.

(Disney, 2004) A "Dead Man’s Chest” storyboard drawing of Captain Jack Sparrow during the epic Kraken battle aboard the Black Pearl. The film’s creative consultant and storyboard artist, James Byrkit, accomplished the drawing in graphite. Measuring 11” x 17”, the drawing is in fine condition.

(Disney, 2004) A storyboard drawing of the "At World’s End” Island meeting scene by the film’s storyboard artist and creative consultant James Byrkit. The drawing features the film’s main cast of Elizabeth Swann, Jack Sparrow, Captain Barbossa, Cutler Beckett, Davy Jones, and Will Turner. Measuring 9” x 12”, the graphite drawing is in fine condition.

(Disney, 2004) A concept drawing of a shipwreck set from "Dead Man’s Chest” by the film’s creative consultant and storyboard artist, James Byrkit. Measuring 11” x 17”, the graphite and blue pencil drawing on vellum displays in fine condition.

(Disney, 2004) A storyboard drawing of the maelstrom battle in "At World’s End” by the film’s storyboard artist James Byrkit. The panels depict the fearsome Captain Barbossa at the wheel of the Black Pearl as it is being pulled into the maelstrom. Accomplished in graphite on velum and measuring 11” x 17”, the drawing is in fine condition.

(Disney, 2004) A storyboard drawing from "Dead Man’s Chest” by the film’s storyboard artist James Byrkit. This drawing of the Kraken attacking the Black Pearl can be seen on page 104 of The Art of Pirates of the Caribbean book published by Disney Editions. Accomplished in graphite and measuring 14” x 17”, the drawing is in fine condition.

(Barks, 1970s) A concept sketch for Carl Barks' "Bad Bird from Bodie" painting, signed by Barks at the bottom right. The drawing varies slightly from the final painting, with differences in hand placement and other small details. Measuring 11"x8.5", the drawing is in fine condition with minimal edge wear.

(Barks, 1970s) An original concept layout drawing for the Carl Barks painting "Nashville's Founding Feathers," signed by Barks at the bottom right. Measuring 8.5” x 11”, the graphite drawing is in very good condition with an area of red discoloration to the left edge.

(Disney, 1980s) A print of Donald Duck signed by Clarence Nash and Tony Anselmo, the character’s voices. Nash originated the role of Donald Duck in 1934 and trained Anselmo himself, who took over after Nash's passing in 1985. This framed print is signed with dedications by Nash in blue pen and Anselmo in blue marker. With a visible image of 17.75” x 23.75” in a 26.25” x 34” framed matte, the piece is in good condition with creases, smudging on the Anselmo dedication, light bleed from the hand-marked black matte border, and light wear to the frame.

(Disney, 1983) A collection of twenty-four large, colorful reproductions of covers from Walt Disney's Comics and Stories, featuring Donald Duck. An additional forty-two covers are reproduced on the reverse of the large prints, along with additional art from Carl Barks. The envelope containing the prints is signed in the center by Barks. Measuring 9.25" x 12.75" in the 10" x 15" envelope, the prints are in fine condition with minor edge wear. The envelope is in good condition, with small tears along the edges.

(Disney, 1984) A Walt Disney’s Donald Duck: 50 Years of Happy Frustration book. The 96-page special edition hardcover book comes complete with its slipcover and reproductions of letters from Clarence Nash, Jack Hannah, and Carl Barks. Measuring 9.5” x 10.75”, the book and slipcover display in very good condition with light scratches, stains, and wear, while the 7.25” x 0.5” letters are in good to very good condition with creases, light discoloration from age, edge wear, and stains on the reverse of one.

(Disney, 1985) A collection of large, colorful reproductions of the first twenty-one covers of the Walt Disney’s Uncle Scrooge comics. An additional print of the slipcover for "The Carl Barks Library" is included, with one-page gags and commentaries on the reverse of the prints. The envelope containing the prints is signed in the upper left by Barks. Measuring 9.25" x 12.75 in the 10" x 15" envelope, the prints are in fine condition with minor edge wear. The envelope is in good condition, with small tears along the edges.

(Disney, 1989) A collection of ten lithographic prints of preliminary concepts and idea sketches of the Duck family, by Carl Barks. Barks signed the included certificate of authenticity, and each lithograph is hand numbered 268/500 and initialed by Barks. Ranging from 9.75" x 10.75" to 14.5" x 16.75" in the 17.5" x 15.25" folder, the prints are in fine condition with minimal wear and some spots of creasing to the folder, which do not affect the contents.

(Disney, 1990s-2000s) A Disney Consumer Products portfolio for a "That’s Donald!” merchandise line in Europe. Inside the large portfolio, themed to Donald’s classic outfit, are seven packets containing product ideas, patterns, character art, and guides on how to position Donald as youthful, modern, and romantic. Measuring 10.75” x 3.5” x 13.75”, the portfolio is in good to very good condition with creases, light stains, and wear from handling.

(Wright, 1983) A letter from Disney animator Ralph Wright to a fan with hand-drawn sketches of Eeyore and Goofy. Measuring 8.5” x 11”, the graphite letter is in very good condition with minor edge wear and crease lines from mailing.

(Disney, 1986) An Art of Walt Disney poster featuring Mickey Mouse, signed in black marker by Disney Legends Frank Thomas, Ollie Johnston, and Marc Davis. Measuring 24” x 36” in a 26” x 38” frame, the poster is in good condition with creases and wear.

(Camphor Tree Publishers, 1998) A first edition of Walt's Time: From Before and Beyond, signed on the title page by authors Robert Sherman, Richard Sherman, and editor David Mumford. The 252-page autobiographical hardcover book tells the story of the Sherman Brothers and their long and illustrious songwriting careers, including their work with Walt Disney. Measuring 10” x 1.5” x 13”, the book is in fine condition, while the slipcover is in fair condition with heavy scratches and wear throughout.

(Miller, 2000) A letter from Diane Disney Miller to Disney Legend Rolly Crump, written on Miller's personal stationery and in the original envelope. In the two-sided letter, Miller invites Crump to their home in the Valley to meet the family's new addition. She also informs the Disney Legend that they are sending him some of their wine. Measuring 4.25" x 6.5", the letter is in very good condition with some minor scuffing to the front side.

(Disney, 2009-2017) A collection of four books from The Art of Disney/Pixar series, each signed by crew members. Included are The Art of "Coco” signed by director Lee Unkrich, "Big Hero 6” signed by directors Chris Williams and Don Hall, author Jessica Julius, head of story Paul Briggs, and eight other crew members, "The Princess and the Frog” signed by directors Ron Clements and John Musker, author Jeff Kurtti, supervising animator Eric Goldberg, and 14 other crew members, and The Art of "Up” signed by storyboard artist Ronnie Del Carmen and a second indecipherable signature. Measuring 9.5” x 11.5” each, the books are in very good to fine condition with light wear, and the dust jackets in fair to good condition with scratches throughout, light stains, and wear.

(Disney, 2012) An unopened boxed set of 9 hardcover flipbooks edited by Pete Doctor and released by Disney Editions. Each book spotlights artwork by one of "Walt Disney’s Nine Old Men” - Les Clark, Eric Larsen, Frank Thomas, John Lounsbery, Ward Kimball, Ollie Johnston, Marc Davis, Wolfgang Reitherman, and Milt Kahl. The flipbooks consist of the sequential animation drawings for scenes from classic Disney films, including "Alice in Wonderland,” "Fantasia,” "Peter Pan,” "Bambi,” "Pinocchio,” and more. An additional softcover volume of the artists’ biography is also included. Measuring 5.25” x 6.25”, the flipbooks are in fine condition, housed in a lidded cloth and board box, embossed with the Disney Edition’s title.

(Stanchfield, 1960s-90s) An original watercolor painting by Disney animator Walt Stanchfield. Aside from his contributions to every Disney animated feature from "The Adventures of Ichabod and Mr. Toad" to "The Great Mouse Detective," Stanchfield is perhaps best known for his and Eric Larson’s training program, which included classes and lectures for new animators at the Disney Studio. Notable students of his include Brad Bird, John Lasseter, Don Bluth, Glen Keane, Andreas Deja, and many others. Accomplished in water color and ink and measuring 15” x 22” in a 20” x 26.5” matte, the painting is in fine condition.

(Disneyland, 1954) An extremely rare September 3, 1954 prospectus packet for Disneyland, providing an incredible glimpse into Walt Disney's vision for his Park almost a year before it opened. Titled "The Disneyland Story," this 4 page document educated potential investors with an overview of the lands and attractions planned for Disneyland. Including are some that were never realized such as a Monstro Water Ride and an Alice in Wonderland walk-through. It comes with a "Disneyland" marked spiral binder that contains 23 photos of models, maps, and concept art of Disneyland development. The packet closes with projections of attendance and revenue for the Park. The 8.5” x 11” document and 8"x 10" photos are in good to fine condition with some underlining in pencil throughout the text, light stains to the bottom edge of the first page, and light edge wear and discoloration from age. The 10.5” x 11.5” binder is in fair condition with the top half of the cover detached from the spiral binding and the back cover completely detached but included. Also included is an 8” x 10” digital print of Main Street concept art that was not part of the original presentation.

(Disneyland, 1957) A March 1957 Vol. 2 No. 9 issue of the Disneyland News owned by the Editor-in-Chief, Disney Legend Marty Sklar. The 1890-themed periodical was published within Disneyland and not only served to offer Guests the latest information on the Park and its features, but it also heavily supported the theme of Main Street by being a functioning small town. Included is a hand-written note from his Aunt who gave him the issue. Measuring 16” x 11.25”, the eight-page newspaper displays in fair condition, with the 4” x 5” note taped to the edge of the first page, heavy edge wear and tear throughout, and discoloration from age.

(WED Enterprises, 1965) A revised script of the "Disney Image Presentation,” about the works of Walt Disney and what they mean to the world. Dated June 30, 1965, the 19-page script also provides direction on the visuals that should accompany the narration for the presentation. Measuring 8.5” x 11”, the script is in good condition with light wear and discoloration to the edges and a paperclip impression on the reverse of the last page.

(Sklar, 1966) A two-page memo from Disney Legend Marty Sklar, dated February 2, 1966, proposing a "Care" family of characters to promote Johnson Products, such as "Notta" Care, the mom with "Not a Care in the world” because she uses Johnson Products. The memo details the products they would represent and how they could be introduced with a television commercial. Measuring 8.5” x 11”, the document is in good condition with light wear and discoloration around the edges and light oxidation stains from a staple on the reverse.

(WED Enterprises, 1967) A first draft continuity and narration script for the "Progress City” segment of the Carousel of Progress at Disneyland. The attraction debuted at the General Electric Pavilion at the 1964-65 World’s Fair, and Progress City featured an intricate, one-eighth-scale model of a city based on Walt Disney’s original concept for EPCOT. Measuring 8.5” x 11”, the nine-page script is in very good condition with light wear and discoloration around the edges.

(WED Enterprises, 1967) A WED Enterprises Inc. inter-office communication, dated February 20, 1967, regarding a Walt Disney biography and book series. The document from Disney Legend Marty Sklar to the Publications Committee outlines the plans for telling the story of Walt’s life and the impact of his work on the world through a series of volumes. Measuring 8.5” x 11”, the 11-page communication, bound with a staple in the top left corner, is in very good condition with light edge wear and light discoloration from age.

(WED Enterprises, 1967) A memo from Disney Legend Marty Sklar concerning the first issue of The Disney World, an internal Company magazine, after the death of Walt Disney. Dated January 20, 1967 - just over a month after Walt’s passing - Sklar suggests dedicating the Spring 1967 issue to Walt, and a number of stories of the Company’s growth to highlight. Measuring 8.5” x 11”, the stapled mimeograph memo is in very good condition, with some discoloration to the first page from age.

(Disneyland, 1960s-80s) A Disneyland Construction ID button numbered "1593” worn by an outside contractor hired for work at the Park. Measuring 2” in diameter, the button is in very good condition with light tarnish on the reverse.

(Disney, 1970s) Artwork used to develop an "Images of Walt Disney” mural. The collection includes of over 100 mixed-media pieces including studies of Walt, Disney characters, films, Parks, and other projects. The set includes photocopies trimmed to image, concept drawings, mock-ups, and layouts. Ranging in size from a 2” x 2.5” trimmed photocopy to a 61” x 16.25” layout of the full mural on tracing paper, the collection is in good condition with light handling, edge wear, and creases from production use.

(Walt Disney World, 1970) A Buena Vista Construction Co. hard hat from the construction of Walt Disney World, featuring the Mickey Mouse logo on both sides. Measuring 8” x 11” x 7.5” tall, the adjustable hard hat displays in very good condition with typical scuffs, scratches, and wear from Park use.

(WDI, 1988) An Imagineering Project Lifecycle flowchart outlining the process of designing, building, and testing an attraction. Measuring 18” x 76”, the rolled blueprint displays in good condition with light edge wear and light warping and discoloration from age.

(Walt Disney World, 1994) A Tomorrowland Costume Program book dated March 1994. The 30-page book details the strategy and specifications for the Tomorrowland Cast Member costumes at the Magic Kingdom, including 12 male and female costume designs by Sondra Huber. Measuring 8.5” x 11”, the book is in very good condition with light wear to the spine and back cover.

(Crump, 1997) An original illustration by Disney Legend Rolly Crump for the 50th Anniversary Reunion program of Santa Monica High School's Class of 1947. Crump had created the cover to the school’s "Yell Book" during the 1945-46 school year. With an image size of 8.75” x 11.25” on 12” x 15” artist’s board, the art is in good condition with smudges, scuffs, stains, and edge wear.

(Disney, 1980s-2010s) A maquette of Ursula from "The Little Mermaid” on a base much like her "cauldron” as seen in the film and Ariel’s Undersea Adventure attraction. A "Little Mermaid” dark ride was planned for Disneyland Paris as far back as the early 1990s, and it's possible this relates to the development of an attraction based on the film. Measuring 6.5” x 7” x 6.5”, the painted polymer clay maquette displays in fair condition with both arms detached and repaired, chips to the hair, and light soiling.

(Disneyland, 1963) A ticket to the 8th Annual Disneyland Employees Christmas Party. The event was held on December 16th, 1963, and offered free rides, "bargain food,” and free parking for attendees. Measuring 2.5” x 5”, the ticket displays in good condition with creases, edge wear, and a fold down the center.

(Disneyland, 1977) A Disneyland Employee Family Holiday Pass from 1977. These passes were given to Disney employees and were redeemable for admission for themselves and their families to the Park during the holiday season. Numbered 00008 and measuring 2.5” x 3.75”, the pass is in fine condition.

(Disneyland/ Walt Disney World, 1978) A pair of unused Gold and Silver Disney Park passes from 1978. The passes allow admission for three to five Guests at either Disneyland or Walt Disney World. Each pass is embossed with the respective Park's logo and remains unsigned on the reverse side. Measuring 3.5” x 2.25”, the passes are in fine condition

(Disneyland/ Walt Disney World, 1982-2010) A collection of 11 Disney Silver Passes. A benefit of working for the Walt Disney Company, the pass gives Cast Members admission to any Disney Park (except Tokyo Disneyland) along with three Guests. These passes are from 1982, 1985-86, 1993, 2001-03, and 2007-2010. Measuring approximately 2.25" x 3.5" each, the paper and plastic passes are in good to fine condition with light edge wear and creasing, and the passholder’s signature on the reverse.

(Disneyland, 1982) An Entertainment Backstage Pass for Disneyland performers and entertainers. This pass features an image of Mickey holding open a curtain, and is printed on a textured fabric-like paper with an adhesive backing. The pass is unused, with its backing intact, and is a great example of the early entertainment park passes, which are no longer in use. Measuring 2.25” x 3.5”, the pass displays in very good condition with two staple holes in the upper left corner.

(Disneyland/Walt Disney World, 1999-2000) A Team Disney Complimentary Passport featuring artwork by Disney Legend Charles Boyer, redeemable for a 1-Day Park Hopper Pass at Disneyland or Walt Disney World. Numbered 131603 and measuring 4” x 4.5”, the expired passport displays in very good condition with light edge wear and a pinhole in the upper left corner.

(Disneyland, 1964) A Summer 1964 issue of Disneyland’s Vacationland magazine with a cover featuring the Alice in Wonderland ride and the red Mark I Monorail. Also included are two clippings from a magazine of an article on Walt Disney World Production stock value. Measuring 8.25” x 10.75”, the magazine is in good condition with creasing to the front and back cover, a light tear at the upper binding staple, and light discoloration from age. The clippings measure 2.5” x 2.75” each and display in good condition with edge wear, creasing, and writing in grease pencil.

(Disneyland, 1969) A "Casting for a Role in Our Disneyland Show” Pamphlet. These were given to individuals interested in applying to be Cast Members at Disneyland in the summer of ‘69 and include job descriptions, requirements, and selection process information. Measuring 4” x 8.5”, the trifold pamphlet displays in very good condition with discoloration from age.

(Disneyland, 1974) A Working Our Way orientation booklet given to Cast Members outlining the policies, practices, and procedures for working at the Park. Measuring 8.5” x 11” the booklet displays in good condition with wear and paper loss to the spine, surface wear on the reverse, and light edge wear.

(Walt Disney World, 1974) An early Walt Disney World Seminar handbook for training prospective Cast Members. This 36-page booklet was produced by the Disney University and teaches the Disney philosophy of leadership and management. Measuring 9” x 11”, the handbook is in very good condition with light edge wear to the pages and wear and light creasing to the plastic protective cover.

(Walt Disney World, 1975) A Your Role in the Walt Disney World Show booklet given to new Cast Members at the Florida Parks, providing a brief history of the company and the Guest experience. The 36-page booklet measures 8.5” x 11.5” and is in very good condition with light soiling to the bottom and lower left edge.

(Disneyland/ Walt Disney World, 1987/2000) Three "The Disney Look” Cast Member booklets prepared for training purposes by Disney University. The booklets range from 7-14 pages and provide dress code policies and traditions, and grooming standards for both men and women in and out of costume. Measuring 4” x 9” and 8.5” x 11”, the booklets are in good condition with light edge wear and creasing.

(Disneyland/Walt Disney World, 1982) A Disneyland & You and Walt Disney World & You pair of Cast Member booklets. Each illustrated booklet covers the expectations of Cast Members and provides a brief history of The Walt Disney Company and the corresponding theme park. The Disneyland edition features an image of Sleeping Beauty Castle on the cover, while the Walt Disney World edition includes a beautiful illustration by Disney Legend Herbert Ryman. Measuring 8.5” x 11” each, the 20-page booklets are in good to very good condition with light creases, scratches, spots, and wear from use.

(Disneyland, 1983-90) Three booklets written by Disneyland Ambassadors detailing their experiences and memories of their year in the role. Ambassadors are selected annually to serve as the Park’s official hostess to visiting dignitaries and Heads of State. Included are the booklets by Ambassadors Mindy (1983), Kendra (1987), and Jennifer (1990). Jennifer’s is paired with her photo with Mickey Mouse and Roger Rabbit in a folder. Also included is a photo of Ellen, the 1984 Ambassador, and an invitation to the Ambassador Silver Jubilee Celebration in 1989. Ranging in size from the 5” x 7” invitation to the 12” x 9” folder, the collection is in good to fine condition with light creasing and edge wear to the booklet and a pinhole to the lower left corner of the Jennifer photo.

(Disneyland/ Walt Disney World, 1980s-90s) A collection of nine unused Disneyland and Walt Disney World tags. Included are three "In Process Inspection,” two "Accepted,” and four "Walt Disney World Co.” tags, likely used for incoming merchandise, equipment, food, or props. Measuring 3” x 6.75” each, the tags are in very good condition with light edge wear.

(Walt Disney World, 2009) A Cast Member story guide and operating procedures manual for the Mark IV Monorail, "The Highway in the Sky.” A printout of the 1966 Monorail manual is included, along with updated bonus material added in 2009. Over 100 pages, the manual covers everything from hand signals to emergency procedures and checklists. Measuring 9.25” x 11.5”, the manual is in very good condition with a row of horizontal ink throughout, light wear, and an area of adhesive residue to the top right of the plastic protective cover.

(Disneyland, 1977) A rare folder given to the Cast Members who attended the Inaugural Flight for Disneyland's Space Mountain in the Summer of 1977. Inside is a Special Space Mountain issue of Disneyland Line magazine that discusses the opening of the attraction with behind-the-scenes photos of concept art and Imagineering models. Measuring 9” x 12”, the folder displays in good condition with light wear and creases to the edges and spine, markings on both sides, and light discoloration around the edges. The magazine measures 8.5” x 11” and is in very good condition with light creasing to the spine and light discoloration along the right edge on the reverse. The magazine measures 8.5” x 11” and is in very good condition with light creasing to the spine and light discoloration along the right edge on the reverse.

(Disneyland, 1980s-2000s) A Disneyland Resort Cast Member peacoat. The 10-button double-breasted black peacoat has a ribbed wool collar, an embroidered "Disneyland Resort” patch on the left breast, and its original Disneyland wardrobe label. Labeled a size L, the unisex coat is in very good condition with a 1.75” white stain on the inside right panel, not visible when worn or displayed.

(Disneyland, 1980s-90s) A Cast Member parka with a Red embroidered Disneyland patch. Labeled a size L, the parka displays in good condition with light stains to the cuffs and paint loss to the metal zipper pull.

(Disneyland, 1980s-90s) A Cast Member parka with a blue embroidered Disneyland patch. Labeled a size XL, the parka displays in good condition with a light stain on the right sleeve, paint loss to the metal zipper pull, and the waist drawstring missing.

(Disneyland, 1983) A Disneyland Cast Member "get well soon" card with signatures and well-wishes from over 80 co-workers. The card was for a Cast Member named Ermitt Baker, a rigger who began working with the Park in 1959. Accomplished in marker and ink on illustration board and measuring 24" x 18", the card displays in good condition with edge wear, paper loss to the bottom edge, and light discoloration from age.

(Disneyland, 1984) A framed picket sign from the historic Teamsters Union Strike of Disneyland in 1984. This sign was used by picketers facing a wage freeze, who went on strike for 22 days until an agreement was reached. A "No Magic” sticker featuring a Sleeping Beauty Castle strikethrough is adhered to the sign. Measuring 14” x 22” on a 28” long stick, the sign is in fair condition with discoloration from age, scuffs, creases, and tears up to 1” in diameter from strike use, while the 18.25” x 33.25” custom frame is in very good condition with light wear.

(Disneyland, 1987-99) A Cast exclusive Disneyland Firefighter pin resembling badges worn by the members of the Disneyland Fire Department. These pins were sold to raise money for special events and department gatherings. Measuring 1” x 0.75”, the pin displays in very good condition with light tarnish.

(Disneyland, 1990s-2000s) A Cast exclusive Disneyland Security Officer pin resembling badges worn by Disneyland Security Officers. Measuring 1” x 0.75”, the pin displays in very good condition with a light chip to the finish on the lower right.

(Disneyland, 1980s-90s) A collection of five Disneyland name badges that once belonged to former Disneyland president and Disney Legend Jack Lindquist, who had worked with the Walt Disney Company for more than 35 years. Measuring 1.5" x 2.5" each, the name badges range from good to very good condition with light wear, ink marks, and light discoloration from age.

(Disney's California Adventure, 2000) A pre-opening Disney's California Adventure Cast Member button-up shirt. Stitched on the reverse of the garment is "Coming 2001.” Labeled a size L, the long-sleeved shirt displays in very good condition with light stains, wear, and pilling from age.

(Walt Disney World, 2010s) A Walt Disney World Custodial Guest Services Cast Member uniform. Included are a white button-up shirt, a pair of shorts, a hat, a belt, and a toolbag. The shirt is labeled a size L, the shorts male 36-38, the belt unisex 36, and the rest "one size fits all.” All retain their original Disney Worldwide Services labels. Each piece is in fair to very good condition with stains, pilling, discoloration from age, a 3.5” tear to the bag, and wear from Park use.

(Disneyland, 1974-75) Jack Lindquist’s Disneyland name badge. Lindquist started with the Walt Disney Company in 1955, eventually serving as Vice President of Marketing for Disneyland and Walt Disney World, Executive Vice President worldwide, and finally president of Disneyland until his retirement in 1993. Measuring 1” x 2.5”, the badge is in very good condition with the clasp broken off the back, but included.

(Disneyland, 1993) Jack Linquist’s Golden ‘Ears Club Disneyland name badge. These special badges are given to Cast Member retirees, and Lindquist was given this one upon his retirement from his role as Disneyland president in 1993. Measuring 1.5" x 2.5", the badge is in very good condition with light edge wear and adhesive residue on the reverse.

(Disneyland, 1983) A large poster advertising the Mickey Goes Hawaiian Summer Luau ‘83 for Disneyland Cast Members. The luau was presented by Disneyland Cast Activities and included Disney characters and entertainment, special merchandise, the opportunity to win a Weekend in Waikiki Grand Prize, and more. Measuring 13.75” x 35”, the poster is in fine condition.

(Disney, 2001-2020s) A Cast Member Service Award pin featuring Pluto, given to employees who reached 5 years of service with the Disney Company. Measuring 0.25” x 0.75”, the pin is in fine condition.

(Disney, 2020) A bronze award recognizing sound mechanic Rolly T Ladd for fifteen magical years of work with The Walt Disney Company, featuring a sculpture of Cinderella Castle. Included is Ladd’s 15-year service award pin. The award measures 6” x 6” x 8.5”, and the pin is 0.25” x 0.75”, each piece in fine condition.

(Disney, 2015) A 10-Year Walt Disney Company Service Award plaque given to sound mechanic Rolly T. Ladd in recognition of his service to the company. Included is a congratulatory card, invitation, map, and menu for a celebration at Disneyland for the recipients of the award. Ranging in size from the 5” x 5” invitation to 9" x 12" plaque, the items are in good to fine condition with folds and edge wear to the menu and map.

(Disney, 2020) A mantel clock given to Rolly Ladd in recognition of 15 years of service to the Walt Disney Company. Manufactured by Howard Miller, the clock requires a "AA” battery (not included) and worked when tested. Measuring 7” x 3” x 8.25”, the clock is in fine condition.

(Disneyland, 1950s-80s) A collection of Disneyland Hotel paper ephemera. Included are a doily, an unused sheet of stationery and envelope, a hotel bill from 1957, a parking ticket from 1985, five Game Arcade tokens coupons, and a pair of Castle Showboat game coupons. Ranging in size from the 1” x 2” game coupons to the 8” diameter doily, the items all display in good to very good condition with edge wear, light discoloration from age, and light stains to the stationery.

(Disneyland Hotel, 1960s-70s/90s) A framed collection of three matchbooks from the Disneyland Hotel. The matchbooks are mounted for display on a custom reproduction print of a blank menu page from The Monorail Cafe. Measuring from 0.75” x 2” to 1.5” x 2” in a 9.75” x 12” x 1” thick shadowbox frame, the piece displays in very good to fine condition with light edge wear.

(Disneyland, 1962) A Disneyland Hotel Boyscout neckerchief from the Park’s Scout Days during February of 1962. Measuring 20” x 38”, the neckerchief displays in very good condition with light fraying to the edges.

(Disneyland Hotel, 1980s-2000s) A collection of bed linens from the Disneyland Hotel. Included are four pillowcases and two bed sheets, each with a woven Mickey ears pattern. The pillowcases measure 18” x 30” and display in very good to fine condition, with a light stain and snag on the reverse of one. The sheets measure 95” x 115” and 95” x 110” and display in good condition with wear, light stains, a 0.25” tear to one, and light pilling on the other.

(Disneyland Hotel, 2001-2010) A queen bedspread created for guest rooms at the Disneyland Hotel. The floral pattern features imagery inspired by popular Park attractions including The Haunted Mansion, Pirates of the Caribbean, Jungle Cruise, and the Mad Tea Party. Measuring 85” x 105”, the bedspread is in fine condition.

(Disneyland Hotel, 2005) A set of twelve 50th anniversary plates from the Disneyland Hotel featuring Sleeping Beauty Castle and a stylish border. Measuring 12.5” in diameter, the ceramic plates display in very good condition with light discoloration and wear from hotel use.

(Disneyland, 2001) A Disneyland Resort boxed set of five pins that together form a compass. The pins feature Space Mountain, Disney Animation, the Matterhorn Bobsleds, California Screamin’, and the Grizzly River Run. Limited to an edition of 2000, the pins measure 1” x 1” to 2” x 2” each, and when together measure 4.25” x 4.25”. The pins are in fine condition and come with the original 5.5” x 6.5” x 2.5” velvet-lined box.

(Disney’s Paradise Pier Hotel, 2000s) A pair of Disney’s Paradise Pier Hotel shower curtains and a Luxo Ball spherical pillowcase. The polyester shower curtains measure 68” x 71” and are in very good to fine Hotel-used condition with cracks to some of the plastic rod holder rings. The polyester pillowcase measures 14” in diameter and is in good, Hotel-used condition with stains and a broken zipper.

(Disney’s Paradise Pier Hotel, 2000s) A table and pair of chairs from Disney’s Paradise Pier Hotel. The table features a compass-style sun graphic and the chairs have woven wood backs. The table measures 30” x 23.75” x 29.75” and the chairs measure 19” x 17” x 33”. All are in good Hotel-used condition with typical light scratches and nicks and residue along the edges of the table.

(Disney’s Paradise Pier Hotel, 2000s) A collection of four wall-mounted lamps from guest rooms at Disney’s Paradise Pier Hotel. The lamps were mounted on the walls above the headboards. Measuring 17.5” x 8” x 11.75” in diameter with the shade, the lamps display in good to very good Hotel-used condition with light chips, dents, oxidation, and no longer function from cut wires.

(Disney’s Paradise Pier Hotel, 2000s) A lighthouse desk lamp from Disney’s Paradise Pier Hotel. With a 75-watt max type A bulb (not included), the lamp worked when tested. Measuring 25.5” tall x 7” diameter at the base and a 12” diameter shade, the lamp is in good Hotel-used condition with light paint loss to the base of the lighthouse and creases to the lampshade.

(Disney's Paradise Pier Hotel, 2000-2023) A carpet section from Disney’s Paradise Pier Hotel. Disney changed the name of the Disneyland Pacific Hotel to Paradise Pier to tie into the opening of Disney’s California Adventure, which had a land of the same name. The hotel has since been rebranded as the Pixar Place Hotel. Measuring 45” x 71”, the carpet is in fine condition with light stains on the reverse.

(Disneyland Hotel, 1999-2011) A Disneyland Hotel "Indian Camp” directional sign displayed at the Never Land Pool. In 1999 the Hotel Marina was transformed into a "Peter Pan”-themed pool area featuring Captain Hook’s Jolly Roger and Skull Rock. Measuring 4.75” x 13.75” in a glasses 13.5” x 22” shadowbox frame, the hand-painted wooden sign is in fine condition.

(Disney’s Paradise Pier Hotel, 2001-2023) A surfboard floor lamp from a Disney’s Paradise Pier Hotel guest room. This Disneyland Resort hotel underwent a rebrand in 2024, reopening as the Pixar Place Hotel. The lamp’s light-up function worked when tested and does not include a lightbulb or shade. Measuring 65” tall and 13” in diameter, the floor lamp is in very good condition with light wear from Resort use, including a 1.5” scuff on the base.

(Disney, 2000s) A rare Walt Disney Archives tiki mug gifted exclusively to Archives panel guest speakers. Measuring 7” tall and 3” in diameter, the ceramic mug is in very good condition with light scuffs and "Walt Disney Archives” on the reverse.

(Disneyland, 2012) A Trader Sam’s Enchanted Tiki Bar first edition Shrunken Head mug, one of the original three mugs offered at the Bar during its first year. Measuring 4.5” x 5” tall, the mug is in fine condition.

(Disneyland, 2014) A Trader Sam’s Enchanted Tiki Bar second edition Shrunken Head mug, inspired by the Jungle Cruise and used to serve the potent Zombie cocktail. Measuring 4.5” x 5” tall, the ceramic mug is in fine condition.

(Disneyland, 2013) A Trader Sam's Enchanted Tiki Bar rum barrel mug. This green second release, marked "1st Edition” on the bottom, is a variant of the tan first edition released a year earlier. Measuring 4” in diameter and 4.75” tall, the ceramic mug is in fine condition.

(Disneyland, 2013) A Trader Sam’s Enchanted Tiki Bar first edition Krakatoa mug, designed by Tim Wollweber, and featuring an orange lava glaze. Measuring 3.5” in diameter x 6.5” tall, the ceramic mug is in fine condition.

(Disneyland, 2014) A Trader Sam’s Enchanted Tiki Bar 2nd edition Krakatoa mug designed by Tim Wollweber and manufactured by Tiki Farm. Measuring 3.5” in diameter x 6.5” tall, the ceramic mug is in fine condition.

(Disneyland, 2017) A Trader Sam’s Enchanted Tiki Bar 3rd edition Krakatoa mug designed by Tim Wollweber and manufactured by Tiki Farm. Measuring 3.5” in diameter x 6.5” tall, the mug is in fine condition.

(Disneyland, 2019) A Trader Sam's Enchanted Tiki Bar 4th edition Krakatoa mug designed by Tim Wollweber and manufactured by Tiki Farm. Measuring 3.5” in diameter x 6.5” tall, the ceramic mug is in fine condition.

(Disneyland, 2015) A 2nd edition ceramic tiki mug created for the Tahitian Terrace Diamond Luau tribute event on August 10, 2015, at the Disneyland Hotel. The mug features tiki faces on either side with faux diamond accents and both the Trader Sam’s and Tahitian Terrace logos. Measuring 6” tall and 3.5” in diameter, the mug is in very good condition with light wear.

(Disneyland, 2016) A Trader Sam’s Enchanted Tiki Bar mug featuring the Hitchhiking Ghosts from The Haunted Mansion. This mug is the first edition of four released by the Disneyland Hotel bar, each with its own glaze, and this earliest edition the most sought-after by collectors. Measuring 8.5” tall and 3.5” in diameter, the mug displays in fine condition with light glaze imperfections from the production process.

(Disneyland, 2017) A Trader Sam’s Enchanted Tiki Bar 2nd edition HippopotoMai-Tai mug designed by Tim Wollweber and manufactured by Tiki Farm. Measuring 5” x 4” tall, the ceramic mug is in fine condition.

(Disneyland, 2018) A Trader Sam’s Enchanted Tiki Bar 1st edition Hatbox Ghost mug designed by Tim Wollweber and manufactured by Tiki Farm. The Hatbox Ghost was one of the Haunted Mansion's original 999 Happy Haunts, but was removed shortly after the attraction’s opening. This mysterious disappearance led to a cult-like fan following with the character eventually returning to the Mansion in 2015. Measuring 3.5” in diameter x 8.75” tall, the ceramic mug is in fine condition.

(Disneyland, 2023) A Trader Sam’s Enchanted Tiki Bar 3rd edition Hatbox Ghost mug designed by Tim Wollweber and manufactured by Tiki Farm. Released in a limited edition of 7088, the ceramic mug measures 3.5” in diameter and 8.75” tall, and is in fine condition.

(Walt Disney World, 2020) A Trader Sam’s Grog Grotto 1st edition Citrus Surfer tiki mug. The mug was released in a limited edition of 2000 at the Tambu Lounge instead of the Grog Grotto due to the COVID-19 pandemic. Measuring 3” in diameter and 6.5” tall, the ceramic mug displays in very good condition with heavy crazing to the inside.

(Disneyland, 2023) A Trader Sam’s Grog Grotto rum flight board with three ceramic tiki mugs, a serving tray, and a menu. The tasting cups were originally released in 2015 at Walt Disney World, then at Trader Sam’s Enchanted Tiki Bar in 2023 with a wooden surfboard-shaped tray and a rum menu card. Measuring 2.25” in diameter and 2.75” tall, the ceramic cups, 13” x 1” x 6” wooden board, and 5” x 7” card are all in fine condition.

(Disneyland, 2024) A 1st Edition Abominable Snowman tiki mug designed by Doug P’gosh and manufactured by Tiki Farm to celebrate the Matterhorn Bobsleds’ 65th anniversary. The mug was released at Trader Sam's Enchanted Tiki Bar in a limited edition of 5000 and comes with a Matterhorn 65th anniversary plastic cup and swizzle stick. Measuring 4.75” in diameter and 6” tall, the ceramic mug is in fine condition and comes with the original box. The 3.25” in diameter and 3.75” tall cup and 6” swizzle stick are also in fine condition.